File:Charlotte Schulz Suspended in the Midst of a Flood 2010.jpg

Suspended in the Midst of a Flood the Past Carries Itself into a Current Location and Pressures a Rescue from Geographical Forces by Charlotte Schulz (charcoal on paper, 34" x 40" x 4", 2010). The image illustrates a key mid-career period and body of work in Charlotte Schulz's career from 2005–10, when she shifted to large-scale, intricate charcoal drawings composed of multiple sheets that she often tore, folded, bent and distressed, reshaping and disrupting the picture plane. Works such as this drawing, from her "The Uneven Intensities of Duration" series (2018–10), drew on diverse imagery and extensive reading, and link personal experience to collective, often-traumatic experiences, such as 9-11, Hurricane Katrina, and the assassination of Martin Luther King, Jr. This particular work shows her increasing use of razor-sharp detail, maximum contrast, and more dramatic, disruptive folds of the paper in her work.

Artist Charlotte Schulz. Copyright held by the artist.

Charlotte Schulz

Entire artwork

Yes

The image serves an informational and educational purpose as the primary means of illustrating a key mid-career period and body of work in Charlotte Schulz 's career from 2005–10: her shift to large-scale, intricate charcoal drawings composed of multiple sheets that she often tore, folded, bent and distressed, reshaping and disrupting the picture plane. This body of work draws on diverse imagery and extensive reading, and distinctly, links personal experience to collective, often-traumatic experiences, such as 9-11, Hurricane Katrina, and the assassination of Martin Luther King, Jr. It employs careful blending of charcoal and delicate erasure to interweave unexpected juxtapositions and vignettes of deserted landscapes and interiors intruded upon by war and natural disasters amid the increasingly folded terrain, low relief and untouched voids of the paper across several series. Because the article is about an artist and her work, the omission of the image would significantly limit a reader's understanding and ability to visualize a key phase in her art, which brought increased recognition from art journals, daily press publications, and museum exhibitions. Schulz's work of this type and this work in particular is discussed in the article and by prominent critics cited in the article.

There is no free equivalent of this or any other of this series by Charlotte Schulz, so the image cannot be replaced by a free image.

The image will not affect the value of the original work or limit the copyright holder's rights or ability to distribute the original due to its low resolution and the general workings of the art market, which values the actual work of art. Because of the low resolution, illegal copies could not be made.