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Jules Achille Noël: Napoleon III Receiving Queen Victoria at Cherbourg, 5 August 1858  wikidata:Q50896254 reasonator:Q50896254
Artist
Jules Achille Noël  (1810–1881)  wikidata:Q617906
 
Jules Achille Noël
Alternative names
Jules Noël
Description French painter and photographer
Date of birth/death 4 January 1810 Edit this at Wikidata 26 March 1881 Edit this at Wikidata
Location of birth/death Quimper Algiers Edit this at Wikidata
Authority file
artist QS:P170,Q617906
image of artwork listed in title parameter on this page
Title
Napoleon III Receiving Queen Victoria at Cherbourg, 5 August 1858 Edit this at Wikidata
label QS:Len,"Napoleon III Receiving Queen Victoria at Cherbourg, 5 August 1858"
Object type painting
object_type QS:P31,Q3305213
Date 1859
date QS:P571,+1859-00-00T00:00:00Z/9
Medium oil on canvas
medium QS:P186,Q296955;P186,Q12321255,P518,Q861259
Dimensions height: 164.2 cm (64.6 in); width: 228.5 cm (89.9 in)
dimensions QS:P2048,164.2U174728
dimensions QS:P2049,228.5U174728
institution QS:P195,Q1199924
Current location
not on view
Accession number
BHC0637
Credit line National Maritime Museum, Greenwich, London
Notes
English: Between 4 and 8 August 1858, the Emperor Napoleon III and the Empress Eugenie visited Cherbourg. On their arrival, they inaugurated the railway line linking the town to Paris. The following day, 5 August, they welcomed Queen Victoria and Prince Albert who had been invited to view the opening of the Arsenal's second basin, called the Napoleon III basin.

This is a French artist's representation of the Emperor, wearing the full-dress uniform of a French admiral, receiving Queen Victoria on board the French flagship, 'Bretagne', at Cherbourg for a banquet. He stands at the top of the gangway, waiting to receive his guests, who have arrived by royal barge and are waiting at the bottom of the gangway. Napoleon III was anxious to demonstrate to his British guests that his improvements to the naval base at Cherbourg did not constitute a threat to Britain. Thus, he invited Victoria and Albert, together with several politicians and naval officials, to inspect the improvements as a mark of trust.

The 'Bretagne' is shown in starboard-bow view at anchor in the centre of the painting, decked overall with flags and flying the Royal and the Imperial Standards. The deck is lined with French sailors waving their hats and there are also sailors in the rigging. In the centre foreground, the royal and imperial barges have been positioned, together with other French and English vessels, some dressed overall. To the right of Queen Victoria's barge, is a barge flying the Imperial Standard, full of French sailors waving their hats in salute. Other ships in the harbour are also firing salutes and there are other smaller craft full of spectators. The town and fortifications of Cherbourg are implied on the right. The Queen and the Prince Consort travelled to France in the Royal Yacht 'Victoria and Albert', escorted by a large squadron of ships. They cut short their visit to Cherbourg partly because they were not prepared to stay until 8 August to witness the inauguration of the equestrian statue of Napoleon I by Armand de Veel. This evocation of French-English conflicts was further exacerbated by Victoria's perception of the superiority of the French Navy. Thus, the visit had the exact opposite effect to that intended by Napoleon III and the British returned home infuriated. After reading a damning report drawn up for her by Sir John Pakington, First Lord of the Admiralty, Victoria wrote a severe letter to Lord Derby, the Prime Minister, criticizing the state of Britain's navy.
References Royal Museums, Greenwich
Source/Photographer National Maritime Museum, Greenwich
Permission
(Reusing this file)
This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
Public domain

This work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 100 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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Date/TimeThumbnailDimensionsUserComment
current03:14, 31 October 2011Thumbnail for version as of 03:14, 31 October 20112,500 × 1,796 (386 KB)Botauruslarger, same source
13:06, 31 October 2006Thumbnail for version as of 13:06, 31 October 2006700 × 503 (85 KB)Rama{{fr|Le ''Bretagne'', painture de Jules Achille Noël (1810-1881), National Maritime Museum, Londres.}} {{en|Painting by Jules Achille Noël (1810-1881), National Maritime Museum, London.}} Source: [http://dossiersmarine.free.fr/fs_v_V3.html] {{PD-old}}

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