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Giuseppe Truda

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Giuseppe Antonio Truda
Born(1869-07-05)5 July 1869
Viggiano, Kingdom of Italy
Died6 January 1904(1904-01-06) (aged 34)
Occupation(s)Composer, Violinist, Conductor

Giuseppe Antonio Truda (5 July 1869 – January 1904) was an Italian-born Australian composer.

Biography

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Early life and education (1869 – 1888)

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Truda was born on 5 July 1869 in Viggiano.[1] His parents were Antonio Truda and Anna Maria Solari, who were married in 1866. He had two brothers. His father and younger brother died in 1874.

From the 19th century or before, it was common in Viggiano for children to learn the violin, harp or the flute at a young age. They would grow up to travel the world as musicians to earn their living. Those who showed talent went on to study at the Conservatorio di Musica San Pietro e Majella[2] in Naples or their other campus the Conservatorio di Salerno.[3] Giuseppe was one such student and at the age of nine went on to study at the Salerno. Later he would also study at the Naples conservatory.

An interview with Giuseppe reported in The Queenslander in 1896,[4] Giuseppe said that he was playing first violin in the at the age of fourteen and a year later went on to London to earn a living. At the age of sixteen, he was selected by Martin Simonsen[5] to join his Italian Opera company touring Australia.

Career (1888 – 1902)

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In July 1888, he married Amalia Scolastica Assunta Pricolo from Tramutola,[6] a neighboring village to Viggiano. Amalia's aunt, Isabella had also married a Truda, Pasquale and together they had nine boys, eight of which had migrated to Australia and New Zealand and formed "Truda Bros" bands or ensembles both in Australia and New Zealand. In between engagements, as musicians, they earned their living teaching students of the harp, violin and flute.

Giuseppe returned in Australia in September 1888 playing first violin with the opera companies of Martin Simonsen and Caron and Adson. He was also engaged for several personal engagements and other concert appearances. He must have received his first level of acclaim and popularity with Brisbane audiences during that time as a Grand Farewell Concert[7] was held for him at the Centennial Hall on the 6th July 1891.

On his return to Italy, he continued his studies at the Conservatorio di Musica San Pietro e Majella[2] in Naples. His first son, Antonio was born in Viggiano in March 1893. Antonio would later follow his father's footsteps into the musical world as a talented violinist also. Giuseppe gained his accreditation as a Professor of Music whilst at the Conservatorio and returned to Brisbane early in 1894 for the start of the school year. He immediately started advertising for pupils and other musical engagements.

The first of his compositions to be published was The Emilia Gavotte[8] which was published by Messrs. Nicholson and Co. The piece which was dedicated to Mrs D'arcy Irvine, a well-known society figure of the time, received favourable reviews in The Week (16 November)[9] and The Telegraph (14 November).[10] Unfortunately, no copies of this music have survived.

Truda performed at the Liedertafel Concerts as Leader of the Orchestra,[11] Smoke Concerts and Promenade Concerts. Regular engagements to perform at private society functions cemented his popularity as a performer and teacher. The article "Men we Meet"[4] was reprinted in newspapers across the country.

In 1897, he staged the first of his own annual concerts at the Centennial Hall. From the very beginning these concerts were anticipated with great enthusiasm from the critics and audiences who were rarely disappointed by the actual performance. A cast of local and international performers such as Italian opera stars Signor[12] and Signora[13] Rebottaro[14] and Miss Marie Narelle[15] were amongst the guest performers.

1897 was also the year that the Queensland International Exhibition[16] was held and this provided almost daily opportunities for Giuseppe, and his troupe, to perform. He was one of the more popular performers at the exhibition and further solidified his position as a major influence locally and interstate. He was presented with a gold medal[17] for his services to mark the end of the season of the Exhibition.

Truda's most popular personal composition and the only one which has survived him, the May Queen Waltz,[18] was published on 12 February 1899. News of this publication was reported around the country. Today references to this composition can be found at the National Library of Australia[19] site, the Immigration Museum in Rome and very proudly referenced in musical publications from Italy. It was performed for the first time in over 100 years at a concert in Melbourne, in 2013, titled Musical Migrants[20] as part of a doctoral work by Alison Rabinovic.[21]

Giuseppe and Mr H Benham formed the Brisbane Amateur Operatic Society[22] in 1899 and invited Brisbane professional and amateur musicians to join them. The first performance was scheduled to be The Pirates of Penzance and according to the newspapers of the time[23] it was a huge success. The following year the society performed Les Cloches de Corneville. Giuseppe was presented with a gold baton[23] for his "arduous and enthusiastic" efforts towards the success of the company.

The Commonwealth of Australia was formed on 1 January 1901 and Giuseppe, keen to show his loyalty to the country who had served him so well, quickly applied for citizenship. He was listed in the Australian Electoral Roll in 1901.[24]

In 1901 members of the musical fraternity in Brisbane formed the Brisbane Orchestral Society[25] with Giuseppe as the founding conductor. That year he also performed as leader of the orchestra for the Civil Concert for the Duke and Duchess of Cornwall and York[26] on their federation visit to Australia.

Late-life illness and legacy (1902 – 1904)

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Truda was at the pinnacle of his career. His pupils were doing well in their Trinity College of London examinations and he was receiving critical and popular acclaim for his performances. In October of that year, he started showing symptoms of being ill. By early 1902, his illness was showing no sign of improvement and his friend Dr W.S. Byrne,[27] a physician and amateur musician suggested that he return to Europe to take treatment in Leipzig.

The family, which now included his wife Amalia and four children planned to return to Italy on 2 April 1903. A Grand Farewell Concert[28] in his honour was held prior to his departure. It was at this concert that his son Antonio at eight years old made his appearance on the stage as a violin soloist.

The family had hoped to be in Europe for approximately a year during which time Giuseppe would take "a cure" in Leipzig and young Antonio would commence studies at the Conservatorio in Naples where his father and cousins had studied before him. As it turned out, the Giuseppe was not well enough to return to Australia until late 1903.

Brisbane welcomed his return in December 1903 and he made his first appearance at St. Mary's Church on 6 December. He took ill again and the news of his death was announced on 6 January 1904 in The Telegraph.[29] A eulogy[30] was published in The Queenslander on the 16 January. Both articles were copied in newspapers around the country.

References

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  1. ^ "Comune di Viggiano". Comune di Viggiano.
  2. ^ a b "Conservatorio di Musica San Pietro a Majella | Conservatorio di Musica San Pietro a Majella". September 15, 2023.
  3. ^ "Conservatorio di Musica Giuseppe Martucci". Conservatorio di Musica Giuseppe Martucci.
  4. ^ a b "Men We Meet". The Queenslander. Vol. L, no. 1090. Queensland, Australia. 12 September 1896. p. 501. Retrieved 28 September 2023 – via National Library of Australia.
  5. ^ Love, Harold (2002). "Simonsen, Martin". Oxford University Press. doi:10.1093/gmo/9781561592630.article.O004157.[permanent dead link]
  6. ^ "Comune di Tramutola". comune.tramutola.pz.it.
  7. ^ "TO-DAY, JULY 7". The Brisbane Courier. Vol. XLVIII, no. 10, 445. Queensland, Australia. 7 July 1891. p. 4. Retrieved 28 September 2023 – via National Library of Australia.
  8. ^ ""The Emilia Gavotte."". The Week. Vol. XXXVIII, no. 986. Queensland, Australia. 16 November 1894. p. 20. Retrieved 28 September 2023 – via National Library of Australia.
  9. ^ ""The Emilia Gavotte."". The Week. Vol. XXXVIII, no. 986. Queensland, Australia. 16 November 1894. p. 20. Retrieved 29 September 2023 – via National Library of Australia.
  10. ^ ""The Emilia Gavotte."". The Telegraph. No. 6, 888. Queensland, Australia. 14 November 1894. p. 2. Retrieved 29 September 2023 – via National Library of Australia.
  11. ^ "A FAILURE OF SOCIALISM IN OUR TIME". The Brisbane Courier. Vol. LII, no. 11, 907. Queensland, Australia. 13 March 1896. p. 5. Retrieved 29 September 2023 – via National Library of Australia.
  12. ^ "SIGNOR A. REBOTTARO". Table Talk. No. 767. Victoria, Australia. 15 March 1900. p. 11. Retrieved 29 September 2023 – via National Library of Australia.
  13. ^ "SIGNORA REBOTTARO". The Week. Vol. LII, no. 1, 352. Queensland, Australia. 22 November 1901. p. 5. Retrieved 29 September 2023 – via National Library of Australia.
  14. ^ "1 postcard : b&w ; 13.8 x 8.9 cm.", Signor A. T. Rebottaro (Operatic Baritone). Director of Rebottaro's Italian School of Singing, David Elliott theatrical postcard collection., Renwick, Pride, Nuttal Pty. Ltd, 1910, nla.obj-145743401, retrieved 29 September 2023 – via Trove
  15. ^ "Miss Marie Narelle". The Albany Advertiser. Vol. XX, no. 2615. Western Australia. 4 March 1908. p. 4. Retrieved 29 September 2023 – via National Library of Australia.
  16. ^ "INTERNATIONAL EXHIBITION". The Brisbane Courier. Vol. LIII, no. 12, 265. Queensland, Australia. 5 May 1897. p. 5. Retrieved 30 September 2023 – via National Library of Australia.
  17. ^ "MEETING OF PARLIAMENT". The Brisbane Courier. Vol. LIV, no. 12, 348. Queensland, Australia. 10 August 1897. p. 4. Retrieved 30 September 2023 – via National Library of Australia.
  18. ^ "NEW MUSIC". Sunday Times. No. 682. New South Wales, Australia. 12 February 1899. p. 2. Retrieved 1 October 2023 – via National Library of Australia.
  19. ^ Truda, Vio. Guiseppe (1900). "May Queen waltz [music] / Vio. Guiseppe Truda". W.H. Paling & Co. {{cite journal}}: Cite journal requires |journal= (help)
  20. ^ https://www.coasit.com.au/images/ihs/journals/IHSJ_special_2013.pdf
  21. ^ https://au.linkedin.com/in/alison-rabinovici-83134447
  22. ^ "WORKS DEPARTMENT INQUIRY". The Brisbane Courier. Vol. LVI, no. 12, 939. Queensland, Australia. 1 July 1899. p. 7. Retrieved 30 September 2023 – via National Library of Australia.
  23. ^ a b "Amateurs in Opera". The Telegraph. No. 8, 384. Queensland, Australia. 2 October 1899. p. 3. Retrieved 30 September 2023 – via National Library of Australia.
  24. ^ "Advertising". The Brisbane Courier. Vol. LVIII, no. 13, 604. Queensland, Australia. 19 August 1901. p. 9. Retrieved 1 October 2023 – via National Library of Australia.
  25. ^ "BRISBANE ORCHESTRAL SOCIETY". The Brisbane Courier. Vol. LVII, no. 13, 470. Queensland, Australia. 15 March 1901. p. 4. Retrieved 30 September 2023 – via National Library of Australia.
  26. ^ "THE CIVIC CONCERT". The Brisbane Courier. Vol. LVII, no. 13, 530. Queensland, Australia. 24 May 1901. p. 5. Retrieved 30 September 2023 – via National Library of Australia.
  27. ^ "Honour for Dr. Byrne". The Telegraph. No. 8, 819. Queensland, Australia. 25 February 1901. p. 13 (SECOND EDITION). Retrieved 30 September 2023 – via National Library of Australia.
  28. ^ "SIGNOR TRUDA'S FAREWELL". The Brisbane Courier. Vol. LVIII, no. 13, 798. Queensland, Australia. 3 April 1902. p. 6. Retrieved 30 September 2023 – via National Library of Australia.
  29. ^ "Death of Signor Truda". The Telegraph. No. 9711. Queensland, Australia. 5 January 1904. p. 2 (SECOND EDITION). Retrieved 30 September 2023 – via National Library of Australia.
  30. ^ "The Late Signor Truda". The Queenslander. Queensland, Australia. 16 January 1904. p. 27. Retrieved 30 September 2023 – via National Library of Australia.
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