File:Sarah Oppenheimer 33-D 2014.jpg

Artwork by Sarah Oppenheimer, 33-D (Aluminum, glass and architecture, Total dimensions variable. Installation view: Kunsthaus Baselland, Switzerland, 2014). The image illustrates a mid-career stage and body of work in Sarah Oppenheimer's career from the 2010s: her architectural projects exploring the articulations and experience of built space. In this project, at Kunsthaus Baselland (Switzerland), she inserted slanting openings and areas of glass to unite, separate or alter the interconnected environments, offering shifting views and light conditions. This project and similar works have been publicly exhibited in prominent venues, discussed in major art journals and daily press publications, and commissioned by museums.

Artist Sarah Oppenheimer. Copyright held by the artist.

Sarah Oppenheimer

Installation view

Yes

The image serves an informational and educational purpose as the primary means of illustrating a mid-career stage and body of work in Sarah Oppenheimer's career from the 2010s: her architectural projects exploring the articulations and experience of built space at venues such as P.P.O.W. and Kunsthaus Baselland. These works reveal and reshape spatial hierarchies of observation and influence in order to create reciprocal engagement from a multiplicity of vantage points by modifying areas of spatial transition such as thresholds, hallways, windows and doors. Working as a medium of experiential exchange, they lead visitors to reconsider perceptions of orientation, structure and the stability of built space. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key developmental phase of her career, which brought widespread recognition through exhibitions in major venues, coverage by major critics in publications, and museum commissions. Oppenheimer's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article.

There is no free equivalent of this or any other of this series by Sarah Oppenheimer, so the image cannot be replaced by a free image.

The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.