"The consensus among the cinematographers I’ve interviewed who’ve shot Super 16mm seems to be that 35mm film has gotten so clean that the differences between 35mm and digital capture are increasingly difficult to differentiate. However, Super 16 still possesses grain and color rendition distinctive to film."—Matt Mulcahey, "The Grain of Super 16 Gives the Film Another Layer': Edward Lachman on Carol". Filmmaker Magazine. 14 January 2016.
