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Summary

Description
English: This map shows the extent of gong-chime culture throughout Southeast Asia. Included are the three major genres of music prevalent in the region: this includes the gamelan of western Indonesia, the kulintang of the southern Philippine, eastern Indonesia, eastern Malaysia and East Timor, and piphat of Thailand, Cambodia, Laos and Burma.
Date
Source
Author Philip Dominguez Mercurio (PhilipDM)

References

  1. Joyobhoyo, "Gamelan in South-East Asia." Gamelan: architecture of carved rhythm. 28 SEP 2005 . 29 Jan 2007
  2. a b c d Cadar, Usopay Hamdag (1971). The Maranao Kolintang Music: An Analysis of the Instruments, Musical Organization, Ethmologies, and Historical Documents. Seattle, WA: University of Washington.
  3. Frame, Edward M.. "The Musical Instruments of Sabah, Malaysia." Ethnomusicology 26(1982):
  4. a b "Embassy of the Republic of Indonesia." Ethnic Music. 2005. Embassy of the Republic of Indonesia in Berlin - Germany. 29 Jan 2007
  5. Maceda, Jose. Gongs and Bamboo: A Panorama of Philippine Music Instruments. Quezon City: University of the Philippines Press, 1998.
  6. Matusky, Patricia. "Musical Instruments of Malaysia." Musical Malaysia. 2002. Musicmall Conservatoire Productions Sdn Bnd. 29 Jan 2007
  7. Matusky, Patricia. "An Introduction to the Major Instruments and Forms of Traditional Malay Music." Asian Music Vol 16. No. 2. (Spring-Summer 1985), pp. 121-182.


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28 February 2007

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current21:36, 28 February 2007Thumbnail for version as of 21:36, 28 February 20072,975 × 2,675 (633 KB)PhilipDM'''en:''' *Description: This map shows the extent of gong-chime culture throughout Southeast Asia. Included are the three major genres of music prevalent in the region: this includes the gamelan of western Indonesia, the

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