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English: Professors at the Paris Faculty of Medicine (1904) - L to R André Chantemesse (1851-1919) (Experimental Medicine), Gabriel Pouchet (1851 - 1938) (Histology and Anatomy), Paul Poirier (1853-1907) (Anatomy),

Georges Dieulafoy (1839-1911) (Pathology), Georges Debove (1845-1920) Paul Brouardel (1837-1906) (Medicine), Samuel Pozzi (1846-1918) (Gynaecology), Paul Tillaux (1834-1904) (Surgery), Georges Hayem (1841-1933) (Clinical Medicine), Victor Cornil (1837-1908) (Pathology), Paul Berger (1845-1908) (Member of the Academy of Medicine), Felix Guyon (1831-1920) (Urology), Pierre Launois (1856-1914) (Histology),

Adolphe Pinard (1844-1934) (Obstetrics), Pierre Budin (1846-1907) (Obstetrics)
English: A standing group of 15 doctors wearing dark suits, some with white aprons. Each person is in a characteristic pose with an object related to his speciality. From left to right, one finds
  • Gabriel Pouchet (1851 - 1938) holding a poisonous fungus since he was a doctor and naturalist like his father, Félix-Archimède.
  • In front of him, André Chantemesse (1851-1919) with some flasks and a bottlebrush, was doctor and bacteriologist.
  • In front Paul Poirier (1853-1907), anatomist and surgeon, wears evening dress and the rose he holds marks him as a man of the world.
  • Behind P. Poirier, are Georges Dieulafoy (1839-1911), clinical professor of medicine at Paris Hospital, and
  • Georges Debove (1845-1920) specialist in the nervous system. Both present a serious face.
  • To his side, Paul Brouardel (1837-1906), smoking a cigar, rounded face, expressing a certain bonhomie. He is the foremost French hygienist, was police chief with the government in this field.
  • In the foreground, next to Poirier, with hands on hips and business-like air, Samuel Pozzi (1846-1918), father of French gynaecology and skilful surgeon, his instruments attached to his apron, the forceps which bear his name and used for aiding with deliveries.
  • Behind Pozzi, is Paul Tillaux (1834-1904), anatomist and surgeon, interested in the thyroid gland.
  • At his side Georges Hayem (1841-1933), hematologist whose interest was chlorhydropsy in the blood (pepsin and hydrochloric acid in the gastric juice).
  • Next to Georges Hayem is the large Victor Cornil (1837- 1908), master of pathological anatomy and microscopy, holding a pair of lungs in his left hand.
  • Felix Guyon (1831-1920) holds a syringe - he was surgeon and urologist at the Necker hospital.
  • Next to Guyon, in evening dress, Paul Berger (1845-1908), surgeon at various hospitals in Paris, specialist in interventions of the limbs, neck and face.
  • The man with sweeping moustache is Pierre Launois (1856-1914), doctor and histologist who defined the nature of gigantism.

The last two individuals, dressed entirely in white, are Adolphe Pinard and Pierre Budin, obstetricians, and disciples of pasteurism.

  • A. Pinard (1844-1934), father of French pediatrics, carries a child in his arms. In 1891 he wrote a work on breast-feeding and devoted his life to care of the expectant mother.
  • P. Budin (1846-1907) holds in his right hand a pair of forceps and is accompanied by three foetuses. He was obstetrician at the hospital of Charity in Paris, fought against puerperal fever from 1870, and started the neonatal care of infants. In the right foreground a small character dressed in black, wearing a hat, and carrying an umbrella, is pursued by a giant speculum.
Date
Source http://www.kugener.com/abfrage.php?id=1161
Author
Adrien Barrère  (1874–1931)  wikidata:Q2825121
 
Alternative names
Adrien Baneux
Description French painter, poster artist, caricaturist and lithographer
Date of birth/death 13 November 1874 Edit this at Wikidata 19 May 1931 Edit this at Wikidata
Location of birth/death 11th arrondissement of Paris Edit this at Wikidata 14th arrondissement of Paris Edit this at Wikidata
Authority file
creator QS:P170,Q2825121
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(Reusing this file)
PD

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This is a faithful photographic reproduction of a two-dimensional, public domain work of art. The work of art itself is in the public domain for the following reason:
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The author died in 1931, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer.


This work is in the public domain in the United States because it was published (or registered with the U.S. Copyright Office) before January 1, 1929.

This file has been identified as being free of known restrictions under copyright law, including all related and neighboring rights.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".
This photographic reproduction is therefore also considered to be in the public domain in the United States. In other jurisdictions, re-use of this content may be restricted; see Reuse of PD-Art photographs for details.

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