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Draft:Terri Hanlon

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Terri Hanlon
Born1953 (age 70–71)
NationalityAmerican
Alma materCalifornia College of the Arts, San Francisco State University
Known forvideo art
Websitehttp://www.themetropolitanmuseumofterri.info/

Terri Hanlon (born 1953) is an American media artist. She has directed and produced numerous video and performance works in collaboration with multidisciplinary artists.

Life and education

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Hanlon grew up in the San Francisco Bay area. She received a BA in sculpture at the California College of the Arts and an MA in the pioneering Interdisciplinary Arts program at San Francisco State University. Hanlon currently lives lives in the Hudson Valley, New York with her husband, composer David Behrman.

Work

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In the late 1970's Hanlon co-founded the San Francisco touring performance art group The EVA Sisters with artist Fern Friedman and choreographer Deborah Slater, which toured over a five year period with a repertory of six pieces.[1]

The EVA Sisters collaborated with composer David Behrman to produce an early interactive performance art piece, Looking Past the Future, in 1979, for which they received an NEA New Music Theater Grant.[2] Friedman and Hanlon collaborated with composers Paul DeMarinis and David Behrman, and performer Anne Klingensmith to produce the record She's-A-Wild, along with expanded live interactive performance versions in San Francisco and New York.

In 1980 her collaborative piece,  E(L)(FF)USIVE with Fern Friedman was published in Text-Sound Texts.[3] This project was first published in 1978 with Robert Gonsalves and Paul Wilson in Ear Magazine as a “Jello Disk", a flexible sound sheet which could play on a turntable at 33+1⁄3 rpm.

In 1981, Hanlon moved to New York City, where she made her final performance art piece, This Setup No Picnic (1982), created in collaboration with Frankie Mann, Fern Friedman and Julie Lifton. In New York, she created a series of short music videos based on various aspects of life on the East and West Coasts. Music by Frankie Mann and Rhys Chatham was featured in several of these videos, which were shown on PBS, various New York City downtown nightclubs such as CBGB and the Mudd Club, and in international music and film festivals. Her short pieces You Pay Rent and I Should Have Stayed Home incorporated pioneering interactive software by software designer Jonathan Cohen.

In the 1990s, Hanlon began to make larger-scale video works which incorporated the camera work of Howard Grossman and Marc Kroll, choreographers Eric Barsness and Carol Clements, and music by New York downtown composers. Inversion of Solitude (1993) with sound score by composer Frankie Mann and computer graphics by designer Matthew Duntemann was shown on PBS, at the New York Film Festival and at the American Film Institute. Meringue Diplomacy (2010) was inspired by the life of the great chef Antonin Carême, premiered at The Alliance Française in New York, and features music of composers David Behrman, Jacques Bekaert, Jon Gibson, Barbara Held, John King, and Laetitia Sonami, with choreography by Carol Clements, and perfomances by Clements and Eric Barsness. Meringue Diplomacy[4] was shown at Basilica in Hudson, NY and in a tenth anniversary screening at the Serralves Museum in Porto, Portugal.[5]

Hanlon has received numerous commissions for portraits. A 2001 show in Barcelona featured Iris print portraits of the characters of Meringue Diplomacy.[6] In 2007 and 2008 Hanlon directed a series of composer portraits for Roulette TV[7], reviewed in the British music magazine The Wire.[8]

In 2016 Hanlon produced the documentary The Frog In The Pond [9] about San Francisco artist and art collector Nina Van Rensselaer, which premiered in 2019 at Mills College in Oakland, California.

Video work

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  • Party Advice from a Young Artist... (1979)
  • ¿Dónde está the Donner Party? (1982)
  • Context Galore! (1984)[10]
  • You Pay Rent (1985)
  • Way Downtown (1985)[10]
  • I Should Have Stayed Home (1986)
  • Sea Ranch - the True Story (1988)
  • Inversion of Solitude (1993)[11][12]
  • The Breuer House! (1995)
  • The Vanishing Tower (2001)
  • I Love You In Spite of the Pain... (2002)[13]
  • Composer Portraits for Roulette Intermedium (2007-2008)[7]
  • Meringue Diplomacy (2010)[4]
  • The Frog In The Pond (2016)[14]

Audio Recordings

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  • E(L)(FF)usive (1978) Jell-O-Disk with Fern Friedman[15]
  • She's-A-Wild (1981) Record Records
  • She's More Wild (2020) Black Truffle Records. A collaborative project with David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon and Anne Klingensmith recorded at Mills College Center for Contemporary Music[16][17]

Performance Art work

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  • Narrative Themes/Audio Works, August 1977-October 1977, Los Angeles Institute of Contemporary Art[18]
  • What House? (1977) performance work with The EVA Sisters (Fern Friedman, Terri Hanlon, Deborah Slater)
  • Discreet Pitches (1978) performance work with the EVA Sisters. San Francisco Museum of Modern Art, part of The Floating Museum exhibition organized by Lynn Hershman[22]
  • Looking Past the Future (1979) interactive performance work as part of The EVA Sisters with composer David Behrman
  • She's Wild (1981) with Fern Friedman, composers Paul DeMarinis and David Behrman and performer Anne Klingensmith
    • The Performance Gallery, San Francisco, CA
    • The Kitchen, New York, NY
    • Real Art Ways, Hartford, CT with Fern Friedman, composers Paul DeMarinis and David Behrman and performer Anne Klingensmith
  • This Setup No Picnic (1982) in collaboration with Frankie Mann, Fern Friedman and Julie Lifton. University of the Streets, New York, NY
  • Meringue Diplomacy (2012) screening with enhanced live soundtrack performance with David Behrman, Eric Barsness and Gisburg, Roulette Xperimental <3 Festival, Brooklyn, NY.

Grants and fellowships

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Websites

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Interviews

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  • Tone Glow 013: Terri Hanlon[24]
  • WGXC Wave Farm: Terri Hanlon discusses her film Meringue Diplomacy[25]
  • Interview with David Weinstein on Art International Radio: Meringue Diplomacy with Terri Hanlon and David Behrman (2011)[26]
  • Serralves Museum 2022[27]

References

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  1. ^ Roth, Moira (1978). "Toward A History of California Performance Art". Arts Magazine. ISSN 0004-4059. OCLC 1580772. Retrieved 2024-10-15.
  2. ^ a b "1981 Annual Report" (PDF). National Endowment for the Arts. May 1982. p. 292. Retrieved 2024-10-27.
  3. ^ Richard Kostelanetz, ed. (1980). Text-Sound Texts. William Morrow & Co. ISBN 0688036163. Retrieved 2024-11-03.
  4. ^ a b "Meringue Diplomacy". ubu.com. Terri Hanlon. Retrieved 2024-10-08.
  5. ^ "Serralves". www.serralves.pt. Retrieved 2024-10-15.
  6. ^ Guarro, Anna, ed. (2002). Metrònom 2001-2002. Metrònom. ISBN 9788434314528. Retrieved 2024-10-15.
  7. ^ a b "Roulette TV". vimeo.com. Roulette Intermedium. 30 April 2010. Retrieved 2024-10-15.
  8. ^ "The Wire". The Wire (published 2009). February 2009. ISSN 0952-0686. OCLC 11941257. Retrieved 2024-10-15.
  9. ^ "The Frog in the Pod: Sample". vimeo.com. Terri Hanlon. 27 July 2013. Retrieved 2024-11-03.
  10. ^ a b "Terri Hanlon". lux.org.uk. Retrieved 2024-10-15.
  11. ^ James, Caryn (1993-10-09). "Critic's Notebook; The Crossroads Of Film and Art". The New York Times. Retrieved 2024-10-08.
  12. ^ "Cue listings". New York Magazine. Vol. 26, no. 41. 1993-10-18. p. 152. Retrieved 2024-10-08.
  13. ^ "Post Glamour Summit". Johanna Poethig. Retrieved 2024-10-27.
  14. ^ "The Frog In The Pond". Internet Movie Database. Retrieved 2024-11-03.
  15. ^ Lussac, Olivier (25 February 2015). "1978 : chronologie performance". Art Performance (in French). Retrieved 2024-10-27.
  16. ^ Maxin, Tyler (2020-04-21). "Cannibal Club". ArtForum. Retrieved 2024-10-08.
  17. ^ Obladada, John (2020-03-16). "REVISIO: She's More Wild… David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon and Anne Klingensmith". Obladada. Retrieved 2024-10-27.
  18. ^ "Los Angeles Institute of Contemporary Art records, 1973-1988". Smithsonian Institution. Los Angeles Institute of Contemporary Art. Retrieved 2024-10-27.
  19. ^ Loeffler, Carl E.; Tong, Darlene, eds. (1989). Performance Anthology: Source Book of California Performance Artbooks. Last Gasp Press. pp. 454–455. ISBN 0867193662. Retrieved 2024-10-08.
  20. ^ "What House?". Western Front. Retrieved 2024-10-15.
  21. ^ "What House?". White Columns. Retrieved 2024-10-15.
  22. ^ "Discreet Pitches". Gallery 98. 5 June 2020. Retrieved 2024-11-24.
  23. ^ "1992 Annual Report" (PDF). National Endowment for the Arts. April 1993. p. 225. Retrieved 2024-10-08.
  24. ^ Kim, Joshua Minsoo (2020-04-27). "Tone Glow 013: Terri Hanlon". Tone Glow. Retrieved 2024-10-08.
  25. ^ Thurston, Ellen; Roth, Richard (2012-07-05). "WGXC Wave Farm: Terri Hanlon discusses her film "Meringue Diplomacy." (Audio)". WGXC Wave Farm. Retrieved 2024-10-08.
  26. ^ Weinstein, David (2011). "Meringue Diplomacy with Terri Hanlon and David Behrman". Retrieved 2024-10-27.
  27. ^ Sanches, Isilda (2021-11-28). "CONVERSA COM DAVID BEHRMAN E TERRI HANLON". Serralves. Retrieved 2024-10-15.


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