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File:La Revanche, ou les Français au Missouri (BM 2006,U.209).jpg

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Summary

La Revanche, ou les Français au Missouri   (Wikidata search (Cirrus search) Wikidata query (SPARQL)  Create new Wikidata item based on this file)
Artist

Print made by: J J Grandville

Printed by: V Ratier
Title
La Revanche, ou les Français au Missouri
Description
English: Plate 8; satire showing a group of seated Native-Americans watching as another points a stick towards a group of fashionable French people standing on a stage; among them is a couple, smartly dressed, the man wearing a military uniform and the woman with a showy hairstyle; behind them, two smartly dressed Frenchmen, one of them wearing a top hat; hanging on the wall, a picture representing an extravagantly-dressed couple. 1829
Hand-coloured lithograph
Date 1829
date QS:P571,+1829-00-00T00:00:00Z/9
Medium paper
Dimensions
Height: 197 millimetres (printed area)
Width: 259 millimetres
institution QS:P195,Q6373
Current location
Prints and Drawings
Accession number
2006,U.209
Notes

The scene refers to the group of six Native-americans brought to Paris by Colonel David Delaunay and exhibited to the Parisian public. La Silhouette was published from the 24 December 1829 to the 2 January 1831. Founded by Honoré de Balzac, Emile de Girardin-Ratier and Victor Varaigne. It was the first weekly caricature journal published in France which valorised both text and image. The illustrations were executed by Henri Monnier, Charles Philipon, Grandville, Daumier, Devéria and Traviès.

See: David S. Kerr, 'Caricature and French political culture 1830-1848. Charles Philipon and the illustrated press', Oxford, 2000; Judith Wechsler, 'A Human Comedy: Physiognomy and Caricature in 19th Century Paris', London, 1982
Source/Photographer https://www.britishmuseum.org/collection/object/P_2006-U-209
Permission
(Reusing this file)
© The Trustees of the British Museum, released as CC BY-NC-SA 4.0

Licensing

This image is in the public domain because it is a mere mechanical scan or photocopy of a public domain original, or – from the available evidence – is so similar to such a scan or photocopy that no copyright protection can be expected to arise. The original itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

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Date/TimeThumbnailDimensionsUserComment
current08:49, 17 May 2020Thumbnail for version as of 08:49, 17 May 20202,500 × 1,843 (1,010 KB)CopyfraudBritish Museum public domain uploads (Copyfraud/BM) Coloured lithographs in the British Museum 1829 #20,749/21,781

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