Destination: Love – Live! at Cold Rice
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Destination: Love - Live! At Cold Rice | ||||
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Studio album by | ||||
Released | 1996 | |||
Recorded | September 1995, Black Cat, Washington, D.C. | |||
Length | 37:25 | |||
Label | Dischord | |||
Producer | Guy Picciotto | |||
The Make-Up chronology | ||||
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Destination: Love - Live! At Cold Rice is the debut album by the American band the Make-Up.[1][2]
On the LP version of the album, the A-Side is called the "Gospel Yeh-Yeh Side," and the B-Side the "Liberation Theology Side".[3] On the CD version these sides were combined, but labeled separately in the liner notes.
A photograph of bassist Michelle Mae appears on the cover.
Critical reception
[edit]Review scores | |
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Source | Rating |
AllMusic | [4] |
The Virgin Encyclopedia of Nineties Music | [5] |
Rolling Stone called the album "an exultant mess o' high-tension twang and evangelistic howling that the Make-Up cheekily call 'gospel yeh-yeh'."[6]
Track listing (LP)
[edit]Gospel Yeh-Yeh Side (Side A)
- "Intro: Hold It" − 1:38
- "Here Comes the Judge" − 3:05
- "You + I vs. the World" − 2:58
- "They Live by Night" − 2:00
- "Bring the Birds Down" − 2:25
- "Don't Mind the Mind" − 2:06
- "Evidence Is Everywhere" − 2:11
- "We Can't Be Contained" − 3:22
Liberation Theology Side (Side B)
- "Introductions" − 1:23
- "Don't Step on the Children" − 2:00
- "How Pretty Can U Get?" − 2:02
- "R U a Believer Pt. II" − 2:04
- "International Airport" − 2:29
- "We Gotta Get Off This Rock" − 1:46
- "So ... Chocolatey/Destination: Love" − 4:38
- "Outro: Hold It" − 1:18
References
[edit]- ^ True, Everett (Mar 23, 1996). "'That gospel yeh-yeh sound'". Melody Maker. Vol. 73, no. 12. p. 36.
- ^ Jenkins, Mark (10 May 1996). "The punk-soul of Make-up". The Washington Post. p. WW14.
- ^ "mAKE-UP Destination: Love Live!". Southern Records. Archived from the original on 2007-01-01. Retrieved 2007-03-21.
- ^ AllMusic review
- ^ Larkin, Colin (2000). The Virgin Encyclopedia of Nineties Music. Virgin Books. p. 247.
- ^ Fricke, David (Aug 8, 1996). "On the edge". Rolling Stone. No. 740. p. 62.