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And God Created Woman (1956 film)

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And God Created Woman
Theatrical release poster
FrenchEt Dieu... créa la femme
Directed byRoger Vadim
Written by
Produced byRaoul Lévy
Starring
CinematographyArmand Thirard
Edited byVictoria Mercanton
Music byPaul Misraki
Production
companies
  • Iéna Productions
  • Union Cinématographique Lyonnaise
Distributed byCocinor
Release date
  • 28 November 1956 (1956-11-28) (France)
Running time
91 minutes
CountryFrance
LanguageFrench
Budget$300,000 (est.)[1]
Box office
  • $12 million (U.S.)[2]
  • $21 million (foreign)[3]
  • 3,919,059 admissions (France)[4]

And God Created Woman (French: Et Dieu... créa la femme) is a 1956 French romantic drama film directed by Roger Vadim in his directorial debut and starring Brigitte Bardot. Though not her first film, it is widely recognized as the vehicle that launched Bardot into the public spotlight and immediately created her "sex kitten" persona, making her an overnight sensation.

When the film was released in the United States by Kingsley-International Pictures in 1957, it pushed the boundaries of the representation of sexuality in American cinema, and most available prints of the film were heavily edited to conform with the Hays Code censorial standards.[5] Filmmaker Peter Bogdanovich credited it for "breaking French cinema out of U.S. art houses and into the mainstream and thereby inadvertently also paving the way for the takeover in France of the New Wave filmmakers."[6]

A poorly-received English-language remake, also titled And God Created Woman, was directed by Vadim and released in 1988.

Plot

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Juliette is an 18-year-old orphan in Saint-Tropez, France,[7][8] with a high level of sexual energy. She makes no effort to restrain her natural sensuality – lying nude in her yard, habitually kicking her shoes off and stalking about barefoot, and disregarding many societal conventions and the opinions of others. This behavior causes a stir and attracts the attention of most of the men around her.

Her first suitor is the much older and wealthy Eric Carradine. He wants to build a new casino in Saint-Tropez, but his plans are blocked by a small shipyard on the stretch of land which he needs for the development; the shipyard is owned by the Tardieu family.

Antoine, the eldest of the three Tardieu brothers, returns home for the weekend to hear Carradine's proposal and Juliette is waiting for him to take her away with him. His intentions are short-term, and he spurns her by leaving Saint-Tropez without her.

U.S theatrical advertisement, 9 April 1958

Tiring of her outrageous behavior, Juliette's guardians threaten to send her back to the orphanage, which will confine her until she is 21. To keep her in town, Carradine pleads unsuccessfully with Antoine to marry her. His infatuated and naive younger brother Michel sees his opportunity and proposes marriage to Juliette. Despite her love for Antoine, she accepts.

When Antoine is contracted to return home and work for Carradine, Juliette's behavior becomes increasingly disrespectful of her husband. In a huff, she takes one of the family's boats. When it develops engine trouble, she has to be saved by Antoine. While they are washed up together on a wild beach, she seduces him.

Juliette begins acting bizarrely. She takes to her bed, claiming to have a fever. She tells Christian, the youngest Tardieu brother, that she had sex with Antoine on the beach. When Madame Tardieu, mother of the three boys, hears about it, she tells Michel that he has to dump Juliette promptly. Michel goes to their room to talk with Juliette, but she has gone off to the Bar des Amis to drink and dance.

Michel tries to go looking for her, but Antoine locks him inside, telling him to forget her. Michel fights his brother for the key and heads out after Juliette.

Eric has been alerted that Juliette is making a spectacle of herself and comes to the bar to collect her. Juliette refuses to leave with him. Michel arrives but Juliette refuses to talk with him and continues her improvised and sexually suggestive dancing. When she ignores Michel's order to stop, Michel shoots at her. Eric steps in and is slightly wounded. Antoine offers to drive Eric to a doctor and they leave. Michel angrily slaps Juliette four times. She only smiles at him with satisfaction that she has provoked him to this behavior. En route to the doctor, Eric tells Antoine that he is going to reassign him to work elsewhere to put some distance between him and Michel and Juliette. He says: "That girl was made to destroy men". In the final scene, Michel and Juliette walk home together, hand in hand.

Cast

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Production

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By the mid-1950s Roger Vadim was an established screenwriter and had written several movies starring his then wife Brigitte Bardot. Producer Raoul Levy wanted Vadim to write and direct a film starring Bardot, and suggested he adapt the book The Little Genius by Maurice Garçon. Vadim disliked the book and came up with a new story, one based on a trial of a woman who had been the mistress of three different brothers, and who killed one of them. Vadim was particularly taken with the attitude of the woman towards her lovers, the jury and the police. Levy liked Vadim's idea and obtained finance.[9]

Levy succeeded in raising finance from Columbia, who would provide color and CinemaScope provided Curt Jurgens was given a role. The parts of the brothers had already been cast so Vadim rewrote the script in two days to expand the part of an arms dealer so it could be offered to Jurgens.[9]

Reception

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Box office

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The film was a big hit in France, one of the ten most popular films at the British box-office in its year of release[10] and the biggest foreign-language film ever in the United States at the time.[11] The film earned $4 million in the U.S. (grossing $12 million), and a further $21 million around the globe.[2][3]

The film was extremely popular in Kansas City, where it played for a year at the Kimo Theatre, grossing over $100,000, a record for Kansas City at the time.[12] In Europe, this movie have smashed attendance records from Norway to the Middle East.[13] It earned for France over $8 million, more than France's biggest export — "the Renault Dauphine".[14]

In the United States the film was released by Kingsley-International, a subsidiary of Columbia Pictures as Columbia was forbidden to release a film with nudity and adult themes. The Catholic Legion of Decency gave it a "C" for "Condemned" rating. A Columbia spokesman stated that the film would have received twice as many bookings with a less restrictive "B" rating, but would only have done half the business.[15] Variety reported that in spite of the rating, the film broke "local records at the Paris Theatre, N.Y., and at other houses where it has played", and noted that "In Fitchburg, Mass., it actually outgrossed Ten Commandments."[16]

Author Peter Lev describes the film's impact in America:

And God Created Woman's impact on the film industry was significant. New Bardot films were eagerly snapped up by distributors, and old Bardot films were released or re-released. Prices for distribution rights to foreign films escalated overall.[17]

Critical response

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When the film was released in the United States, Bosley Crowther, the film critic for The New York Times, found Brigitte Bardot attractive but the film lacking and was not able to recommend it. He wrote: "Bardot moves herself in a fashion that fully accentuates her charms. She is undeniably a creation of superlative craftsmanship. But that's the extent of the transcendence, for there is nothing sublime about the script of this completely single-minded little picture. ...We can't recommend this little item as a sample of the best in Gallic films. It is clumsily put together and rather bizarrely played. There is nothing more than sultry fervor in the performance of Mlle. Bardot, and Christian Marquand and Jean-Louis Trintignant are mainly heavy-breathers as her men".[18]

Film critic Dennis Schwartz wrote: "The breezy erotic drama was laced with some thinly textured sad moments that hardly resonated as serious drama. But as slight as the story was it was always lively and easy to take on the eyes, adding up to hardly anything more than a bunch of snapshots of Bardot posturing as a sex kitten in various stages of undress. The public loved it and it became a big box-office smash, and paved the way for a spate of sexy films to follow. What was more disturbing than its dullish dialogue and flaunting of Bardot as a sex object, was that underneath its call for liberation was a reactionary and sexist view of sex."[19]

Rotten Tomatoes reports a 69% approval rating based on 13 reviews, with an average rating of 6.4/10.[20]

Censorship

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When released in the United States, the film was condemned by the National Legion of Decency.[21]

Police made attempts to suppress its screening in the U.S.[22][23]

References

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  1. ^ Scheuer, Philip K. (20 July 1965). "Vadim Is Frank On, Off Screen". Los Angeles Times. p. C8.
  2. ^ a b Cagle, Jess (6 November 1992). "France's Brigitte Bardot". EW.com. Retrieved 31 May 2023.
  3. ^ a b "And God Created Woman". Empire Online. 2000. Retrieved 31 May 2023.
  4. ^ "Box office information for Et Dieu… crea la femme in France". Box Office Story.
  5. ^ And God Created Woman at AllMovie.
  6. ^ Bogdanovich, Peter (11 January 1999). "Peter Bogdanovich's Movie of the Week". The New York Observer.
  7. ^ Stephens, Chuck. "And God Created Woman". The Criterion Collection. Retrieved 6 September 2021.
  8. ^ "And God Created Woman". www.tcm.com. Retrieved 6 September 2021.
  9. ^ a b Vadim, Roger (1986). Bardot, Deneuve, Fonda. Simon and Schuster. pp. 78–94. ISBN 0-671-53007-0.
  10. ^ "Most Popular Film of the Year". The Times. No. 54022. London, England. 12 December 1957. p. 3.
  11. ^ "Top Grossers of 1958". Variety. 7 January 1959. p. 48. Please note figures are for US and Canada only and are domestic rentals accruing to distributors as opposed to theatre gross
  12. ^ Quinn, John (4 February 1959). "Bureau of Missing Business: Kansas City's Boffo with Bardot". Variety. p. 15. Retrieved 4 July 2019 – via Archive.org.
  13. ^ "Cinema: BB". Time. 11 November 1957. ISSN 0040-781X. Retrieved 8 April 2024.
  14. ^ Bell, Brian (1 October 2001). Insight Guide French Riviera. Insight Guides. ISBN 978-1585731480.
  15. ^ Balio, Tino (2010). The Foreign Film Renaissance on American Screens, 1946–1973 (1st ed.). University of Wisconsin Press. pp. 114–115. ISBN 978-0-299-24793-5.
  16. ^ "Bardot Vs Hierarchy "C"". Variety. 4 December 1957. p. 14. Retrieved 19 August 2023.
  17. ^ Lev, Peter (1993). The Euro-American Cinema. University of Texas Press. p. 13. ISBN 978-0-292-76378-4.
  18. ^ Crowther, Bosley (22 October 1957). "French Import: Brigitte Bardot Stars in God Created Woman". The New York Times. Retrieved 28 December 2020.
  19. ^ Schwartz, Dennis (3 April 2004). "AND GOD CREATED WOMAN (Et Dieu ... créa la femme)". Ozus' World Movie Reviews. Archived from the original on 6 May 2004. Retrieved 18 June 2008.
  20. ^ "And God Created Woman". Rotten Tomatoes. Retrieved 2 August 2024.
  21. ^ Motion Pictures Classified by the National Legion of Decency, February 1936 – October 1959. New York: National Legion of Decency. 1959. Retrieved 3 April 2017.
  22. ^ "Court Bars Blocking of French-Made Film". Los Angeles Times. 27 December 1957. p. 5.
  23. ^ "FILM SEIZURE ATTACKED: Mayor of Philadelphia Says Action May Be Illegal". The New York Times. 13 February 1958. p. 23.
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