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File:The 'Streatham' and the opium clipper 'Red Rover' RMG BHC3580.jpg

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Summary

anonymous: The 'Streatham' and the opium clipper 'Red Rover'  wikidata:Q50861940 reasonator:Q50861940
Artist
image of artwork listed in title parameter on this page
Author
British School, 19th century
Title
The 'Streatham' and the opium clipper 'Red Rover' Edit this at Wikidata
title QS:P1476,en:"The 'Streatham' and the opium clipper 'Red Rover' Edit this at Wikidata"
label QS:Len,"The 'Streatham' and the opium clipper 'Red Rover' Edit this at Wikidata"
Object type painting
object_type QS:P31,Q3305213
Genre marine art Edit this at Wikidata
Description
English: The 'Streatham' and the opium clipper 'Red Rover'

The ‘Streatham’ with the opium clipper ‘Red Rover’ are shown at anchor in the Hooghly River, Calcutta. The buildings of Calcutta dominate the skyline in the background. A local craft with passengers seen through the louvred canopy is being rowed from the ‘Streatham’. Figures on the shore on the right survey the scene and the nearest man appears to be fishing in the mighty river. Two thirds of the painting is sky which emphasises the vast scale of India.

The ‘Streatham’ was a ship of the Honourable East India Company. The ‘Red Rover’ was the first and most famous of the purpose-built 'opium clippers' which carried opium from India to China. She was launched in Calcutta on 12 December 1829 and ran between Calcutta and the Pearl River. In 1846 she was bought by Jardine Matheson. Designed on the lines of fast American clipper ships, the ‘Red Rover’ doubled the profits of her owners by making two voyages a year from Calcutta to China. The ship was finally lost in the early 1870s.

Opium was grown in large quantities in Bengal, and the East India Company had been granted the monopoly in trading the drug in 1773, and the right to grow it in 1793. By 1839, illegal opium sales to China were massive. In 1842, the Opium War came to an end after the signing of the Treaty of Nanking giving England control of Hong Kong. From this base of operations, opium smuggling grew with each passing year using these sleek opium clippers. Despite the early development of opium clippers in Indian and English shipbuilding yards, the British ship designers failed to adapt to the new need for speed. Their design habits had not changed from the years of the Napoleonic Wars, when the compulsory convoys had sailed at the speed of the slowest vessel.

The 'Streatham' and the opium clipper 'Red Rover'
Date 19th century
date QS:P571,+1850-00-00T00:00:00Z/7
Dimensions Painting: 1000 mm x 1162 mm; Frame: 1181 x 1342 x 45 mm
institution QS:P195,Q7374509
Current location
Accession number
BHC3580
References
Source/Photographer http://collections.rmg.co.uk/collections/objects/15053
Permission
(Reusing this file)

The original artefact or artwork has been assessed as public domain by age, and faithful reproductions of the two dimensional work are also public domain. No permission is required for reuse for any purpose.

The text of this image record has been derived from the Royal Museums Greenwich catalogue and image metadata. Individual data and facts such as date, author and title are not copyrightable, but reuse of longer descriptive text from the catalogue may not be considered fair use. Reuse of the text must be attributed to the "National Maritime Museum, Greenwich, London" and a Creative Commons CC-BY-NC-SA-3.0 license may apply if not rewritten. Refer to Royal Museums Greenwich copyright.
Identifier
InfoField
id number: BHC3580
Collection
InfoField
Oil paintings


Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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