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File:Satire op de berechting van Johan van Oldenbarnevelt Rijksmuseum SK-A-1588.jpeg

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Summary

Cornelis Saftleven: Satire on the trial of Johan van Oldenbarneveldt  wikidata:Q17324369 reasonator:Q17324369
Artist
Cornelis Saftleven  (1607–1681)  wikidata:Q130039
 
Cornelis Saftleven
Alternative names
Cornelis Sachtleven, Cornelis Zachtleven
Description Dutch painter, drawer, printmaker and ornamental painter
Date of birth/death 1607 Edit this at Wikidata 1 June 1681
Location of birth/death Gorinchem Edit this at Wikidata Rotterdam Edit this at Wikidata
Work period between circa 1632 and circa 1681
date QS:P,+1650-00-00T00:00:00Z/7,P1319,+1632-00-00T00:00:00Z/9,P1326,+1681-00-00T00:00:00Z/9,P1480,Q5727902
Work location
Rotterdam (circa 1632
date QS:P,+1632-00-00T00:00:00Z/9,P1480,Q5727902
), Antwerp (circa 1632
date QS:P,+1632-00-00T00:00:00Z/9,P1480,Q5727902
), Utrecht (circa 1635-1637), Rotterdam (1637-1681)
Authority file
artist QS:P170,Q130039
image of artwork listed in title parameter on this page
Title
Satire op de berechting van Johan van Oldenbarnevelt
Object type painting Edit this at Wikidata
Genre satire Edit this at Wikidata
Description
Nederlands: Satire op de berechting van Johan van Oldenbarnevelt. De landsadvocaat zit op een bankje omringd door zijn rechters in de gedaante van verschillende soorten dieren: Nicolaes Kromhout (olifant), Reynier Pauw (pauw), Henrick van Essen en Nicolaes de Voogt (leeuwen), Hugo Muys van Holy (tijger), Gerard Beuckels. van Santen (krokodil), Pieter Jansz. Schagen (vioolspelende ezel met doedelzak en een muziekboek), Aelbrecht Bruyning (hond), Adriaen Ploos (aap met een weerhaan of palmpaashaantje) en Volkert Sloot (bok). Verder ook een wolf, luipaard, beer, vossen, haan, slang, geit, kalf en rechts enkele monsters. Op de achtergrond rechts de poorten van hel. Aan de muur een grote wandkaart en een papier met de tekst Trucidata Innocenta.
Depicted people Johan van Oldenbarnevelt Edit this at Wikidata
Date 1663
date QS:P571,+1663-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions drager Height: 63 cm (24.8 in) drager Width: 86 cm (33.8 in)
institution QS:P195,Q190804
Accession number
SK-A-1588
Object history Acquisition: 1892-11-01
Exhibition history

2012-2012, Rembrandt, Hals and Friends. The Golden Age of Dutch Painting, Praha 2009-2010, Het Vredesjaar 1609, Den Haag

2005-2006, Stichting Victor IV, Utrecht
Inscriptions
  • TRUCIDATA INNOCENTIA Edit this at Wikidata
References Documentatiemap Schilderijen: aantekeningen R. van Luttervelt (voor 1963).G. Wuestman, ‘Een portretminiatuur thuisgebracht’, in Face Book. Studies on Dutch and Flemish Portraiture of the 16th-18th Centuries. Liber Amicorum Presented to Rudolf E.O. Ekkart on the Occasion of his 65th Birthday, Leiden 2012, pp. 359-364
Source/Photographer http://www.rijksmuseum.nl/collectie/SK-A-1588
Permission
(Reusing this file)
Public domain
Public domain
This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1929, and if not then due to lack of notice or renewal. See this page for further explanation.
United States
United States
This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the rule of the shorter term for US works, such as Canada, Mainland China (not Hong Kong or Macao), Germany, Mexico, and Switzerland. The creator and year of publication are essential information and must be provided. See Wikipedia:Public domain and Wikipedia:Copyrights for more details.
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Data and photography rights: "All data and all images made available through the API are either in the public domain or are subject to a CC0 license." https://www.rijksmuseum.nl/en/api/terms-and-conditions-of-use

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The person who associated a work with this deed has dedicated the work to the public domain by waiving all of their rights to the work worldwide under copyright law, including all related and neighboring rights, to the extent allowed by law. You can copy, modify, distribute and perform the work, even for commercial purposes, all without asking permission.

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