File:Piero - The Flagellation.jpg

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Summary

Object

Piero della Francesca: Flagellation of Christ

Artist



Alternative names	Birth name: Pietro di Benedetto dei Franceschi; Pietro Borgliese
Description	painter and mathematician
Date of birth/death	between circa 1410 and circa 1420 date QS:P,+1450-00-00T00:00:00Z/7,P1319,+1410-00-00T00:00:00Z/9,P1326,+1420-00-00T00:00:00Z/9,P1480,Q5727902	12 October 1492
Location of birth/death	Sansepolcro	Sansepolcro
Work period	1427 –1492
Work location	Sansepolcro, Arezzo, Rimini, Rome
Authority file	: Q5822 VIAF: 41861623 ISNI: 0000000121297163 ULAN: 500006339 LCCN: n50072224 NLA: 36557157 WorldCat

Author

Piero della Francesca

Title

German:

Geißelung Christi

Flagellation of Christ

Object type

painting

Genre

religious art

Description

English: The Flagellation by Piero della Francesca. Source: [1]

Date

between circa 1468 and circa 1470

Early Renaissance (1420s–1500)

Medium

tempera on poplar panel

Dimensions

height: 59 cm (23.2 in)

; width: 82 cm (32.2 in)

Collection

Galleria Nazionale delle Marche

	Location	Urbino , Italy
	Coordinates	43° 43′ 27.64″ N, 12° 38′ 11.3″ E
	Established	1912
	Authority file	: Q1080108 VIAF: 137248729 ISNI: 0000000121661447 LCCN: n83220341 SUDOC: 032153236 BNF: 12323943v WorldCat

Place of creation

Italy

References

Authority file

: Q1212920
BNF: 11967682m

Other versions

image
creator's signature

Photograph

Source

Piero della Francesca

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:

Public domain	This media file is in the public domain in the United States. This applies to U.S. works where the copyright has expired, often because its first publication occurred prior to January 1, 1929, and if not then due to lack of notice or renewal. See this page for further explanation.	United States
	This image might not be in the public domain outside of the United States; this especially applies in the countries and areas that do not apply the rule of the shorter term for US works, such as Canada, Mainland China (not Hong Kong or Macao), Germany, Mexico, and Switzerland. The creator and year of publication are essential information and must be provided. See Wikipedia:Public domain and Wikipedia:Copyrights for more details.

The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

Original upload log

The original description page was here. All following user names refer to en.wikipedia.

Date/Time	Dimensions	User	Comment
2005-06-12 11:33	1106×775× (189363 bytes)	Ham II	'''[[The Flagellation]]''' by [[Piero della Francesca]]. Source: [http://www.wga.hu/frames-e.html?/html/p/piero/francesc/flagella.html] {{PD-Art}}

File history

Click on a date/time to view the file as it appeared at that time.

	Date/Time	Thumbnail	Dimensions	User	Comment
current	08:27, 14 July 2018		1,106 × 775 (185 KB)	Ham II	Transferred from en.wikipedia via #commonshelper

File usage

The following 10 pages use this file:

Global file usage

The following other wikis use this file:

Usage on ca.wikipedia.org
- Matemàtiques i art
Usage on cs.wikipedia.org
- Bičování Krista
Usage on es.wikipedia.org
- Juan VIII Paleólogo
- Matemáticas y arte
Usage on fr.wikipedia.org
- Renaissance à Urbino
Usage on gl.wikipedia.org
- Matemáticas e arte
Usage on ha.wikipedia.org
- Kafar azãba
- Kafar Azaba
Usage on hy.wikipedia.org
- Մասնակից:ՆարեԱդամ/Ավազարկղ6
Usage on ja.wikipedia.org
- ピエロ・デラ・フランチェスカ
- キリストの鞭打ち (ピエロ・デラ・フランチェスカ)
Usage on ko.wikipedia.org
- 요안니스 8세
Usage on nl.wikipedia.org
- Gebruiker:Michiel043/Zandbak
Usage on ru.wikipedia.org
- Иоанн VIII Палеолог
Usage on sl.wikipedia.org
- Bičanje Kristusa (Piero della Francesca)
- Medalja Ivana VIII. Paleologa
Usage on sv.wikipedia.org
- Kristi gisslande
Usage on th.wikipedia.org
- พระเยซูถูกเฆี่ยน (เปียโร เดลลา ฟรานเชสกา)
Usage on vi.wikipedia.org
- Toán học và nghệ thuật

Metadata

This file contains additional information, probably added from the digital camera or scanner used to create or digitize it.

If the file has been modified from its original state, some details may not fully reflect the modified file.

JPEG file comment

PIERO della FRANCESCA

(b. 1416, Borgo San Sepolcro, d. 1492, Borgo San Sepolcro)

The Flagellation c. 1455 Oil and tempera on panel, 58.4 x 81.5 cm Galleria Nazionale delle Marche, Urbino

This panel painting - one of his most famous - was executed by Piero during his first visit to Urbino. It contains subtle references to the situation of the time, which are very difficult to understand today. The theory that seems to be proposed most frequently is that the painting was commissioned as an attempt to favour the reconciliation between the two Christian churches, of the East and of the West, in view of the imminent Turkish attack on Constantinople. Both the presence of the character in the centre, dressed after Greek fashion, and an inscription on the frame ("convenerunt in unum") would seem to support this interpretation.

From the point of view of composition and perspective the painting is very rigorously planned. The composition appears to be divided into two scenes, separated by the column supporting the temple in which the Flagellation of Christ is taking place. On the right are three figures, arranged in a semi-circle; their identity is not certain. They are probably well-known characters of the time and, as such, they would be portrayed with their real features. The importance of the architecture in this painting, with the elegant classical temple, would suggest that Piero was in touch with contemporary theoretical writings. The onlooker must stand directly in the centre of the painting, for the composition is strictly unitarian, and this unity is achieved by the rigorous use of a single vanishing point. The painting is an ultimate exemple of Quattrocento linear perspective.

Even though he is working in a unitary space, Piero does not give up his interest in detail, such as the ceiling of the temple or the bronze sculpture on the column with its splendid reflection of the light. The magnificent damask garment worn by the character on the far right, with its contrast between blue and gold, reveals Piero's love for luxurious clothing and for the most fashionable styles, which many Florentine painters had eliminated entirely from their work.

- - Keywords: *************

Author: PIERO della FRANCESCA Title: The Flagellation Time-line: 1451-1500 School: Italian Form: painting

Type: religious

File:Piero - The Flagellation.jpg

Contents

Summary

Object

Photograph

Licensing

Original upload log

Captions

Items portrayed in this file

depicts

Flagellation of Christ

digital representation of

Flagellation of Christ

main subject

Flagellation of Christ

File history

File usage

Global file usage

Metadata