File:Dawn DeDeaux Gulf and Galaxy 2021.jpg
Dawn_DeDeaux_Gulf_and_Galaxy_2021.jpg (368 × 271 pixels, file size: 86 KB, MIME type: image/jpeg)
Summary
[edit]This is a two-dimensional representation of a copyrighted sculpture, statue or any other three-dimensional work of art. As such it is a derivative work of art, and per US Copyright Act of 1976, § 106(2) whoever holds copyright of the original has the exclusive right to authorize derivative works. Per § 107 it is believed that reproduction for criticism, comment, teaching and scholarship constitutes fair use and does not infringe copyright. It is believed that the use of a picture
qualifies as fair use under the Copyright law of the United States. Any other uses of this image, on Wikipedia or elsewhere, might be copyright infringement. | |
Description |
Installation by Dawn DeDeaux, Gulf to Galaxy, two tons of shattered glass composed for a floor installation, first created in 2006; recreated for Transart Foundation for Art and Anthropology, 2021 (shown, two views,). The installation illustrates a mid-career stage of Dawn DeDeaux's work extending from the mid-1990s into the 2000s: her environmentally focused art exploring themes of survival, disaster, extinction and escape, much of it in the wake of Hurricane Katrina's impact on her native New Orleans. In the case of this work—created in multiple installations—she recreated the sparkling, sea-like effect of the shattered glass she encountered at her parents' damaged beach home, hand-throwing glass into spiral forms of hurricanes and galaxies, illuminated from below. This work and similar works were publicly exhibited in prominent venues, discussed in major art journals and daily press publications, and commissioned by arts institutions. |
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Source |
Dawn DeDeaux. Copyright held by the artist. |
Article | |
Portion used |
Installation view |
Low resolution? |
Yes |
Purpose of use |
The image serves an informational and educational purpose as the primary means of illustrating a mid-career stage of Dawn DeDeaux's work extending from the mid-1990s into the 2000s, when she focused on environmental themes of survival, disaster, extinction and escape—particularly after Hurricane Katrina hit her native New Orleans. This work included multimedia video installations, and sculpture and installations often creating out of damaged plywood, burned timbers, shattered glass, salvaged storm culverts, and other debris. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize this key developmental in her work, which brought widespread recognition through exhibitions in major venues, coverage by major critics in publications, and museum commissions. DeDeaux's work of this type and this work is discussed in the article and by critics cited in the article. |
Replaceable? |
There is no free equivalent of this or any other of this series by Dawn DeDeaux, and the work no longer exists in this form, so the image cannot be replaced by a free image. |
Other information |
The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made. |
Fair useFair use of copyrighted material in the context of Dawn DeDeaux//en.wikipedia.org/wiki/File:Dawn_DeDeaux_Gulf_and_Galaxy_2021.jpgtrue |
File history
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 16:59, 5 October 2021 | 368 × 271 (86 KB) | Mianvar1 (talk | contribs) | {{Non-free 3D art|image has rationale=yes}} {{Non-free use rationale | Article = Dawn DeDeaux | Description = Installation by Dawn DeDeaux, ''Gulf to Galaxy'', two tons of shattered glass composed for a floor installation, first created in 2006; recreated for Transart Foundation for Art and Anthropology, 2021 (shown, two views,). The installation illustrates a mid-career stage of Dawn DeDeaux's work extending from the mid-1990s into the 2000s: her environmentally focused art... |
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File usage
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