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File:Munich - Deutsches Museum - 07-9584.jpg

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English: Details of a Siemens electronic music recording studio 1955

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  • Modified Hohner Hohnerola - hybrid electronically-amplified electrically-brown reed organ, probably using electrostatic pickup.[1] 84 tones from C to H”.[2]
  • MEL ​​filter bank with fourteen individual filters between 200 Hz and 10 kHz, a "vibration generator" and a relay circuit to control were integrated by means of punched tape.[3][4] Or, filter and envelope control (unfinished, for the Hohnerola).[5]
  • Sägezahngenerator (Sawtooth Generator),[5] or, external ramp generator,[3] or, impulse or sawtooth generator with 84 tones.[2]

left:

References

  1. ↑ Hohner Hohnerola. The Organ. Ken Stone's Modular Synthesizer (www.cgs.synth.net).
  2. ↑ a b The ‘Siemens Synthesiser’ H.Klein & W.Schaaf. Germany, 1959. 120 Years of Electronic Music. (120years.net).
  3. ↑ a b Manfred Miersch. Die Hohnerola des Siemens Studios für Elektronische Musik, München (in Germany). Die "Mel"-Filterbänke des Subharchords und der Hohnerola im Vergleich. (subharchord.de). "Die Hohnerola des Siemens Studios für Elektronische Musik, München (auf dem Instrument oben: ein externer Sägezahngenerator)"
  4. ↑ Fred K. Prieberg (1960) Musica ex machina, p. 101
  5. ↑ a b c Siemens-Studio für Elektronische Musik (Munich). MonteSound Studios. "The Studio located in the Siemens Zentral-Laboratorium in Gauting (Munich) was equiped with standard devices and custom built. As for 1958 was counting with the following equipment: ... As for 1960 the Studio, now relocated in the Siemens premises at Oskar-von-Miller-Ring in Munich, was expanded with the following equipment: ... About 1962 the Studio was in the final configuration including: ... In may 1964 the Studio was tranferred to the Hochschule für Gestaltung (Highschool for Designers) in Ulm and there was added the Towiphon. This was the last configuration."
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