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File:PulpFictionCase.jpg

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PulpFictionCase.jpg (483 × 206 pixels, file size: 39 KB, MIME type: image/jpeg)

Description: Screenshot from the film Pulp Fiction (1994), showing Vincent Vega (John Travolta) looking into the glowing briefcase with its never-seen contents
Copyright holders: Miramax
Source: Polan, Dana, Pulp Fiction (BFI, 2000)

Non-free media rationale

[edit]
Non-free media information and use rationale true for Pulp Fiction (film)
Description

Film screenshot of John Travolta as Vincent Vega

Source

Image from Pulp Fiction, reproduced in Dana Polan (2000), Pulp Fiction (London: BFI). ISBN 0851708080.

Article

Pulp Fiction (film)

Portion used

Complete, as reproduced in Polan.

Low resolution?

Yes

Purpose of use

For use in article subsection "Critical analysis"/"Notable motifs"/"The mysterious briefcase". The image is used for explication of sourced critical commentary on the depicted action and performance and the widely discussed cinematic allusion they involve. This is one of the most widely discussed and analyzed moments in the motion picture (Ebert, Roger (1997). Questions for the Movie Answer Man, p. 186 (Kansas City, Mo.: Andrews McMeel). ISBN 0836228944). Underscoring its unusual importance, Tarantino's screenplay specifies the character's facial expression (Source: Tarantino, Quentin (1994). Pulp Fiction: A Screenplay, p. 28 (New York: Hyperion/Miramax). ISBN 0786881046); the image helps the reader to understand the emotional effect of that expression and assess its relation to its allusive source, a comparable moment in the film Kiss Me Deadly (Source: Gallafent, Edward (2006). Quentin Tarantino, p. 46 (London: Pearson Longman). ISBN 0582473047). The allusion to Kiss Me Deadly has attracted widespread critical attention and is considered crucial to an understanding of Tarantino's aesthetic approach to the creation of Pulp Fiction (Sources: Groth, Gary (1997). "A Dream of Perfect Reception: The Movies of Quentin Tarantino", in Commodify Your Dissent: Salvos from The Baffler, ed. Thomas Frank and Matt Weiland, p. 188 (New York: W.W. Norton). ISBN 0393316734; Polan, Dana. (2000). Pulp Fiction, p. 20 (London: BFI). ISBN 0851708080). In addition, in the general context of the article, it also illustrates one of the most significant of the many cinematic allusions employed by Tarantino, and one of the most visual, as well (Source: Gormley, Paul (2005). The New-Brutality Film: Race and Affect in Contemporary Hollywood Cinema, p. 164 (Bristol, UK, and Portland, Ore.: Intellect). ISBN 1841501190). The use of the image in this location and context makes a significant contribution to the user's understanding of the article, which could not practically be conveyed by words alone.

Replaceable?

As a screenshot of a unique cinematic scene, any comparable image would be similarly under copyright, so no free image plausibly exists or could exist that would be a valid replacement.

Other information

© 1994, Miramax Films.

Fair useFair use of copyrighted material in the context of Pulp Fiction (film)//en.wikipedia.org/wiki/File:PulpFictionCase.jpgtrue

Licensing

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File history

Click on a date/time to view the file as it appeared at that time.

Date/TimeThumbnailDimensionsUserComment
current00:05, 3 October 2024Thumbnail for version as of 00:05, 3 October 2024483 × 206 (39 KB)DatBot (talk | contribs)Reduce size of non-free image (BOT - disable)
12:51, 2 October 2024No thumbnail1,920 × 822 (111 KB)Azatxa (talk | contribs)Updated quality for image
05:17, 12 May 2017No thumbnail475 × 210 (12 KB)DatBot (talk | contribs)Reduce size of non-free image (BOT - disable)
00:59, 14 July 2012No thumbnail833 × 369 (126 KB)Maggosh (talk | contribs)

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