File:Eileen Cowin Shelf Life 2018.jpg
Eileen_Cowin_Shelf_Life_2018.jpg (387 × 258 pixels, file size: 107 KB, MIME type: image/jpeg)
Summary
[edit]
 | This image represents a two-dimensional work of art, such as a drawing, painting, print, or similar creation. The copyright for this image is likely owned by either the artist who created it, the individual who commissioned the work, or their legal heirs. It is believed that the use of low-resolution images of artworks:
qualifies as fair use under United States copyright law. Any other use of this image, whether on Wikipedia or elsewhere, could potentially constitute a copyright infringement. For further information, please refer to Wikipedia's guidelines on non-free content. |
| Description |
Photographic installation by Eileen Cowin, (Shelf Life, Photographic installation, Los Angeles International Airport, Terminal 6, 63', 2018). The image illustrates a key later period in Eileen Cowin’s career in the 2000s, when she explored the relationship of narrative, gesture, expression and symbolic objects to fact, fiction and truth—often with a greater emphasis on language and sociopolitical issues—in large installations, public works and video. This work and similar works were publicly exhibited in prominent venues, collected by major museums, and discussed by art critics and press in national art and news publications. |
|---|---|
| Source |
Artist Eileen Cowin. Copyright held by the artist. |
| Article | |
| Portion used |
Installation view |
| Low resolution? |
Yes |
| Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a key later period in Eileen Cowin's career: her large installations, public works and videos that explored the relationship of narrative, gesture, expression and symbolic objects to fact, fiction and truth, often with a greater emphasis on language and sociopolitical issues, such as identity, immigration and citizenship, place and communal space. These works often juxtaposed texts, close-up human gestures and expressions, and objects to suggest open-ended narratives. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this evolution in her practice and its impact. Cowin’s work of this type and this work in particular gained her wide recognition, was exhibited in prominent venues and public spaces, and is discussed extensively in the article and by prominent critics cited in the article. |
| Replaceable? |
There is no free equivalent of this or any other of this series by Eileen Cowin, so the image cannot be replaced by a free image. |
| Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
| Fair useFair use of copyrighted material in the context of Eileen Cowin//en.wikipedia.org/wiki/File:Eileen_Cowin_Shelf_Life_2018.jpgtrue | |
File history
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| Date/Time | Thumbnail | Dimensions | User | Comment | |
|---|---|---|---|---|---|
| current | 15:32, 14 July 2019 | | 387 × 258 (107 KB) | Mianvar1 (talk | contribs) | {{Non-free 2D art|image has rationale=yes}} {{Non-free use rationale | Article = Eileen Cowin | Description = Photographic installation by Eileen Cowin, ('Shelf Life'', Photographic installation, Los Angeles International Airport, Terminal 6, 63', 2018). The image illustrates a key later period in Eileen Cowin’s career in the 2000s, when she explored the relationship of narrative, gesture, expression and symbolic objects to fact, fiction and truth—often with a greater emphasis... |
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