File:Broad Street -Edward Everard.jpg
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Summary
DescriptionBroad Street -Edward Everard.jpg |
English: Edward Everard office front, finished 1901 with the decorative design of the Polychromatic 'Carrara' marble-ware faience undertaken by WJ Neatby, Chief Designer for Doulton and Co. Henry Williams was the architect in-charge of the works, which included other buildings at the rear of the offices. |
Date | |
Source | Own work |
Author | Shaun-thomas |
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6 November 2011
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89992e07629af0e73023b44b50b3371170f4bca7
466,117 byte
1,840 pixel
984 pixel
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Date/Time | Thumbnail | Dimensions | User | Comment | |
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current | 23:56, 6 November 2011 | 984 × 1,840 (455 KB) | Shaun-thomas |
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Date and time of data generation | v |
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Image title | Everard's Printing Works GV II* Printing works, now office. 1900-1, demolished behind c1970. By Henry Williams, facade by WJ Neatby, Chief Designer for Doulton and Co. For Edward Everard, printer. Polychromatic 'Carrara' marble-ware faience. Pre-Raphaelite style. 3 storeys; 4-window range. A symmetrical gabled front has blue plinth to sill level, white above with a thin ground-floor impost band, a wide band over windows, first-floor impost band, crenellated parapet to recessed second-floor windows between octagonal turrets with cupolas, and moulded coping. A wide semicircular-arched doorway has a blocked architrave and hoodmould, flanking elliptical-arched windows, and a band above with coloured stylised trees and hearts. A pair of semicircular-arched first-floor windows with a central octagonal column, square impost and coloured base, EDWARD EVERARD in Art Nouveau lettering above the cills, beneath decorative spandrel panels featuring Gutenburg (L) and Morris (R) at presses with their respective alphabets, and an angel reading in the middle. Behind the parapet is a second-floor arcade of 4 semicircular arches with blocked architraves, brown columns and imposts; the cupolas have similar columns to a frieze of coloured hearts, with brown domes and finials. In the gable is a semicircular-arched panel with an allegorical figure holding a lamp (Light) and scales (Truth). An entrance lobby has a blue plinth, coloured dado, white above to a frieze, and panelled plaster ceiling. |
Orientation | Normal |
Horizontal resolution | 255.26961425054 dpi |
Vertical resolution | 0 dpi |
Software used | Exif |
File change date and time | 2.01 |
Y and C positioning | Co-sited |
Exif version | 2.2 |
Date and time of digitizing | 20:37:45 |
Supported Flashpix version | 1 |
Color space | sRGB |
Keywords | Art Nouveau |
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