In 1926 in Epping Forest I modelled a life-size figure which I intended for a group to be called “The Visitation”. I can recall with pleasure how this figure looked in my little hut which I used as a studio. I should have liked it to stand amongst trees on a knoll overlooking Monk Wood. This figure stands with folded hands, and expresses a humility so profound as to shame the beholder who comes to my sculpture expecting rhetoric or splendour of gesture.... When I exhibited the work at the Leicester Galleries, wishing to avoid controversy, I called it “A Study”. By this disguise I succeeded for once in evading the critics, always ready to bay and snap at a work. A subscription was raised to purchase it, and I recall that Richard Wyndham gave the proceeds of an exhibition he was holding of his own work towards its purchase for the Tate Gallery.
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