File:Jennifer Bolande Visible Distance 2017.png
Jennifer_Bolande_Visible_Distance_2017.png (384 × 259 pixels, file size: 164 KB, MIME type: image/png)
Summary
[edit]
 | This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. |
| Description |
Installation by Jennifer Bolande, Visible Distance/Second Sight (site-specific billboard installation, 2017, Coachella Valley, CA). The image illustrates a key body of work by Jennifer Bolande in the 2010s when she produced public art projects whose visual paradoxes and displacements facilitated fleeting moments of perception and recognition in viewers. The image is of her site-specific 2017 Desert X project. It consisted of three double-sided highway billboards that reproduced her enlarged photographs of the distant San Jacinto, Santa Rosa and San Bernardino mountain ranges, placed and scaled so that the wordless pictures would line up exactly with the approaching actual landscape view for drivers for a brief moment. This body of work and individual piece were publicly exhibited in prominent public locations and discussed by critics in major art journals and daily press publications. |
|---|---|
| Source |
Artist Jennifer Bolande. Copyright held by the artist. |
| Article | |
| Portion used |
Installation image |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key body of work in Jennifer Bolande's career beginning in the 2010s: her public art projects, which often employ visual effects through displacement and unexpected recontextualizations to induce double takes in viewers. These works have commented on sociocultural issues through loaded imagery and juxtapositions or collapsed imagistic, cinematic and embodied experience in fleeting moments of perception and recognition. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to understand this key body of work, which brought Bolande later recognition through exhibitions, coverage by major critics and publications and commissions. Bolande's work of this type and this series is discussed in the article and by critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Jennifer Bolande, nor does the installation still exist, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Jennifer Bolande//en.wikipedia.org/wiki/File:Jennifer_Bolande_Visible_Distance_2017.pngtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 14:45, 3 February 2024 | | 384 × 259 (164 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Jennifer Bolande | Description = Installation by Jennifer Bolande, ''Visible Distance/Second Sight'' (site-specific billboard installation, 2017, Coachella Valley, CA). The image illustrates a key body of work by Jennifer Bolande in the 2010s when she produced public art projects whose visual paradoxes and displacements facilitated fleeting moments of perception and recognition in viewers. The im... |
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