File:RBollinger Untitled (nillas) 1997.jpg
RBollinger_Untitled_(nillas)_1997.jpg (387 × 258 pixels, file size: 75 KB, MIME type: image/jpeg)
Summary
[edit]_1997.jpg&action=edit§ion=1){kind=link}
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Sculpture by Rebeca Bollinger, Untitled (nillas) (ink on cookies, shrink wrap, 18" x 9" x 2.5", 1997). The image illustrates Rebeca Bollinger's early work in the 1990s, when she first gained notice for video, sculptural and installation work that drew on image archives from the early internet and used unconventional processes and materials. This work and similar works, particularly of this series, have been publicly exhibited in prominent venues and discussed by well-known critics art and press publications. |
|---|---|
| Source |
Artist Rebeca Bollinger. Copyright held by the artist. |
| Article | |
| Portion used |
Entire artwork |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating an early stage and body of work in Rebeca Bollinger's career in the 1990s: video, sculptural and installation work that drew on image archives from the early internet and used unconventional processes and materials, in this case, downloaded portraits from websites that imprinted onto baked goods using a commercial baking printer (her "Untitled (cookies)" series. This work explored impermanence, the fragility of identity, the contemporary appetite for information, the blurring of private and public, and the superficiality of media. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key early stage of her work, which has brought her first widespread recognition. Bollinger's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Rebeca Bollinger, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Rebeca Bollinger//en.wikipedia.org/wiki/File:RBollinger_Untitled_(nillas)_1997.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:47, 26 September 2019 | | 387 × 258 (75 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Rebeca Bollinger | Description = Sculpture by Rebeca Bollinger, ''Untitled (nillas)'' (ink on cookies, shrink wrap, 18" x 9" x 2.5", 1997). The image illustrates Rebeca Bollinger's early work in the 1990s, when she first gained notice for video, sculptural and installation work that drew on image archives from the early internet and used unconventional processes and materials. This work and simil... |
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File usage
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_1997.jpg&oldid=918002638){kind=link}