Ewa Podleś
Ewa Podleś | |
|---|---|
 Podleś in 2010 | |
| Born | 26 April 1952 Warsaw, Poland |
| Died | 19 January 2024 (aged 71) Warsaw, Poland |
| Education | Warsaw Academy of Music |
| Occupation | Operatic coloratura contralto |
| Years active | 1975–2017 |
| Organizations | Grand Theatre, Warsaw |
| Spouse | Jerzy Marchwiński |
Ewa Maria Podleś (Polish: [ˈɛva ˈpɔdlɛɕ]; 26 April 1952 – 19 January 2024) was a Polish coloratura contralto singer who had an active international career both on the opera stage and in recital. She was known for the agility of her voice and a vocal range which spanned more than three octaves. She excelled in Rossini roles such as Rosina in Il barbiere di Siviglia, the title role of La Cenerentola, Isabella in L'italiana in Algeri and the title role of Tancredi. She was able to perform roles that Handel had written for castratos, such as Rinaldo and Giulio Cesare. Podleś appeared on leading stages of the world and made many recordings.
Life and career
[edit]Ewa Maria Podleś was born in Warsaw on 26 April 1952.[1][2][3] She studied at the Warsaw Academy of Music with Alina Bolechowska.[3][4] During her studies she made her stage debut on the chamber stage of the Grand Theatre, Warsaw, as Dorabella in Mozart's Così fan tutte in 1975.[3] She became known when she won the 1977 International Tchaikovsky Competition in Moscow, which opened the way to winning in Geneva and Athens the same year.[1] She achieved second place in Barcelona in 1981.[3]
In 1984 she became a member of the Grand Theatre in Warsaw, where she succeeded especially in the coloratura roles by Rossini, Rosina in Il barbiere di Siviglia and the title role of La Cenerentola, but also as Bizet's Carmen.[3] In 1984 she made her debut at the Metropolitan Opera (Met) in New York City in the title role of Handel's Rinaldo,[3][5] repeated at the Théâtre du Châtelet in Paris. She performed the same year at the Aix-en-Provence Festival as Rosina, and as Adalgisa in Bellini's Norma in Vancouver.[3] She rarely performed in Poland until the mid 1990s.[1]
Though known mainly for her interpretation of Baroque works, Podleś's repertoire ranged from Handel's Giulio Cesare to songs by Shostakovich. The coloratura contralto roles (some of them trouser roles) in Rossini's operas remained central to her repertoire. Critics noted the expressive power of her voice and her ability to cope with the florid singing demanded of Rossini's heroes and heroines.[6] Her voice had a wide range, spanning more than three octaves, and was called rare in type and beauty.[7] It appears that her lowest note sung on stage is a B♭2 (Pour une femme de mon nom at La Scala) and her highest is a D6 (Sudò il guerriero from Il Ritorno di Tobia - Haydn). She also performed and gave a lot of recital, notably with her husband, later with the pianist Garrick Ohlsson and Anna Marchwiński.
In 1996, she sang the role of the Marquise de Berkenfeld in Donizetti's La fille du régiment at La Scala in Milan,[3] a performance which was preserved on DVD.[8] Her return to the Met took place on 24 September 2008, when she sang the role of La Cieca in Ponchielli's La Gioconda.[5] Her later performances included roles of La Cieca in La Gioconda, Bertarido in Handel's Rodelinda, the title role in Rossini's Tancredi, the title role in Handel's Giulio Cesare, Isabella in Rossini's L'italiana in Algeri, Erda in Wagner's Ring cycle (at the Seattle Opera), Klytämnestra in Strauss' Elektra (with the Canadian Opera Company and Opera de Nice) and Madame de la Haltière in Massenet's Cendrillon (at London's Royal Opera House[3] and Opéra-Comique) as well as Grandma ("Babulenka") in Prokofiev's The Gambler at Opéra de Monte-Carlo. She performed the title role in Rossini's Ciro in Babilonia when the work was revived 2012, in the US premiere at the Caramoor International Music Festival in July and at the Rossini Opera Festival in Pesaro, Italy, in August.[1]
Podleś's final performance was in La fille du régiment at Barcelona's Liceu in May 2017.[9] On 1 June, she announced that she was pausing her singing career ahead of an upcoming orthopaedic operation, while continuing to teach and with an intention to return to performing. However, her website listed no further appearances during the remainder of her life.[10]
Personal life
[edit]Podleś and her husband, the pianist Jerzy Marchwiński, lived in Warsaw.[1][4] Marchwiński died on 7 November 2023.[1]
Podleś died from lung cancer at a hospice facility in Warsaw on 19 January 2024, at the age of 71.[1][2]
Recordings
[edit]Podleś made many recordings, CDs and DVDs of complete operas as well as symphonic works, arias and songs.[11] She took part in the first recording of Krzysztof Penderecki's Te Deum, conducted by the composer.[12] Several recordings earned international awards, such as Airs Célébres a Grand Prix du Disque, Mélodies Russes (Russian songs) a Grand prix de l'Académie française); a recording of Rossini's Tancredi earned the CD Classic's "The Best Buy 1995" award and a nomination for the 1996 Grammy Award. Arias by Rossini won her both the Preis der deutschen Schallplattenkritik and the "Record of the Year" 1996 award of Studio magazine. Mahler's Symphony No. 2 earned her the "Palmarés Nouvelle Académie du Disque".[12]
- Audio CD
- Airs Célèbres (Handel, Vivaldi, Purcell, Gluck, and Marcello) with Patrick Peire[11][12]
- Chopin: Mélodies with Abdel Rahman El Bacha[11]
- Chopin: Songs with Garrick Ohlsson[11][12][13]
- de Falla: El amor brujo with Krzysztof Penderecki[11]
- Duets (Mendelssohn, Brahms, Schumann) with Joanna Kozłowska and Jerzy Marchwinski (piano)
- Gluck: Armide as La Haine with Marc Minkowski[11][12][13]
- Gluck: Orfeo ed Euridice as Orfeo with Peter Maag[11][13]
- Gluck: Orphée et Eurydice as Orphée with Patrick Peire
- Handel Arias from Rinaldo and Orlando with Constantin Orbelian[11][12]
- Handel: Ariodante as Polinesso with Marc Minkowski[11][12]
- Mahler: Symphony No. 2: "Resurrection" with Jean-Claude Casadesus[11][12]
- Mahler: Symphony No. 3 with Antoni Wit[11][14]
- Mozart: Requiem with Michel Corboz and L'Ensemble vocal et instrumental de Lausanne
- Offenbach: Orphée aux enfers as L'Opinion publique[11]
- Penderecki: Seven Gates of Jerusalem with Kazimierz Kord
- Penderecki: Te Deum and Lacrimosa[12]
- Ewa Podleś & Garrick Ohlsson Live[11][12]
- Marta Ptaszynska: Concerto for Marimba; Songs of Despair and Loneliness[11]
- Prokofiev: Alexandr Nevsky with Jean-Claude Casadesus[11][13]
- Puccini: Il trittico with Bruno Bartoletti
- Respighi: Il Tramonto with Michał Nesterowicz[13]
- Rossini Arias for Contralto with Pier Giorgio Morandi[12][11]
- Rossini Gala with Wojciech Michniewski
- Rossini: Tancredi as Tancredi with Alberto Zedda[6][12][14]
- Russian Arias with Constantin Orbelian[12][14]
- Russian Melodies (Tchaikovsky, Mussorgsky, Rachmaninoff), with Graham Johnson[11]
- A Treasury of Polish Songs with Ewa Pobłocka
- DVD
- Handel: Giulio Cesare in Egitto as Cornelia from Barcelona Opera[11]
- Donizetti: La fille du régiment as Marquise de Berkenfeld[11]
- Ponchielli: La Gioconda as La Cieca from Barcelona Opera[11]
- Rossini: Ciro in Babilonia as Ciro from Pesaro Rossini Opera Festival[14]
- Massenet: Cendrillon as Madame de la Haltière from Royal Opera Covent Garden[11]
- Tchaikovsky: The Queen of Spades as the Countess from a 2011 production of the Gran Teatre del Liceu, Barcelona[11][14]
References
[edit]- ^ a b c d e f g Marczyński, Jacek (20 January 2024). "Nie żyje Ewa Podleś, ostatnia polska primadonna" (in Polish). Radio Polskie. Retrieved 23 January 2024.
- ^ a b Woolfe, Zachary (22 January 2024). "Ewa Podles, a Rare Contralto With Sweeping Range, Dies at 71". The New York Times. Retrieved 22 January 2024.
- ^ a b c d e f g h i Kutsch, K. J.; Riemens, Leo (2012). "Podleś, Ewa". Großes Sängerlexikon (in German) (4th ed.). De Gruyter. pp. 3700–3701. ISBN 978-3-59-844088-5.
- ^ a b Polskie Radio (27 February 2012). "Partnerstwo: Ewa Podleś i Jerzy Marchwiński". Retrieved 30 January 2013 (in Polish)
- ^ a b Midgette, Anne (21 October 2008). "The Elemental Power of Ewa Podles". The Washington Post. Retrieved 23 January 2024.
- ^ a b Glass, Herbert (30 July 1995). "New Opera Recordings for a Song". Los Angeles Times. Retrieved 30 January 2013.
- ^ Midgette, Anne (16 October 1998). "A Voice as Rare in Type as in Beauty", The New York Times. Retrieved 30 January 2013.
- ^ Bresnal, Barry (May 2010). "Review: Donizetti: La Fille du régiment". Fanfare. Retrieved 30 January 3013 via HighBeam Research.
- ^ Novak, Josephine, "La fille du régiment at the Liceu", Metropolitan Barcelona, 30 May 2017.
- ^ Ewa Podleś Official Website /Performances.
- ^ a b c d e f g h i j k l m n o p q r s t u v "Ewa Podleś". Muziekweb. Retrieved 23 January 2024.
- ^ a b c d e f g h i j k l m "Ewa Podleś". culture.pl (in Polish). 2024. Retrieved 23 January 2024.
- ^ a b c d e "Ewa Podleś". Classics Today. Retrieved 22 January 2024.
- ^ a b c d e "Ewa Podleś". Naxos. Retrieved 22 January 2024.
External links
[edit]- Official website
- Ewa Podleś at IMDb
- Ewa Podleś discography at Discogs
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