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Summary

Pierre Reymond: Plaque with Solomon Turning to Idolatry   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist
Pierre Reymond  (1513–1584)  wikidata:Q7192420
 
Pierre Reymond
Alternative names
Reymond
Description French enamelist
Date of birth/death circa 1513
date QS:P,+1513-00-00T00:00:00Z/9,P1480,Q5727902
after 1584
date QS:P,+1584-00-00T00:00:00Z/7,P1319,+1584-00-00T00:00:00Z/9
Authority file
artist QS:P170,Q7192420
Title
Plaque with Solomon Turning to Idolatry
Description
English: In later life, Solomon, the Old Testament king famous for his wisdom, fell under the influence of his 700 foreign wives and turned to idolatry, building temples for their gods (1 Kings). This plaque and its companion "Jael Killing Sisera" are from a series "The Power of Women," based on engravings of around 1569, published in Antwerp by Philips Galle (1537-1612). Other subjects include Eve offering the Apple to Adam, Delilah Cutting Sampson's Hair, and Judith Killing Holofernes. The women are represented as using their sexuality to control men. The series mixes the heroic and the tawdry, making little concession to the exemplary bravery and achievements of Judith or Jahel. An example of social "backlash," the series was popular only where middle-class women had gained greater access to education and legal rights. Pierre Reymond, who monogrammed the plaques, is known for sophisticated painted enamel display tableware.
Date between 1550 and 1575
date QS:P571,+1550-00-00T00:00:00Z/7,P1319,+1550-00-00T00:00:00Z/9,P1326,+1575-00-00T00:00:00Z/9
(Renaissance
era QS:P2348,Q4692
)
Medium painted enamel and gilt on copper
Dimensions height: 30 cm (11.8 in); width: 24 cm (9.4 in)
dimensions QS:P2048,30U174728
dimensions QS:P2049,24U174728
institution QS:P195,Q210081
Accession number
44.197
Place of creation Limoges, France
Object history
Exhibition history Women Who Ruled: Queens, Goddesses, Amazons 1500-1650. The University of Michigan Museum of Art, Ann Arbor; The Dixon Gallery and Gardens, Memphis; Davis Museum and Cultural Center, Wellesley College, Wellesley. 2002.
Credit line Acquired by Henry Walters, 1928
Source Walters Art Museum: Home page  Info about artwork
Permission
(Reusing this file)
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Attribution: Walters Art Museum
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Date/TimeThumbnailDimensionsUserComment
current17:27, 24 January 2019Thumbnail for version as of 17:27, 24 January 20191,119 × 1,367 (2.12 MB)JohnbodFile:Pierre Reymond - Plaque with Solomon Turning to Idolatry - Walters 44197.jpg cropped 28 % horizontally, 24 % vertically using CropTool with precise mode.