File:Sheila Pinkel Crush 1985.jpg
Sheila_Pinkel_Crush_1985.jpg (192 × 517 pixels, file size: 55 KB, MIME type: image/jpeg)
Summary
[edit]
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Photographic work by Sheila Pinkel, Crush (from "Thermonuclear Gardens", black-and-white photocopy produced on gelatin silver paper, 12" x 36", 1985). The image illustrates a key shift and body of work in Sheila Pinkel's career beginning in the 1980s, when she turned to highly political art which combined research, data visualization, appropriated images and photographic experimentation in a range of sociopolitical critiques. Crush represents her "Thermonuclear Gardens" series (1981–91), which examined the growth of the U.S. military-industrial complex and nuclear industry and its negative impact on the environment, health, jobs sectors and geo-political regions, as well as her use of appropriated commercial imagery and photographic technologies, including photocopies. This series of work has been publicly exhibited in prominent venues, discussed widely in national art and daily press publications. |
|---|---|
| Source |
Artist Sheila Pinkel. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating an mid-career period and body of work in Sheila Pinkel's work that began in the 1980s: her political art, which was broadly influenced by conceptual artists such as Hans Haacke, Joseph Beuys and Allan Sekula. This work combined research, data visualization, and photographic experimentation in examinations of the American military-industrial complex, nuclear industry, and consumption patterns, and their effects, among other subjects, sometimes incorporating the look, techniques and imagery of commercial advertising. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this important shift in her art, which brought ongoing recognition from art journals, daily press publications, and art institutions. Pinkel's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Sheila Pinkel, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Sheila Pinkel//en.wikipedia.org/wiki/File:Sheila_Pinkel_Crush_1985.jpgtrue | |
File history
Click on a date/time to view the file as it appeared at that time.
| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 16:03, 4 February 2021 | | 192 × 517 (55 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Sheila Pinkel | Description = Photographic work by Sheila Pinkel, ''Crush'' (from "Thermonuclear Gardens", black-and-white photocopy produced on gelatin silver paper, 12" x 36", 1985). The image illustrates a key shift and body of work in Sheila Pinkel's career beginning in the 1980s, when she turned to highly political art which combined research, data visualization, appropriated images and photo... |
You cannot overwrite this file.
File usage
The following page uses this file:
