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Paulina Kewes

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Paulina Kewes
Kewes in 2023
Born1964 (age 59–60)
NationalityPolish
Occupation(s)Historian and academic
TitleProfessor of English Literature
Academic background
Alma materUniversity of Gdańsk (MA)
Jesus College, Oxford (DPhil)
ThesisAuthorship and Appropriation: Concepts of Playwriting in England, 1660-1710 (1996)
Doctoral advisorHarriett Hawkins
Paul Hammond
Academic work
Discipline
Sub-discipline
InstitutionsUniversity College, Oxford
University of Wales, Aberystwyth
Jesus College, Oxford

Paulina Kewes FRHistS[1] is a Polish historian of early modern literature, history and culture. She is Professor of English Literature at the University of Oxford and Helen Morag Fellow and Tutor in English Literature at Jesus College.[2]

Academic career

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Kewes was born in Gdynia in 1964 and grew up in Sopot.[3] Her Russian Jewish father Borys was a survivor of the Holocaust and died when Kewes was 16.[4] She began studying at the University of Gdańsk in 1983, completing an MA thesis on Black American women writers of the late 20th century. While studying and later teaching at the university she worked as a freelance translator and interpreter.[3] She was then awarded a Soros Visting Scholarship to the University of Oxford in 1991, winning a graduate scholarship at Jesus College a year later to complete her DPhil on dramatic authorship and literary property in late seventeenth and early eighteenth century England, which she completed in 1996.[3] Her doctoral supervisor was Harriett Hawkins and later Paul Hammond upon Hawkins' death.[5]

In 1995 Kewes was elected to a Junior Research Fellowship at University College, Oxford and in 1997 joined the University of Wales, Aberystwyth as a Lecturer in English Literature.[2] She was later promoted to Senior Lecturer before returning to Jesus College as Fellow and Tutor in English Literature in 2003.[6] In September 2017 she was awarded the Title of Distinction of Professor of English Literature by the University of Oxford.[7]

Research

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Building on her doctoral thesis, Kewes' early publications focused on the themes of plagiarism, appropriation, translation, adaptation and biography in the long eighteenth century.[3] Her first monograph, Authorship and Appropriation: Writing for the Stage in England, 1660-1710, was published by Clarendon Press in 1998.[8] Her first edited volume, Plagiarism in Early Modern England (2003), continued to explore such topics.[9]

Kewes' chief research interests have since shifted to Elizabethan and early Stuart drama, particularly the genre's classical reception and historiography as well as the work of William Shakespeare.[2] In 2020 she edited a special issue of Huntington Library Quarterly focused on the conceit of Ancient Rome in early modern English political culture.[10] Edited volumes with Susan Doran in 2014[11] and Andrew McRae in 2019[12] have addressed the nature of the succession in Elizabethan and Stuart England. Kewes' historiographical interests were reflected in the edition of[13] and handbook to[14] Holinshed's Chronicles she produced, in collaboration with Ian Archer and Felicity Heal, for Oxford University Press in 2013.

Media work

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In August 2015 Kewes appeared as a guest on BBC Radio 4's Great Lives series discussing Elizabeth I alongside Matthew Parris and Michael Howard.[15]

In 2021, in celebration of the 450th anniversary of Jesus College, Kewes began assisting with the Jesus College Shakespeare Project. The project aims to stage one Shakespeare play per term until his entire dramatic canon has been performed. Schoolchildren are encouraged to attend performances and discuss the plays with the actors to widen access to Shakespeare and drama more generally. The project is expected to last until Hilary Term 2034.[16]

Honours and awards

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Kewes is a fellow of the Royal Historical Society.[1] In November 2020 she was awarded a Leverhulme Trust Major Research Fellowship to complete a three-year book project exploring the succession in Reformation England.[6] She was also a co-investigator on the Arts and Humanities Research Council-funded Stuart Successions Project[17] which in turn led to the development of the Stuarts Online web resource, also funded by the AHRC.[18]

Between 2017 and 2022 Kewes was the Senior Member of the Oxford University Polish Society; she was the first woman to hold this position.[6]

Publications

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Books

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  • Stuart Succession Literature: Moments and Transformations (Oxford: Oxford University Press, 2019) (co-edited with Andrew McRae)
  • Doubtful and Dangerous: The Question of Succession in Late Elizabethan England (Manchester: Manchester University Press, 2014) (co-edited with Susan Doran)
  • The Oxford Handbook to Holinshed's Chronicles (Oxford: Oxford University Press, 2013) (co-edited with Ian Archer and Felicity Heal)
  • The Uses of History in Early Modern England (San Marino, CA: Huntington Library Press, 2006) (editor)
  • Plagiarism in Early Modern England (Basingstoke: Palgrave Macmillan, 2003) (editor)
  • Authorship and Appropriation: Writing for the Stage in England, 1660-1710 (Oxford: Clarendon Press, 1998)

Journal articles

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  • 'Early Modern Parliamentary Studies: Overview and New Perspectives', History Compass 21 (2023) (with Steven Gunn, Paul Seaward, Tracey Sowerby and Jim van der Meulen)
  • 'Translations of State: Ancient Rome and Late Elizabethan Political Thought', Huntington Library Quarterly 83 (2020)
  • 'The State of Renaissance Studies: A World Well Lost?', English Literary Renaissance 50 (2020), pp. 76-82
  • 'The 1553 Succession Crisis Reconsidered', Historical Research 90 (2017), pp. 465-485
  • '"I ask your voices and your suffrages": The Bogus Rome of Peele and Shakespeare's Titus Andronicus', The Review of Politics 78:4 (2016), pp. 551-570
  • '"A Mere Historian": Patrick Collinson and the Study of Literature', History 100 (2015), pp. 609-625
  • '"A fit memoriall for the times to come...": Admonition and Topical Application in Mary Sidney's Antonius and Samuel Daniel's Cleopatra', The Review of English Studies 63 (2012), pp. 243-264
  • 'Henry Savile's Tacitus and the Politics of Roman History in Late Elizabethan England', Huntington Library Quarterly 74:4 (2011), pp. 515-551
  • 'Roman History and Early Stuart Drama: Thomas Heywood's The Rape of Lucrece', English Literary Renaissance 32 (2002), pp. 239-267
  • 'Julius Caesar in Jacobean England', The Seventeenth Century 17 (2002), pp. 155-186
  • '"The State is out of Tune": Nicholas Rowe's Jane Shore and the Succession Crisis of 1713-1714', Huntington Library Quarterly 64 (2001), pp. 301-321
  • '"A Play, which I presume to call original": Appropriation, Creative Genius, and Eighteenth-Century Playwriting', Studies in the Literary Imagination 34 (2001), pp. 17-47
  • 'Gerard Langbaine's View of Plagiaries: The Rhetoric of Dramatic Appropriation in the Restoration', The Review of English Studies 48 (1997), pp. 2-18
  • '"Give me the sociable Pocket-books": Humphrey Moseley's Serial Publication of Octavo Play Collections', Publishing History 38 (1995), pp. 5-21

Book chapters

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  • 'Representative Assemblies in the Political Thought of Jean Bodin', in Gabriele Haug-Mortiz and Georg Vogeler (eds.), Digital Scholarly Edition and Pre-Modern Parliamentarianism: An Interdisciplinary Approach to Early Modern Sources (Göttingen: Vandenhoeck & Ruprecht, 2024)
  • 'A Persian Mirror for English Magistrates: Thomas Preston's Cambises and the Coming to Terms with the Marian Past', in Krista Kesselring and Matthew Neufeld (eds.), Reckoning with History: Essays on the Uses of the Past (Montreal: McGill-Queen's University Press, 2024), pp. 40-63
  • 'The Final Years: England, Scotland and the Succession (1588-1603)', in Susan Doran (ed.), Elizabeth and Mary: Royal Cousins, Rival Queens (London: British Library Publishing, 2021), pp. 245-251
  • '"The Idol of State Innovators and Republicans": Robert Persons's A Conference About the Next Succession (1594/5) in Stuart England', in Paulina Kewes and Andrew McRae (eds.), Stuart Succession Literature: Moments and Transformations (Oxford: Oxford University Press, 2019), pp. 149-185
  • 'Parliament and the Principle of Elective Succession in Elizabethan England', in Paul Cavill and Alexandra Gajda (eds.), Writing the History of Parliament in Tudor and Early Stuart England (Manchester: Manchester University Press, 2018), pp. 106-132
  • 'Romans in the Mirror', in Harriet Archer and Andrew Hadfield (eds.), Mirror for Magistrates in Context: Literature, History and Politics Before the Age of Shakespeare (Cambridge: Cambridge University Press, 2016), pp. 126-146
  • '"Ierusalem thou dydst promyse to buylde vp": Kingship, Counsel, and Early Elizabethan Drama', in Jacqueline Rose (ed.), The Politics of Counsel in England and Scotland, 1286-1707 (Oxford: Oxford University Press, 2016), pp. 171-192
  • 'Roman History, Essex, and Late Elizabethan Political Culture', in R. Malcolm Smuts (ed.), The Oxford Handbook of the Age of Shakespeare (Oxford: Oxford University Press, 2016), pp. 250-268
  • 'The Puritan, the Jesuit, and the Jacobean Succession', in Susan Doran and Paulina Kewes (eds.), Doubtful and Dangerous: The Question of Succession in Late Elizabethan England (Manchester: Manchester University Press, 2014), pp. 47-70
  • 'Marlowe, History, and Politics', in Emily Bartels and Emma Smith (eds.), Christopher Marlowe in Context (Cambridge: Cambridge University Press, 2013), pp. 138-154
  • 'History Plays and the Royal Succession', in Ian Archer, Felicity Heal and Paulina Kewes (eds.), The Oxford Handbook of Holinshed's Chronicles (Oxford: Oxford University Press, 2013), pp. 493-509
  • 'The Exclusion Crisis of 1553 and the Elizabethan Succession', in Susan Doran and Thomas S. Freeman (eds.), Mary Tudor: New Perspectives (Basingstoke: Palgrave, 2011), pp. 49-61
  • 'Godly Queens: The Royal Iconographies of Mary and Elizabeth', in Anna Whitelock and Alice Hunt (eds.), Tudor Queenship: The Reigns of Mary and Elizabeth (Basingstoke: Palgrave, 2010), pp. 47-62
  • 'Two Queens, One Inventory: The Lives of Mary and Elizabeth Tudor', in Kevin Sharpe and Steven Zwicker (eds.), Writing Lives: Biography and Textuality, Identity and Representation in Early Modern England (Oxford: Oxford University Press, 2008), pp. 187-207
  • 'Acts of Oblivion, Acts of Remembrance: Rhetoric, Law, and National Memory in Early Restoration England', in Lorna Clymer (ed.), Ritual, Routine, and Regime: Institutions of Repetition in Euro-American Cultures, 1650-1832 (Toronto: University of Toronto Press, 2006), pp. 103-131
  • 'Greek and Roman Drama' and 'French Drama', in Peter France and Stuart Gillespie (eds.), The Oxford History of Literary Translation in English (Oxford: Oxford University Press, 2005), pp. 241-252 and 317-327
  • 'Jewish History and Christian Providence in Elizabethan England: The Contexts of Thomas Legge's Solymitana Clades (The Destruction of Jerusalem), c.1579-88', in Allen Michie and Eric Buckley (eds.), Style: Essays on Renaissance Poetics and Culture (Newark: University of Delaware Press, 2005), pp. 228-266
  • 'Contemporary Europe in Elizabethan and Stuart Drama', in Andrew Hadfield and Paul Hammond (eds.), Shakespeare and Renaissance Europe (London: Nelson, 2004), pp. 150-192
  • 'Dryden's Theatre and the Passion of Politics', in Steven Zwicker (ed.), The Cambridge Companion to John Dryden (Cambridge: Cambridge University Press, 2004), pp. 129-153
  • 'The Elizabethan History Play: A True Genre?', in Richard Dutton and Jean E. Howard (eds.), A Companion to Shakespeare's Works, Volume II: The Histories (Oxford: Blackwell Publishing, 2003), pp. 170-193
  • 'Shakespeare's Lives in Print, 1662-1821', in Robin Myers, Michael Harris and Giles Mandelbrote (eds.), Lives in Print: Biography and the Book Trade from the Middle Ages to the 21st Century (London: Oak Knoll Books and Press, 2002), pp. 55-82
  • 'Otway, Lee and the Restoration History Play', in Susan J. Owen (ed.), A Companion to Restoration Drama (Oxford: Blackwell Publishing, 2001), pp. 355-377
  • 'Plays as Property, 1660-1710', in Alan Houston and Steven Pincus (eds.), A Nation Transformed: England After the Restoration (Cambridge: Cambridge University Press, 2001), pp. 211-240
  • 'Dryden and the Staging of Popular Politics', in Paul Hammond and David Hopkins (eds.), John Dryden: Tercentenary Essays (Oxford: Clarendon Press, 2000), pp. 57-91
  • 'Shakespeare and New Drama', in David Womersley (ed.), A Companion to Literature from Milton to Blake (Oxford: Blackwell Publishing, 2000), pp. 575-588
  • 'Between the "Triumvirate of Wit" and the Bard: The English Dramatic Canon, 1660-1720', in Cedric Brown and Arthur F. Marotti (eds.), Texts and Cultural Change in Early Modern England (Basingstoke: Macmillan, 1997), pp. 200-224

References

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  1. ^ a b "List of Fellows (February 2024)" (PDF). Royal Historical Society. Retrieved 4 September 2024.
  2. ^ a b c "Professor Paulina Kewes". Faculty of English, University of Oxford. Retrieved 1 October 2024.
  3. ^ a b c d "Oxford-Poland" (PDF). Oxford Polish Association. Retrieved 1 October 2024.
  4. ^ "@PKewes: "Today is All Saints' Day. Widely celebrated in Poland. People go to the graves of those close to them, adorning them with flowers and lights. And I can't help thinking about my beloved Russian-Jewish-atheist Holocaust survivor father Borys Kewes resting under a cross in a"". X. Retrieved 1 November 2024.
  5. ^ Paulina, Kewes (1998). Authorship and Appropriation: Writing for the Stage in England, 1660-1710. Oxford: Clarendon Press. p. viii. ISBN 0198184689.
  6. ^ a b c "Professor Paulina Kewes". Jesus College, Oxford. Retrieved 1 October 2024.
  7. ^ "Recognition of distinction", Oxford University Gazette, 28 September 2017 (vol. 148, no. 5179). Retrieved 7 November 2017.
  8. ^ Kewes, Paulina (1998). Authorship and Appropriation: Writing for the Stage in England, 1660-1710. Oxford: Clarendon Press. ISBN 0198184689.
  9. ^ Paulina Kewes, ed. (2003). Plagiarism in Early Modern England. Basingstoke: Palgrave Macmillan. ISBN 9780299230944.
  10. ^ Kewes, Paulina (2020). "Introduction: Ancient Rome in English Political Culture, ca. 1570-1660". Huntington Library Quarterly. 83 (3): 401–413. doi:10.1353/hlq.2020.0020.
  11. ^ Susan Doran; Paulina Kewes, eds. (2014). Doubtful and Dangerous: The Question of Succession in Late Elizabethan England. Manchester: Manchester University Press.
  12. ^ Paulina Kewes; Andrew McRae, eds. (2019). Stuart Succession Literature: Moments and Transformations. Oxford: Oxford University Press.
  13. ^ "The Holinshed Project Texts". The Holinshed Project. Retrieved 1 October 2024.
  14. ^ Paulina Kewes; Ian Archer; Felicity Heal, eds. (2013). The Oxford Handbook of Holinshed's Chronicles. Oxford: Oxford University Press.
  15. ^ "Great Lives, Michael Howard on Elizabeth I". BBC Radio 4. Retrieved 7 October 2024.
  16. ^ Jain, Rijul. "Icon of the Week: Peter Sutton, Artistic Director of the Jesus College Shakespeare Project". The Isis Magazine. Oxford Student Publications Limited. Retrieved 7 October 2024.
  17. ^ "The Stuart Successions Project". University of Exeter. Retrieved 1 October 2024.
  18. ^ "Stuarts Online Home". Stuarts Online. Retrieved 1 October 2024.