English: Dupré was one of the few Barbizon artists to spend a significant amount of time in England, visiting for four months in 1831. This luminous view suggests not only his interest in outdoor painting but also his admiration for the atmospheric landscapes and dramatic skies of the English artist John Constable.
Date
between circa 1835 and circa 1840
date QS:P571,+1850-00-00T00:00:00Z/7,P1319,+1835-00-00T00:00:00Z/9,P1326,+1840-00-00T00:00:00Z/9,P1480,Q5727902
The Men of 1830. The Walters Art Gallery, Baltimore. 1957. The Rise of Landscape Painting in France: Corot to Monet. The Currier Gallery of Art, Manchester, Manchester; IBM Gallery of Science and Art; Dallas Museum of Art, Dallas; High Museum of Art, Atlanta. 1991-1992. Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998. A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004. The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. 2004-2005. The Road to Impressionism: Barbizon Landscapes from the Walters Art Museum. The Dixon Gallery and Gardens, Memphis; The Frick Art & Historical Center, Pittsburgh. 2008-2009. 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. 2010-2011.
Credit line
Acquired by William T. Walters, 1883
Inscriptions
[Signature] Lower left: Jules Dupre; [Inscription] On back of frame: Dupré Mons Lucas
This work is free and may be used by anyone for any purpose. If you wish to use this content, you do not need to request permission as long as you follow any licensing requirements mentioned on this page.
The Wikimedia Foundation has received an e-mail confirming that the copyright holder has approved publication under the terms mentioned on this page. This correspondence has been reviewed by a Volunteer Response Team (VRT) member and stored in our permission archive. The correspondence is available to trusted volunteers as ticket #2012021710000834.
This is a faithful photographic reproduction of an original two-dimensional work of art. The work of art itself is in the public domain for the following reason:
Public domainPublic domainfalsefalse
This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.
You must also include a United States public domain tag to indicate why this work is in the public domain in the United States.
https://creativecommons.org/publicdomain/mark/1.0/PDMCreative Commons Public Domain Mark 1.0falsefalse
This digital reproduction has been released under the following licenses:
Public domainPublic domainfalsefalse
This work has been released into the public domain by its author, Walters Art Museum. This applies worldwide. In some countries this may not be legally possible; if so: Walters Art Museum grants anyone the right to use this work for any purpose, without any conditions, unless such conditions are required by law.
Public domainPublic domainfalsefalse
In many jurisdictions, faithful reproductions of two-dimensional public domain works of art are not copyrightable. The Wikimedia Foundation's position is that these works are not copyrightable in the United States (see Commons:Reuse of PD-Art photographs). In these jurisdictions, this work is actually in the public domain and the requirements of the digital reproduction's license are not compulsory.
Captions
Add a one-line explanation of what this file represents
== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Jules Dupré}} |title = ''A Bright Day'' |description = {{en|Dupré was one of the few Barbizon artists to spend a significant amount of time in Engla...