File:Hieronymus Bosch 074.jpg

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Summary

Hieronymus Bosch: The Haywain Triptych

Artist



Alternative names	Jheronimus Bosch, Jheronimus van Aken, Jheronimus van Aeken, Jheronimus Anthonissoen van Aken
Description	Dutch-Southern Netherlandish painter, drawer, architectural draftsperson and visual artist
Date of birth/death	circa 1450	9 August 1516 (buried)
Location of birth/death	's-Hertogenbosch	's-Hertogenbosch
Work period	1474 –1516
Work location	's-Hertogenbosch (1474–1516)
Authority file	: Q130531 VIAF: 76401424 ISNI: 000000012102478X ULAN: 500000759 LCCN: n79004071 NLA: 35020462 WorldCat

Title

The Hay Wagon, central panel.

Part of

The Haywain Tryptich

Object type

painting

Genre

religious art

Date

between 1512 and 1515

Medium

oil on panel

Dimensions

height: 135 cm (53.1 in); width: 100 cm (39.3 in)

Collection

Museo del Prado (Inventory)

	Native name	Museo Nacional del Prado
	Location	Madrid, (Spain)
	Coordinates	40° 24′ 50″ N, 3° 41′ 32″ W
	Established	1819
	Website	museodelprado.es
	Authority file	: Q160112 VIAF: 147181932 ISNI: 0000000122942419 ULAN: 500270885 LCCN: n79064568 NLA: 36514982 WorldCat

Accession number

2052

Place of creation

's-Hertogenbosch

Exhibition history

Jheronimus Bosch - Visions of genius, Museo del Prado (31 May 2016 - 11 September 2016)

References

RKDimages, Art-work number 57494, as Hieronymus Bosch and/or workshop, De hooiwagen, circa 1516 or later (1512-1515) Web Gallery of Art, as Hieronymus Bosch, Triptych of Haywain (central panel), 1500-02.

Source/Photographer

Web Gallery of Art:

Image

Info about artwork

Other versions

Details:

Licensing

This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:

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File history

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	Date/Time	Thumbnail	Dimensions	User	Comment
current	12:26, 7 April 2010		900 × 1,216 (221 KB)	Vincent Steenberg	better version
	03:43, 19 May 2005		2,024 × 2,698 (456 KB)	File Upload Bot (Eloquence)	{{Painting\| \|Title=<br /> ''de:'' Heuwagen, Triptychon, Mitteltafel: Der Heuwagen \|Technique=<br /> ''de:'' Öl auf Holz \|Dimensions=<br /> ''de:'' 135 × 100 cm \|Location=<br /> ''de:'' Madrid \|Country=<br /> ** ''de:'' Niederlande \|Gallery=<

File usage

The following page uses this file:

Works of art in The Aesthetics of Resistance

Global file usage

The following other wikis use this file:

Usage on ast.wikipedia.org
- Alegoría
Usage on br.wikipedia.org
- Roll livadurioù Hieronymus Bosch
- Ar c'harrad foenn
Usage on ca.wikipedia.org
- El carro de fenc
Usage on cs.wikipedia.org
- Fůra sena
Usage on de.wikipedia.org
- Kunstwerke in der „Ästhetik des Widerstands“
Usage on eo.wikipedia.org
- Alegorio
Usage on es.wikipedia.org
Usage on eu.wikipedia.org
- Alegoria
Usage on fr.wikipedia.org
Usage on it.wikipedia.org
- Utente:Blitiri
Usage on ja.wikipedia.org
- 乾草車の三連祭壇画
Usage on ka.wikipedia.org
- თივის გადატანა
Usage on nl.wikipedia.org
- 1516
- Hooiwagen-drieluik
Usage on oc.wikipedia.org
- Jeròni Bosch
Usage on ru.wikipedia.org
- Прадо
Usage on uk.wikipedia.org
- Національний музей Прадо

Metadata

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JPEG file comment

BOSCH, Hieronymus

(b. ca. 1450, 's-Hertogenbosch, d. 1516, 's-Hertogenbosch)

Triptych of Haywain (central panel) 1500-02 Oil on panel, 135 x 100 cm Museo del Prado, Madrid

Like the Tabletop of the Seven Deadly Sins, the Haywain shows mankind given over to sin, completely unmindful of God's law and oblivious to the fate which he has prepared for them. In this image, however, Bosch focuses on one of the Deadly Sins: the desire for worldly gain, or Avarice, whose sub-categories are elaborated in the adjacent figure groups very much as they are in the old handbooks on the Virtues and Vices. Avarice leads to discord, violence and even murder, all of which are graphically depicted in the open space before the cart. If the princes and prelates complacently jog along behind the cart, holding themselves aloof from this struggle, it is because the haystack is, so to speak, already in their possession; they are guilty of the sin of Pride. Avarice also leads men to cheat and deceive; the man wearing a tall hat and accompanied by a child at lower left is most likely a false beggar. The quack physician in the centre has set up his table with charts and jars designed to impress his victim; the purse at his side stuffed with hay alludes to his ill-gotten gains. Several nuns at lower right push hay into a large bag, supervised by a seated monk whose gluttonous tendencies are revealed by his ample waist.

The meaning of some of the other groups remains unclear, and we may also wonder at the presence of the lovers on top of the haystack. That they illustrate the sin of Lust we know from the appearance of similar figures in the Prado Tabletop, but it might be argued that the pursuit of the pleasures of the flesh involves the expenditure rather than the accumulation of earthly goods. A class distinction may perhaps be observed between the rustic couple kissing in the bushes and the more elegantly dressed group making music. Their music is certainly that of the flesh, for the devil near by, piping some lascivious tune through his nose, has already lured their attention from the angel praying at the left.

--- Keywords: --------------

Author: BOSCH, Hieronymus Title: Triptych of Haywain (central panel) Time-line: 1451-1500 School: Netherlandish Form: painting

Type: religious