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Derek Williams (musician)

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Derek Williams
Background information
Born (1952-09-20) 20 September 1952 (age 72)
Gisborne, New Zealand
Occupation(s)composer
arranger
conductor
producer
musician
Years active1972–present
LabelsMushroom Records
Websitederekwilliams.net

Derek Leslie Williams (born 20 September 1952) is a New Zealand-born Scottish composer, record producer, conductor and orchestrator known for his scores for Frauds, Come in Spinner, Children of the Dragon, Crush, The Crossing, The Adventures of Priscilla, Queen of the Desert, Thank God He Met Lizzie, Ring of Scorpio, The Other Side of Paradise, Visionaries, Bodysurfer, and for Glenfiddich, Sir Robert Helpmann, Grace Knight, Frank Bennett, Debbie Newsome, Torvill and Dean, and Caroline O'Connor.[1] He is currently serving his 7th term as Chair of the Wagner Society of Scotland,[2] a member of the International Association of Wagner Societies (RWVI)[3] and at the 2024 Assembly of Delegates at Deutsche Oper Berlin, was elected to serve a 5-year term on the RWVI Presidium.[4][5]

Williams was awarded a doctorate by the University of Edinburgh under Nigel Osborne and Peter Nelson for composition of his eponymous opera, Wilde,[6][7] and he is a Fellow of Trinity College London. Williams is a civil rights activist known for his 'Save Sibelius' campaign in the United Kingdom (2012–2013).[8][9][10] Since 2007, he has taught Composition and Orchestration at the Edinburgh University Reid School of Music.

Career

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Williams first came to public notice in 1974, when he founded the New Zealand School of Music through which he established the first non-university tertiary level qualification for conductors of music in the Southern Hemisphere.[11][12] As arranger, orchestrator, conductor and musician commissioned by international artists Caroline O'Connor,[13] Sir Robert Helpmann,[14][15] Torvill and Dean, Grace Knight, Frank Bennett, Debbie Newsome, Sir Howard Morrison, and prominent Australian screen composers Martin Armiger, Guy Gross, and Antony Partos, Williams is also known for his reorchestrations of tracks from hit records. His commissions have been performed in the Royal Albert Hall, Garrick Theatre and Kings Place (London), at the Sydney Opera House and Hamer Hall, Melbourne, Australia, and at the Montreux Jazz Festival. As a chorister, he performed in the 640 voice Third International Choral Festival at the Lincoln Center for the Performing Arts under Robert Shaw with Peter Godfrey's Auckland University Festival Choir, as well as at The White House,[16] the John F. Kennedy Center for the Performing Arts, the United Nations and at Westminster Abbey and King's College Chapel, Cambridge.

Williams was the orchestrator and conductor of the Victorian Philharmonic Orchestra for Guy Gross's music for Stephan Elliott's Frauds, starring Phil Collins, Hugo Weaving and Josephine Byrnes, and was choral and instrumental arranger of Gross's music for Elliott's Oscar winning film The Adventures of Priscilla, Queen of the Desert. He was the orchestrator and conductor for Martin Armiger's music for The Crossing, starring Russell Crowe, and was orchestrator for the Australian Opera and Ballet Orchestra for Antony Partos' music for Crush that was winner of Best Film Score at New Zealand Film and TV Awards and Best Sound Track.[17] Williams was arranger and conductor for the Australian Broadcasting Corporation multi-platinum album Vince Jones & Grace Knight – Come in Spinner from the ABC miniseries Come in Spinner for record producer Martin Armiger, which won the ARIA Award for Best Adult Contemporary Album. He was producer, arranger and conductor for Frank Bennett's EMI Music album Cash Landing, nominated at ARIA Music Awards of 1999 for Best Adult Contemporary Album.[18][19] He was composer for Ruaridh M. Turner's The Beast in the Storm, which won Order of Merit in the Indie Fest[20] and Best Action/Thriller/SciFi – Los Angeles Independent Film Festival Awards.[21] In 2021 he was conductor of the Linlithgow String Orchestra[22] and Abbotsford String Orchestra.[23]

Biography

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Derek Williams & Sir Michael Palin (President Royal Geographical Society) at the 2012 AGM. (Photo: Russell McGuirk)

Born 1952 of Agnes ('Nancy') Williams (née Anderson) of Bathgate, Scotland (office clerk) and New Zealander Edward ('Ted') Williams (farmer). Early childhood in Gisborne, New Zealand and Rotorua, studied at Rosmini College (Auckland) 1964–1970. Studied Music 1971–74 at University of Auckland under Charles Nalden, Douglas Mews and Peter Godfrey, winning the Professor Hollinrake Memorial Scholarship[26][27] and Senior Scholarship Award[28] as BMus graduate. Studied piano with Mary Nathan,[29] Milford. Admitted Fellow of Trinity College, London in 1977.

Descended from Henry Williams, a missionary, and Marianne Coldham, an educator,[30] Williams' grandfather, Claud Williams, was a noted explorer of the Libyan Egyptian desert during World War 1[31] who was awarded the Military Cross for his Report on the Military Geography of the North-Western Desert of Egypt (War Office Handbook),[32] used by the Long Range Desert Group in the Tobruk campaign against Rommel. In 2010, the Royal Geographical Society co-opted Williams as family representative for its publication of Claud's autobiographical memoir, Light Car Patrols 1916–19,[33] and he was guest speaker at the 2013 book launch.[34]

New Zealand

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International choral tour

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Williams (L) age 19 in Auckland University Festival Choir uniform by Colin Cole[35] with friend after the choir's Lincoln Center performance (26 April 1972).

World tour as a chorister with the 40-voice Auckland University Festival Choir,[36][37] conducted by Professor Peter Godfrey, a Kings College, Cambridge alumnus and founder of the New Zealand Choral Federation and the Symphonia of Auckland.[38] During the 3rd International University Choral Festival, at the United Nations, the choir participated in a massed chorus of 16 international choirs conducted by Willi Gohl,[39][40] followed by a concert of 640 voices on 30 April 1972 at the Lincoln Center for the Performing Arts[41] New York under Robert Shaw.[42][43] During the US tour, the choir also performed at the John F. Kennedy Center for the Performing Arts and at a White House reception with the First Lady, Pat Nixon,[16][44] on the eve of the breaking of the Watergate scandal. In the United Kingdom, the Festival Choir performed at Westminster Abbey and at Kings College, Cambridge in a joint concert with King's College Choir with Sir David Willcocks. They were met by composer Benjamin Britten and tenor Peter Pears for the choir's recital at the Snape Maltings[45]: 33 [46][47] and the choir won praise[48] for its performances in the Netherlands, Germany, Switzerland and Singapore. In 1998, there was a CD re-release[49] of its LP, recorded straight after the world tour.[50] Lauded as the "best choir New Zealand has produced",[51] Godfrey's Festival Choir continued to hold decennial reunions until his death in 2017.

New Zealand School of Music

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In 1974, Williams founded and until 1978 was governing director of the New Zealand School of Music Ltd[52] under the patronage of the Mayor of Auckland, Sir Dove-Myer Robinson and with the conductor of the Symphonia of Auckland, Maestro Juan Matteucci,[53] he established the first non-university tertiary level qualification for conductors of music in the Southern Hemisphere,[12] followed by a similar course for percussionists.[54][55][56][57][58]

Rotorua

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During his tenure as teacher in charge of Music at Rotorua Boys' High School from 1979 to 1985, Williams was also keyboards player for Sir Howard Morrison.[1] In 1984, Williams was seconded from teaching to work as a computer programmer of educational applications for New Zealand schools on the Poly-1[59][1] that allowed New Zealand educators to design and deliver curricula on class computer networks.[60]

Aloha

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In 1981 Williams was orchestrator and musical director for the world première and cast album of Eaton Magoon Jr and Sir Robert Helpmann's Hawaiian musical Aloha,[61] starring Derek Metzger and directed by Robert Young for Hamilton Operatic Society at the Founders Theatre. Aloha received favourable reviews, with the New Zealand Herald reporting, "Derek Williams' orchestra helps to make the evening a success,"[62][15][14] and a cast recording produced by Carl Doy was made of the show at Mandrill Studios.[63][64] The world premiere was followed in 1985 by a Michael Edgley revival production at His Majesty's Theatre, Auckland, directed by Joe Layton, also starring Metzger and Hollywood actress Patricia Morison, with Williams continuing as production arranger and musical director.[65][66][67]

Australia

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From 1985, Williams was musical director and keyboards player for productions at Australia's Wonderland,[68] Phillip Street Theatre,[69] Glen Street Theatre and Sydney Theatre Restaurants Ltd and from 1985 to 1988 he was orchestrator for the Australian Singing Competition,[70] initially at the Sydney Opera House. He was also a keyboards player for over 400 performances of Cats for Cameron Mackintosh[1][71] at the Theatre Royal, Sydney, the longest running show in Australian history, and for its 1994 revival by the Really Useful Group at Her Majesty's Theatre, Sydney.[72] Following the success of ABC's Come in Spinner TV miniseries and platinum spin-off album Vince & Grace, Williams continued as musical director and arranger for the CD launch and Grace Knight's promotional tour for Kevin Jacobsen, as well as for tours with Perfect Match star, Debbie Newsome.

Williams was an early adopter and exponent of digital music technology, using two Kurzweil K250 ROM sample instruments in his orchestrations for the ill-fated Australian Bicentenary musical Manning Clark's History of Australia - The Musical, one of whose composers was record producer and film composer Martin Armiger. Williams thereafter began working with Armiger in various roles for 15 film and TV scores and was also orchestrator and conductor for leading screen composers Guy Gross and Antony Partos.

In 1989, Williams and Armiger were called as expert witnesses in the Federal Court of Australia supporting a copyright infringement case[73] brought by Guy Gross against CBS Records Australia Limited and Collette Roberts, with the court finding in the defendants' favour. Also in 1989, Williams was choral arranger and pianist for Torvill and Dean's album Here We Stand,[74] produced by Kevin Stanton, and recorded while Christopher Dean was laid up in Sydney, recuperating from a torn ligament.[75]

From 1995 to 1997, Williams was musical director and Conductor of the Orchestra and Choir of the Waverley-Randwick Philharmonic Society,[1][76][77][78] while studying conducting with Myer Fredman.

In 1998, Williams was record producer, arranger and conductor for Frank Bennett's album Cash Landing[79] for EMI Music Australia, which was nominated for an ARIA Award for Best Adult Contemporary Album (1999)[80] and from 1989 to 2006, he was a Higher School Certificate examiner and advisor in Music and Computing Studies for the New South Wales Board of Studies while teaching at Randwick Boys High School (1985–2006).[1]

Night of 100 Voices.1
The Night of 1000 Voices 2007 concert at the Royal Albert Hall, starring Caroline O'Connor.

In 2005, Williams began a long-standing association with Caroline O'Connor as arranger for her show End of the Rainbow at the Sydney Opera House[81] and for her album A Tribute to Garland[82][83] recorded at the Opera House, and launched in an outdoor big band concert in Sydney's Taronga Park[84] with Williams as keyboardist. Williams was also commissioned as arranger for her debut performance at Kander and Ebb – The Night of 1000 Voices on 6 May 2007 at the Royal Albert Hall, produced by Hugh Wooldridge with John Kander present,[85] subsequently for her Garrick Theatre season of The Showgirl Within,[86][87] and for the opening of Hamer Hall, Melbourne.[88][89]

Scotland

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Nigel Osborne Balkans Music Therapy camps. From left:
Derek Williams, Nigel Osborne, Ermin Elezovic at the rebuilt Mostar Bridge.
It Was 50 Years Ago Today Bootleg Beatles concert.
From left: Mimi Serbedzija, Nigel Osborne, Derek Williams at Echo Arena.
Projects with Nigel Osborne
Derek Williams conducting 'McOpera' (Scottish Opera) Orchestra with Calma Carmona recording Glenfiddich 21yo whisky ad at Gorbals Sound.[90]
From left: Eva Wagner-Pasquier and Katharina Wagner with Derek Williams, Scottish delegate at the 2019 RWVI Congress in Venice.

Williams was répétiteur and assistant conductor for Edinburgh Grand Opera's production of Faust,[91] and was musical director for the Edinburgh University Savoy Opera Group's production of Salad Days for the 2007 Edinburgh Festival Fringe. He was also Funding Manager for Edinburgh Studio Opera[92] and the Edinburgh Contemporary Music Ensemble.[93]

In 2008, Williams joined with Professor Nigel Osborne in his Balkans Music Therapy camps in Mostar and Rakovica for Bosnian War orphans, on behalf of Edinburgh University. He was also commissioned by Osborne to create Vienna Symphonic Library transcriptions of his orchestral arrangements for the Bootleg Beatles concerts It Was Fifty Years Ago Today, with the Royal Liverpool Philharmonic Orchestra at the Royal Albert Hall[94] and Echo Arena Liverpool.[95][96]

In 2013, Williams' one act opera Medea[97][98][99] received its world premiere at the Edinburgh Jazz Bar during the Edinburgh Festival Fringe, and was repeated[100] at Edinburgh University's Reid Concert Hall.

In 2015, Williams was arranger, conductor and composed additional music for the Glenfiddich 21 Year Old Whisky ad campaign featuring Calma Carmona performing the Franz Ferdinand song Love Illumination with the orchestra of the Scottish Opera arranged and conducted by Williams, which gained 1.7 million hits on YouTube.[101][102][103][104] In 2018, the Hindemith Trio commissioned and performed the world premiere of Williams' The Traveller for the Fondazione Giorgio e Aurora Giovannini at the Parma Conservatory, Italy.[105]

Williams was elected Chair of the Wagner Society of Scotland in 2017,[2] and has presented lectures on The Third Reich, Wahnfried, Siegfried Wagner and the Christianity of Richard Wagner.[106][107] He represents the Society at the Bayreuth Festival and at the annual RWVI Congress,[3] and since June 2024 has served on the RWVI Presidium.[4][5]

Civil rights activism

[edit]

'Save Sibelius' campaign

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Main article: Sibelius (scorewriter)
3 October 2012: Derek Williams at BASCA, London, delivering his 'Sell Sibelius' petition with 11,590 signatures to Bobby Lombardi, new managing director of Sibelius.

On 19 July 2012, the 'Save Sibelius' activist group was formed by Derek Williams to try to future-proof the Sibelius scorewriter application after Avid Tech fired all but three of the Sibelius development team and closed their London office to relocate jobs offshore to Ukraine and California.[108][109] Williams co-opted Richie Vitale and a small team of other musicians to petition Avid to reverse their decision. Because of past experience with orphaned music technology and abandonware such as the Mosaic notation program and OMS, it was feared that the Sibelius application would likewise ultimately cease development, thereby leaving its users without updates to ensure the application would remain compatible with future operating system upgrades.[110]

To raise public awareness among the half million Sibelius users, the group launched a Facebook campaign,[111] duplicated on Google Plus.[112] Within its first week, 485,000 Facebook hits were generated, with 12,000 followers joining the page, alongside growing music industry media interest.[113][114][115] The Avid board of directors, who had been targeted by a letter writing campaign initiated from the Save Sibelius website, began issuing public reassurances on their own blog websites[116] and social media that they intended to keep Sibelius alive. After Williams' 6 August 2012 Podcast interview with The Audio Podcast,[117] there followed a BBC Radio 4 radio interview about the campaign on You and Yours with composer Paul Mealor on 24 August 2012 indicating that Sibelius users were not convinced.[118]

In October 2012, after attempts by the Finn brothers and other investors approached by the group to buy back the application from Avid proved unsuccessful, Williams launched a Change.org petition called "chris-gahagan-senior-vice-president-of-products-sell-sibelius" to try to persuade Avid Tech to divest itself of Sibelius.[119] After reaching 11,590 signatures, the petition was presented by Williams in person to Sibelius Software executives from Avid invited to an extraordinary meeting held by the British Academy of Songwriters, Composers and Authors (BASCA) at its London offices on 3 October. Amid subsequent collapsing share performance that involved Avid's delisting by NASDAQ,[120] Avid Tech CEO Gary Greenfield stepped down,[121] while Bobby Lombardi was replaced by long-time Sibelius employee Sam Butler as the new Sibelius product manager.[122]

Central to the Save Sibelius campaign were the issues of orphaned technology, abandonware, planned obsolescence, asset stripping, and the perceived impact of Avid Tech's actions on employees, shareholders and consumers. The firing of the Sibelius development team led directly to their engagement by the Yamaha Corporation subsidiary Steinberg to develop a rival application to Sibelius. Williams ended the campaign in February 2013, after Steinberg announced they had hired the majority of the former Sibelius development team to develop Dorico, under the stewardship of former Sibelius product manager, Daniel Spreadbury.[123][124][125]

LGBT+ rights activism

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Main article: Gay and Lesbian Teachers and Students Association
Williams (R) holding banner.[126]
Edinburgh University Staff Pride Network, Pride Edinburgh 2024

After having worked with New Zealand Labour Party MP Fran Wilde in support of her Homosexual Law Reform Act 1986,[1] from 1990 Williams became involved with LGBT rights in New South Wales Australia, initially as a witness for a discrimination case brought by Redjoy Pty Ltd (trading as 'Gai Expectations') against Sydney City Council Employees Credit Union, interviewed on Nine Network's A Current Affair by Eric Campbell.[127]

In 1991, amid a spate of murders of gay men by school-age youths,[128] Williams co-founded and was six times re-elected co-convenor of the Gay & Lesbian Teachers & Students Association (GaLTaS),[129][130][131] established to publicise widespread problems of anti-gay bullying and violence in Australian schools, and to provide support to its victims. In March 1993, GaLTaS was awarded a Federal National Youth Grant of $30,000 (=c.$68,300 equivalent in 2023)[132] by the Australian Government to assess the scale of school-based homophobia.[133] From May 1993, Williams began to call on the parliament to remove private schools' LGBT+ related exemptions from the New South Wales Anti-Discrimination Act 1977.[134]

In the course of his GaLTaS co-convenorship, while teaching at Randwick Boys High School, Williams worked with New South Wales Education Minister Virginia Chadwick, MP Clover Moore, Australian Medical Association President Kerryn Phelps, Parents and Citizens (P&C), PFLAG, the New South Wales Teachers Federation, New South Wales Anti-discrimination Board and NSW Police concerning ongoing issues of school homophobia.[135] During GaLTaS' active period, Williams frequently appeared in press and television coverage of LGBT issues, including the Today Show, The 7.30 Report, Australian Broadcasting Corporation Attitude program[136] Nine Network's 60 Minutes and the TV series Sex episode "Homosexuality",[1][137] and was interviewed by Quentin Dempster, Eric Campbell and Sophie Lee.

In 1997 Williams addressed the Parliament of Australia forum on youth suicide convened by then Prime Minister, John Howard,[138][139] working with PFLAG who also attended. In the same year, he was a GaLTaS witness in submissions on behalf of LGBT+ teachers and students to the Human Rights & Equal Opportunity Commission under Chris Sidoti[140][141] and the Justice James Roland Wood Royal Commission into the New South Wales Police Service.[142]

In 1998, GaLTaS was absorbed into the New South Wales Teachers Federation as a Special Interest Group,[143] with Williams as a founding member. Since 2008, Williams has been active in LGBT+ politics in Scotland and in 2018, was co-opted as Meetings Secretary of the Edinburgh University Staff Pride Network.[126][144][145]

Credits

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Filmography

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Commissioning composers: Martin Armiger, Guy Gross, Antony Partos, Roy Hubermann, David Kimber

Commissioning organisations: Royal Hospital for Sick Children, Edinburgh, Australian Broadcasting Corporation, Nine Network, EMI Music Australia, Festival Mushroom Records, Picture This Music, John Singleton Ltd

Derek Williams credited as Arranger, Orchestrator, Composer, Associate Composer, Conductor or Musician in the following moving image works:

Film

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Television

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Documentary

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Discography

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Year Title Artist / producer Derek Williams credited as Genre Record label Format ID Notes
2015 Mail Porter Sandie Jamieson for Royal Hospital for Sick Children, Edinburgh composer, orchestrator, musician, audio engineer Documentary Edinburgh Sick Kids Friends Foundation] DVD Mail Porter (Video 2015) at IMDb Historical documentary prior to move to Little France site
2009 Encounters

The Edinburgh Quartet

Derek Williams producer, composer Classical Edinburgh University 2 CD ASIN B07B1TMNYV funded by the Roberts Fund
2005 A Tribute to Garland Caroline O'Connor arranger, orchestrator, musician Musical theatre Artists Unlimited CD Recorded at the Sydney Opera House
2004 Glen Wood Tap, The Syllabus Glen Wood composer, musician, sound recordist Tap dance Glen Wood Tap DVD set
CD set
1998 Cash Landing Frank Bennett producer, arranger, orchestrator, conductor Jazz, Pop Capitol, EMI Music Australia, Virgin CD Album EMI UPC =

7243 4 98085 2 2

ARIA Award nomination
CD Single Virgin UPC =

7243 8 86610 2 7

Opportunities
Australian Dance Assessment Program Penelope Lancaster producer, arranger, pianist, sound recordist Ballet ADV 4 CD
New Zealand Choral Music Auckland University Festival Choir, conductor Peter Godfrey chorister Classical

Choral

Kiwi Pacific Records International Ltd CD SLD-108 Recorded after 1972 world tour
1994 The Adventures of Priscilla, Queen of the Desert Guy Gross choral arranger Film score Polydor CD 731451693724 Won Oscar
1993 Seven Deadly Sins Martin Armiger arranger, keyboardist TV ABC Music CD EAN = 9399051446327
1992 Frauds Guy Gross, Stephan Elliott orchestrator, arranger, conductor, composer additional music Film score Mushroom CD 9398601009920 Victorian Philharmonic Orchestra
1990 The Crossing Martin Armiger orchestrator, conductor, composer additional music Film score Regular CD Album EAN = 9399609333628
CD Single Nature Boy

(Kate Ceberano)

Vince and Grace (Come in Spinner) Martin Armiger arranger, conductor TV ABC TV DVD ASIN B00D09B3FE
ABC Music CD ASIN B013Q7JS9C Multi Platinum sales
1989 Torvill and Dean – Here We Stand Kevin Stanton choir arranger, pianist Vocal Laser Records CD Recalled by the duo on their website (1989)
Hammard HAM 196
1988 Manning Clark's History of Australia – The Musical Martin Armiger arranger, orchestrator, musician Musical theatre Polydor Vinyl LP 835 591–1
1981 Aloha, A Spectacular New Musical – Original Cast Eaton Magoon Jr, Robert Helpmann musical director, conductor, arranger, orchestrator Musical theatre Hawaiian Vinyl LP HOS-101

Shortcode = rl942

Producer Carl Doy
1972 New Zealand Composer Edition Auckland University Festival Choir, conductor Peter Godfrey chorister Classical

Choral

Kiwi Vinyl LP SLD-31 World Tour 1972

Education

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PhD, BMus, DipEd, FTCL, LMusTCL, DipTeach(NSW), DipTchg(NZ)

References

[edit]
  1. ^ a b c d e f g h Skiffington, Toni. (1 February 1997). 'Derek came out to find success and become a role model'. Page 14 (full page). The Daily Post (Rotorua, New Zealand)
  2. ^ a b "The Wagner Society of Scotland". Retrieved 4 June 2024.
  3. ^ a b Members > Scotland. RWVI.
  4. ^ a b 'Committee'. (2 June 2024). International Association of Wagner Societies.
  5. ^ a b ‘Wagner Society of Scotland & Sir Donald Runicles: Live Festival event and a chance to join friendly society’. 19 July 2024. The Scotsman.
  6. ^ "Derek Williams". The University of Edinburgh. 17 April 2015. Retrieved 20 April 2023.
  7. ^ Christina Dunwoodie. Royal Conservatoire of Scotland. (18 July 2017). Derek Williams (Composer) – Christina Dunwoodie interview. YouTube. Scotland.
  8. ^ Banks, Adam. (17 August 2012). "Avid hits bum note with Sibelius", MacUser. p.14. Publisher: Dennis Publishing (London, England)
  9. ^ Schofield, Jack. (7 August 2012). Users petition Avid to sell Sibelius music software arm. ZDNet
  10. ^ The Audio Podcast 67 Sib Synth Notation, 6 August 2012, retrieved 20 April 2023
  11. ^ . "Music school to form symphony orchestra". National Library of New Zealand. 25 January 1977.
  12. ^ a b (22 July 1976). "I think... yes... I've got it!". Front page. Auckland Star (New Zealand)
  13. ^ Caroline O'Connor sings at the opening concerts of Melbourne's Hamer Hall June 2012, 25 September 2012, retrieved 20 April 2023
  14. ^ a b (27 October 1981). "Author full of praise" (Sir Robert Helpmann). Waikato Times, New Zealand.
  15. ^ a b Cryer, Max. (25 October 1981). "Hamilton produces ambitious musical" and "Kitsch Aloha goes down a real treat". p.9. New Zealand Times
  16. ^ a b "First Lady's Press Office (White House Central Files: Staff Member and Office Files) | Richard Nixon Museum and Library". www.nixonlibrary.gov. Retrieved 20 April 2023.
  17. ^ New Zealand On Screen, Crush awards. NZ On Screen.
  18. ^ "ARIA Awards – History: Winners by Year 1999". Australian Recording Industry Association (ARIA). Archived from the original on 19 May 2011. Retrieved 26 March 2018.
  19. ^ Holmes, Peter (3 October 1999). "Vote Early, Vote Often". p.18. The Sun-Herald (Sydney, Australia)
  20. ^ "Award of Merit Winners October 2016". theindiefest.com. Retrieved 20 April 2023.
  21. ^ "October 2016 Winner". A home for your amazing films. Retrieved 20 April 2023.
  22. ^ "Bo'ness church hosts Linlithgow String Orchestra's Hits from the Musicals | Falkirk Herald". 30 March 2023. Archived from the original on 30 March 2023. Retrieved 20 April 2023.
  23. ^ "New Music Scotland". newmusicscotland.co.uk. Retrieved 20 April 2023.
  24. ^ GOUDIE, ANDREW. Great Desert Explorers. Society for Libyan Studies, 2016. JSTOR, https://doi.org/10.2307/j.ctvk8w11t. Retrieved 26 April 2023.
  25. ^ Williams, Claud (2013). Light Car Patrols 1916–19. Publisher: Royal Geographical Society. ISBN 9781900971157. (London, UK)
  26. ^ University of Auckland Calendar 1974, 'Scholarships, Bursaries and Awards – AU Scholarships 1973', Page 527. New Zealand.
  27. ^ Professor Hollinrake Memorial Scholarship. University of Auckland.
  28. ^ University of Auckland Calendar 1975 'Scholarships, Bursaries and Awards – AU Scholarships 1974', Page 547. New Zealand.
  29. ^ Caroll, Penelope. (24 March 1994). There's always room for one more - Mary Nathan: Section 2, Page 5. The New Zealand Herald. National Library of New Zealand.
  30. ^ Evans, Rex (1992). Faith and Farming Te Huarahi Ki Te Ora, 'Descendants of Williams, Henry and Coldham, Marianne: Williams, Derek'. Pages 22–30. Publisher: Evegean Publishing. ISBN 0908951175 (hbk.) Auckland War Memorial Museum
  31. ^ Andrew Goudie, University of Oxford. (2016). Great Desert Explorers. Pages 3, 76, 220, 223–7. Royal Geographical Society. (London, UK).
  32. ^ Harold, Jim (2005). Deserts, Cars, Maps and Names. Publisher: University of Northumbria
  33. ^ Williams, Claud (2013). Light Car Patrols 1916–19. Derek Williams acknowledged Page 154. Editor: Russell McGuirk. Publisher: Royal Geographical Society. ISBN 9781900971157. (London, UK)
  34. ^ Hughes, Sally (21 October 2013). Review: Across The Desert In A Model T. The National Archives (United Kingdom)
  35. ^ Colin Cole. New Zealand Fashion Museum.
  36. ^ Parliamentary Debates (Hansard). (12 October 1971. Page 3894. Parliamentary Debates SEPT. 22-OCT. 28 1971. Questions and Replies: 'Auckland University Festival Choir'. (New Zealand).
  37. ^ (June 1972). 'The Choir in America. Pages 13–15. University of Auckland News Vol 2, No 4 (New Zealand)
  38. ^ Peter Godfrey. (1922–2017). Arts Foundation of New Zealand.
  39. ^ VIDEO from 26'10": Third International University Choral Festival. ASSET ID 887083. United Nations
  40. ^ Tagger, Jutta. (15 April 2010). In Memoriam Willi Gohl 1925–2010. International Federation for Choral Music
  41. ^ Marcato, Ben. (2 May 1972). 'End of Lincoln Choralathon' review. Page 50. Daily News|location=New York. (USA).
  42. ^ Sherman, Robert. (2 May 1972). Choirs From 16 Countries, Stir Audience at Festival Finale. New York Times. USA
  43. ^ Sharp, Tim and Prucha, Christina. (23 February 2009). Arcadia Publishing. Page 83. Images of America. Shaw, Robert. American Choral Directors Association. ISBN 9781439621127. (Charleston SC, Chicago IL, Portsmouth NH, San Francisco CA, USA).
  44. ^ (7 April 1972). 'On The Go'. Page 7C. Democrat and Chronicle. (Rochester, New York, USA).
  45. ^ University of Auckland Festival Choir; Godfrey, Peter (1973). Report of activities, September 1970 - September 1972. Auckland: The Choir. OCLC 152892521.
  46. ^ 'Letter arranging a visit from the University of Auckland Choir to Snape Maltings'. Reference: PPA/CHARLTON. Britten Pears Arts Integrated Catalogue. Benjamin Britten & Peter Pears
  47. ^ 'Manuscript and typescript correspondence from Peter Godfrey and Margery Charlton, of the University of Auckland, New Zealand, and typescript copy letter from Britten's secretary.'. Reference: BBA/AUCKLAND_UNIVERSITY. Britten Pears Arts Integrated Catalogue. Benjamin Britten & Peter Pears
  48. ^ Auckland Star. 13 May 1972. University Choir Has Won Praise. National Library of New Zealand
  49. ^ (1998). 'UNIVERSITY OF AUCKLAND FESTIVAL CHOIR – New Zealand Choral Music'. Kiwi Pacific Records.
  50. ^ National Library of New Zealand. (1971–1973). 'University of Auckland Festival Choir : Report of activities / by Peter Godfrey'. Ref: MSY-4511. Ref: MS-Papers-6155.
  51. ^ Mahoney, Desmond (29 May 1972). "Best choir NZ has produced". Auckland Star. p. 5.
  52. ^ (December 1974). 'School of music in Gisborne on its way'. Gisborne Herald (New Zealand)
  53. ^ Hewitson, D. (1965). 'SALIENT: VICTORIA UNIVERSITY STUDENTS' PAPER. VOL. 28, NO. 6'. Juan Matteucci: The Man And His Music. Wellington, New Zealand)
  54. ^ (8 September 1976). 'Women May Beat On Male Domain'. The New Zealand Herald
  55. ^ Maxwell, Susan (23 October 1976). 'Good vibrations galore'. Page 3. The New Zealand Herald
  56. ^ (25 January 1977). 'Orchestra To Give Students Pro Touch'. The New Zealand Herald
  57. ^ (28 January 1978). 'Second chance music school'. Auckland Star (New Zealand)
  58. ^ Inkster, Ian (Autumn, 1977).'Orchestral Trainee Scheme to be launched'. Page 23. New Zealand Arts Horizon. (Auckland, New Zealand)
  59. ^ Derek Williams and Linda Slater-Hayes. (August 1984). Polys in action at Rotorua. Pages 68-69 (scroll to p.85-86 in PDF doc). Bits & Bytes (New Zealand)
  60. ^ 'The Poly 1 Educational Computer'. "The Poly computer was at least eighteen months ahead of the Acorn BBC Micro computer." University of Otago. (New Zealand).
  61. ^ Aloha. Hamilton Heritage Collections.
  62. ^ Day, Paul. (19 October 1981). Review: Hamilton Says Aloha To Musical. Hamilton North, New Zealand#Founders Theatre. The New Zealand Herald.
  63. ^ Magoon, Eaton, Jr, 1922-2018, Metzger, Derek, 1962-, Williams, Derek, 1952-, Helpmann, Robert, Sir, 1909-1986. (1981). Aloha : a spectacular new musical / music and lyrics by Eaton Magoon Jnr. Musicals > Excerpts > Anthony Norton Collection, ATL-Group-00433: National Library of New Zealand.
  64. ^ 'Aloha > New Zealand Cast'. Vinyl. 1981. Producer: Carl Doy.
  65. ^ 'The Arts'. (12 June 1985). 'Teacher Continues Aloha Association'. Page 24. The Daily Post (Rotorua, New Zealand)
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  91. ^ ( 12–15 March 2008). Poster. Edinburgh Grand Opera. Faust. Edinburgh Festival Theatre. (Scotland)
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  93. ^ Walton, Kenneth. (11 March 2009). Shoestring section. Classical & Opera: The Scotsman.
  94. ^ (1 June 2017). " 'It Was Fifty Years Ago Today' A Concert celebrating Sgt Pepper and the Summer of Love". Bootleg Beatles. Royal Albert Hall. (London, UK)
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  96. ^ Jones, Catherine. (1 June 2017). Review: It Was 50 Years Ago Today ****. Arts City Liverpool. (United Kingdom).
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  98. ^ Burton, Tara Isabella. (25 August 2013). Medea: Greece Meets West. Broadway Baby. (Edinburgh, Scotland)
  99. ^ Johnson, Jean. (2015). Jean Johnson Interview. (Edinburgh, Scotland)
  100. ^ Williams, Derek. (31 January 2014). Medea (Act 2) 2014. Edinburgh University. (Scotland). YouTube.
  101. ^ (8 November 2012). Glenfiddich appoints Gravity Thinking. Little Black Book.
  102. ^ Hugh Francis Anderson. Glenfiddich: Whisky – but not as you know it.The Gentleman's Journal.
  103. ^ Spary, Sara. (23 October 2015). Glenfiddich creates visible sound waves in fusion of art and science. Campaign.
  104. ^ (21 October 2015). Glenfiddich 21 Year Old – The Finishing Touch. Vimeo
  105. ^ Due Nuove Composizioni nel Programma di Sabato. Derek Williams & Andrea Talmelli. Il Giornale di Reggio [it], (30 June 2018), p.2. Fondazione Giorgio e Aurora Giovannini. edumus.com website.
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  121. ^ McAdams, Deborah D. (11 February 2013).'Avid CEO Switch: Greenfield Out, Hernandez In'. TV Technology.
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  123. ^ Clark, Kevin. (15 November 2012). Keeping Score: Spreadbury Speaks on Sibelius Team Transition. Publisher: New Music USA (New York, USA)
  124. ^ (20 February 2013). Sibelius Core Team Now at Steinberg, Building New Notation Tool. Publisher: Create Digital Media (Berlin, Germany)
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