English: St. Matthew is depicted receiving inspiration in composing his Gospel from a divinely sent, winged human figure, one of the four winged creatures described in Revelation that were understood as symbolizing the four Evangelists. This painting is from a series of the Four Evangelists that is datable to around 1616 by comparison to a similar, dated series. By contorting the Evangelist's body in a cramped space against a black background, Wtewael (pronounced "oo-te-vahl") increases our sense of the saint's stress and concentration. This artificial manipulation is visually intriguing but old fashioned at a time when Bloemaert and others were turning to greater naturalism.
Wedewer Collection Sale, Cologne, May 1, 1899 [no. 90, as by H. Goltzius]
Howard Collection sale, Christie's, New York, June, 1984
Walters Art Museum, Baltimore, 1984, by purchase
Exhibition history
Masters of Light: Dutch Painters in Utrecht During the Golden Age. The Walters Art Gallery, Baltimore; Fine Arts Museums of San Francisco, San Francisco; The National Gallery, London. 1997-1998.
Credit line
Museum purchase with funds provided by the W. Alton Jones Foundation Acquisition Fund, 1984
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== {{int:filedesc}} == {{Walters Art Museum artwork |artist = {{Creator:Joachim Wtewael}} |title = ''Saint Matthew'' |description = {{en|St. Matthew is depicted receiving inspiration in composing his Gospel from a divinely sen...