Awake in the Brain Chamber
| Awake in the Brain Chamber | ||||
|---|---|---|---|---|
 | ||||
| Studio album by | ||||
| Released | August 21, 2020 | |||
| Genre | Indie rock | |||
| Length | 31:23 | |||
| Language | English | |||
| Label | TSM Recordings | |||
| Producer | Brandon Curtis | |||
| Secret Machines chronology | ||||
| ||||
Awake in the Brain Chamber is the fourth full-length studio album by American indie rock band Secret Machines, released by TSM Recordings on August 8, 2020. The album has received positive reviews from critics and is a comeback recording after the band had been dormant for several years and features some posthumous recordings from former frontman Benjamin Curtis.[1]
Reception
[edit]| Aggregate scores | |
|---|---|
| Source | Rating |
| Metacritic | 81 (6 reviews)[2] |
| Review scores | |
| Source | Rating |
| AllMusic |   [3] |
| Pitchfork Media | 6.8⁄10[1] |
| Under the Radar | 8⁄10[4] |
Awake in the Brain received positive reviews from critics noted at review aggregator Metacritic. It has a weighted average score of 81 out of 100, based on six reviews.[2] Editors at AllMusic rated this album 4.5 out of 5 stars, with critic Matt Collar writing that the band shows many influences beyond the space rock that they had been known for earlier, including "ambient music, psych-pop, and kinetic, '70s-style Krautrock", ending that "it's a fitting aesthetic for a band that has returned to earth after a long journey through their inner emotional cosmos".[3] In Glide Magazine, Shawn Donohue calls this "a comeback album that sounds right at home with their past releases while painting a way forward if the band continues to explore their rock cosmos".[5] Ian Cohen of Pitchfork Media rated this album a 6.8 out of 10, criticizing the music as "the modest charm of fan service, intended for an audience that’s actively rooting for Secret Machines to succeed".[1] Editors of The Quietus chose this as Album of the Week, with Patrick Clarke writing that it "achieves something transcendent" and sums up his review by calling this "a comeback record that overcomes the fractures and scars of its creation without trying to ignore them, a near-complete revival of the band’s former powers, and a bold delve into epic new territory".[6] In Under the Radar, Dom Gourlay gave this release an 8 out of 10, calling the album "a stylish return for one of the underground’s most cherished acts".[4]
Track listing
[edit]All songs written by Brandon Curtis.
- "3, 4, 5, Let’s Stay Alive" – 3:25
- "Dreaming Is Alright" – 3:47
- "Talos’ Corpse" – 3:20
- "Everything’s Under" – 4:29
- "Everything Starts" – 5:03
- "Angel Come" – 3:23
- "A New Disaster" – 4:23
- "So Far Down" – 3:34
Personnel
[edit]Secret Machines
- Benjamin Curtis – guitar
- Brandon Curtis – guitar, bass guitar, keyboards, percussion, vocals, engineering, production
- Josh Garza – drums
Additional personnel
- Bryan Bisordi – percussion
- Chris Kyle – guitar
- Joe Lambert – mastering
- Claudius Mittendorfer – mixing
- Sarah Pedinotti – keyboards, vocals
See also
[edit]References
[edit]- ^ a b c "Secret Machines: Awake in the Brain Chamber Album Review". Albums. Pitchfork Media. September 8, 2020. Retrieved July 1, 2023.
- ^ a b "Awake in the Brain Chamber by Secret Machines Reviews and Tracks – Metacritic". Metacritic. Fandom, Inc. n.d. Retrieved July 1, 2023.
- ^ a b Collar, Matt (n.d.). "Secret Machines – Awake in the Brain Chamber". AllMusic. RhythmOne. Retrieved July 1, 2023.
- ^ a b Gourlay, Dom (November 11, 2020). "Secret Machines: Awake in the Brain Chamber (TSM Recordings)". Music. Under the Radar. Retrieved July 1, 2023.
- ^ Donohue, Shawn (August 20, 2020). "The Secret Machines Break Open a New Chapter With 'Awake in the Brain Chamber'". Album Reviews. Glide Magazine. Retrieved July 1, 2023.
- ^ "Full Force: Secret Machines' Awake In The Brain Chamber". Features. The Quietus. August 20, 2020. Retrieved July 1, 2023.
External links
[edit]- Awake in the Brain Chamber at Discogs (list of releases)
- Awake in the Brain Chamber at MusicBrainz (list of releases)
- "Secret Machines Are Back. So Much Has Changed." by Jeremy Gordon in The New York Times (August 16, 2020)
