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List of concert arias, songs and canons by Wolfgang Amadeus Mozart

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This is a list of concert arias, songs and canons by Wolfgang Amadeus Mozart.

Concert arias

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Soprano

[edit]
K1 K6 Composition, score and critical report (NMA) Librettist Date
23   "Conservati fedele" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio,
Artaserse I,1		 October 1765
70 61c "A Berenice ... Sol nascente" (Score/Crit. report)
Recitative and aria (Licenza) for soprano and orchestra		 unknown 28 February 1767 or 1769
  74b "Non curo l'affetto" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio,
Demofoonte I,7		 early 1771
77 73e "Misero me! ... Misero pargoletto" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Metastasio,
Demofoonte III, 4&5		 12 March 1770
78 73b "Per pietà, bell'idol mio" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio,
Artaserse I,5		 1766, or Count Firmian's audition party, Milan, 12 March 1770
79 73d "O temerario Arbace! ... Per quel paterno amplesso" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Metastasio,
Artaserse II,11		 1766, or Count Firmian's audition party, Milan, 12 March 1770
deest
KV9 646		   "Cara, se le mie pene" (Score/Crit. report)
Aria for soprano and orchestra		 unknown 1769
82 73o "Se ardire, e speranza" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio,
Demofoonte, I, 13		 25 April 1770
83 73p "Se tutti i mali miei" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio
Demofoonte, II, 6		 1770
88 73c "Fra cento affanni e cento" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio,
Artaserse I,2		 1770
119 382h "Der Liebe himmlisches Gefühl" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)
This is possibly (Kunze) the aria for Gretl Marchand from K. deest		 unknown 1782
146 317b "Kommet her, ihr frechen Sünder"
Aria for soprano and strings		 unknown between March and April 1779
152 210a "Ridente la calma" (Score/Crit. report)
Aria (canzonetta) for voice and piano, transcription of an insertion aria sung by Luigi Marchesi with several texts in several operas. The version with the text "Ridente la calma" was inserted in Francesco Bianchi's Il trionfo della pace (1782).[1] The original author of the music may be Josef Mysliveček. A slightly different version of the aria appears with the text "Il caro mio bene" in a manuscript of Mysliveček's Armida (1779).		 Cesare Olivieri, Il trionfo della pace[1] between 1772 and 1775
178 417e "Ah, spiegarti, oh Dio" (Score/Crit. report)
Aria for soprano and orchestra (piano reduction)		 unknown June 1783
217   "Voi avete un cor fedele" (Score/Crit. report)
Aria for soprano and orchestra		 Carlo Goldoni
Le nozze di Dorina I,4		 26 October 1775
272   "Ah, lo previdi! ... Ah, t'invola ... Misera! ... Deh, non varcar" (Score/Crit. report)
Recitative, aria, recitative and cavatina for soprano and orchestra		 Vittorio Amedeo Cigna-Santi [it]
Andromeda III,10		 August 1777
294   "Alcandro, Io confesso ... Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Metastasio
L'Olimpiade III,6		 24 February 1778
316 300b "Popoli di Tessaglia! ... Io non chiedo, eterni Dei" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Ranieri de' Calzabigi
Alceste I,2		 8 January 1779
  365a "Zittre, töricht Herz"
Aria for soprano and orchestra (lost)		 Friedrich August Clemens Werthes November 1780
368   "Ma che vi fece, o stelle ... Sperai vicino il lido" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Metastasio
Demofoonte, I,4		 January 1781
369   "Misera, dove son! ... Ah! non son io che parlo" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Metastasio
Ezio, III, 12		 8 March 1781
374   "A questo seno deh vieni ... Or che il cielo a me ti rende" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Giovanni de Gamerra
Sismano nel Mogol III,7		 April 1781
383   "Nehmt meinen Dank, ihr holden Gönner!" (Score/Crit. report)
Aria for soprano and orchestra		 unknown 10 April 1782
416   "Mia speranza adorata! ... Ah, non sai qual pena" (Score/Crit. report)
Recitavo and aria (rondo) for soprano and orchestra		 Gaetano Sertor
Zemira II,5		 8 January 1783
418   "Vorrei spiegarvi, oh Dio!" (Score/Crit. report)
Aria for soprano and orchestra		 unknown 20 June 1783
419   "No, che non sei capace" (Score/Crit. report)
Aria for soprano and orchestra		 unknown June 1783
440 383h "In te spero, oh sposo amato" (Score/Crit. report)
Aria for soprano and orchestra (sketch)		 Metastasio
Demofoonte, I,2		 February 1782
486a 295a "Basta, vincesti ... Ah, non lasciarmi, no" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Metastasio
Didone abbandonata, II, 4		 28 February 1778
505   "Ch'io mi scordi di te? ... Non temer, amato bene" (Score/Crit. report)
Recitative and aria (rondo) for soprano, piano obbligato and orchestra		 Giambattista Varesco 26 December 1786
528   "Bella mia fiamma, addio! ... Resta, oh cara!" (Score/Crit. report)
Recitative and aria for soprano and orchestra		 Michele Sarcone [it]
Cerere placata II,5		 3 November 1787
538   "Ah se in ciel, benigne stelle" (Score/Crit. report)
Aria for soprano and orchestra		 Metastasio
L'eroe cinese, I,2		 4 March 1788
  540c "In quali eccessi ... Mi tradì quell'alma ingrata"
Replacement recitative and aria for the character Donna Elvira (soprano) and orchestra in Don Giovanni		 Lorenzo Da Ponte 1788
569   "Ohne Zwang aus eignem Triebe"
Aria for soprano and orchestra (lost)		 Michel-Jean Sedaine, Le roi et le fermier, tr. Johann Heinrich Faber[2] January 1789
577   "Al desio di chi t'adora" (Score)
Replacement aria for the character Susanna (soprano) and orchestra in The Marriage of Figaro		 Lorenzo Da Ponte 1789
578   "Alma grande e nobil core" (Score/Crit. report)
Aria for soprano and orchestra		 Giuseppe Palomba [it]
I due baroni di Rocca Azzurra I,4		 August 1789
579   "Un moto di gioia mi sento" (Score)
Replacement aria for the character Susanna (soprano) and orchestra in The Marriage of Figaro		 Lorenzo Da Ponte 1789
580   "Schon lacht der holde Frühling" (Score/Crit. report)
Aria for soprano and orchestra (fragment)		 unknown 17 September 1789
582   "Chi sà, chi sà, qual sia" (Score/Crit. report)
Aria for soprano and orchestra		 Lorenzo Da Ponte
Il burbero di buon cuore I,14		 October 1789
583   "Vado, ma dove? oh Dei!" (Score/Crit. report)
Aria for soprano and orchestra		 Lorenzo Da Ponte
Il burbero di buon cuore II,4		 October 1789

Contralto

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K1 K6 Composition, score and critical report (NMA) Librettist Date
255   "Ombra felice! ... Io ti lascio" (Score/Crit. report)
Recitative and aria (rondo) for contralto and orchestra		 Giovanni de Gamerra
Arsace II,8		 September 1776

Tenor

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K1 K6 Composition, score and critical report (NMA) Librettist Date
21 19c "Va, dal furor portata" (Score/Crit. report)
Aria for tenor and orchestra		 Metastasio
Ezio, II,4		 1765
36 33i "Or che il dover – Tali e cotanti sono" (Score/Crit. report)
Recitative and aria for tenor and orchestra		 unknown December 1766
71   "Ah, più tremar non voglio" (Score/Crit. report)
Aria for tenor and orchestra (fragment)		 Metastasio
Demofoonte, I,1		 1769 or 1770
209   "Si mostra la sorte" (Score/Crit. report)
Aria for tenor and orchestra		 unknown 19 May 1775
210   "Con ossequio, con rispetto" (Score/Crit. report)
Aria for tenor and orchestra		 unknown May 1775
256   "Clarice cara mia sposa" (Score/Crit. report)
Aria for tenor and orchestra		 unknown September 1776
295   "Se al labbro mio non credi" (Score/Crit. report)
Aria for tenor and orchestra		 Antonio Salvi
Artaserse, I,14		 28 February 1778
420   "Per pietà, non ricercate" (Score/Crit. report)
Aria (rondo) for tenor and orchestra		 unknown 21 June 1783
431 425b "Misero! O sogno ... Aura, che intorno spiri" (Score/Crit. report)
Recitative and aria for tenor and orchestra		 Caterino Mazzolà[3] December 1783
435 416b "Müßt' ich auch durch tausend Drachen" (Score/Crit. report)
Aria for tenor and orchestra (sketch)		 unknown 1783
490   "Non più, tutto ascoltai... Non temer, amato bene"
Replacement recitative and aria for the character Idamante (tenor) and orchestra in Idomeneo		 Giambattista Varesco 1786
  540a "Dalla sua pace"
Replacement aria for the character Don Ottavio (tenor) and orchestra in Don Giovanni		 Lorenzo Da Ponte 1788

Bass

[edit]
K1 K6 Composition, score and critical report (NMA) Librettist Date
  209a "Un dente guasto e gelato" (Score/Crit. report)
Aria for bass and orchestra (fragment)		 unknown 1775
432 421a "Così dunque tradisci ... Aspri rimorsi atroci" (Score/Crit. report)
Recitative and aria for bass and orchestra		 Metastasio
Temistocle, III,8		 1783
433 416c "Männer suchen stets zu naschen" (Score/Crit. report)
Aria for bass and orchestra (sketch)		 unknown 1783
512   "Alcandro, Io confesso ... Non sò d'onde viene" (Score/Crit. report)
Recitative and aria for bass and orchestra		 Metastasio
L'Olimpiade III,6		 18 or 19 March 1787
513   "Mentre ti lascio, oh figlia" (Score/Crit. report)
Aria for bass and orchestra		 Duca Sant'Angioli-Morbilli
La disfatta di Dario II,9		 23 March 1787
539   "Ich möchte wohl der Kaiser sein" (Score/Crit. report)
Aria for bass and orchestra		 Johann Wilhelm Ludwig Gleim 5 March 1788
541   "Un bacio di mano" (Score/Crit. report)
Arietta for bass and orchestra		 Lorenzo Da Ponte
Le gelosie fortunate II,4		 June 1788
584   "Rivolgete a lui lo sguardo"
Aria for bass and orchestra, intended for Così fan tutte, but discarded at the first performance		 Lorenzo Da Ponte December 1789
612   "Per questa bella mano" (Score/Crit. report)
Aria for bass, contrabass obbligato, and orchestra		 unknown 8 March 1791
Anh. 245 621a "Io ti lascio, oh cara, addio" (Score/Crit. report)
Aria for bass and orchestra		 unknown 1788

Group

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K1 K6 Composition, score and critical report (NMA) Librettist Date
Anh. 24a 43a "Ach, was müssen wir erfahren!" (Score)
Duet for two sopranos (fragment)		 unknown 15 October 1767
346 439a "Luci care, luci belle" (Score)
Notturno (terzet) for two sopranos, bass and three basset horns		 Angelo Lungi, La Pupilla
(some sources attribute libretto to Metastasio)		 possibly 1783
389 384A "Welch ängstliches Beben"
Duet for two tenors and orchestra, intended for Die Entführung aus dem Serail, but discarded at the first performance (fragment)		 Christoph Friedrich Bretzner between April and May 1782
434 480b "Del gran regno delle amazzoni" (Score/Crit. report)
Aria for tenor, two basses and orchestra (fragment)		 Giuseppe Petrosellini
Il regno delle amazzoni I,1		 end of 1785
436   "Ecco quel fiero istante" (Score)
Notturno (terzet) for two sopranos and bass and three basset horns		 Metastasio
La partenza		 possibly 1783
437   "Mi lagnerò tacendo" (Score)
Notturno (terzet) for two sopranos, bass, two clarinets and basset horn		 Metastasio
Siroe, II, 1		 possibly 1783
438   "Se lontan, ben mio, tu sei" (Score)
Notturno (terzet) for two sopranos, bass, two clarinets and basset horn (fragment)		 Metastasio
Strofe per musica		 possibly 1783
439   "Due pupille amabili" (Score)
Notturno (terzet) for two sopranos, bass and three basset horns		 Giuseppe Petrosellini, L'incognita perseguitata possibly 1783
441   "Liebes Manndel, wo ist's Bandel?" (Score)
Terzet for soprano, tenor, bass and strings		 Wolfgang Amadeus Mozart possibly 1783
479   "Dite almeno, in che mancai" (Score/Crit. report)
Aria for soprano, tenor, two basses and orchestra		 unknown 5 November 1785
480   "Mandina amabile" (Score/Crit. report)
Aria for soprano, tenor, bass and orchestra		 unknown 21 November 1785
483   "Zerfließet heut', geliebte Brüder" (Score)
Song with voice, 3-part male choir and organ		 Augustin Veith Edler von Schittlersberg December 1785
484   "Ihr unsre neuen Leiter" (Score)
Song with voice, 3-part male choir and organ		 Augustin Veith Edler von Schittlersberg December 1785
489   "Spiegarti non poss'io"
Duet for soprano and tenor
Replacement duet for the characters Ilia (soprano), Idamante (tenor) and orchestra in Idomeneo		 Giambattista Varesco 1786
532   "Grazie agl'inganni tuoi" (Score)
Terzet for soprano, tenor, bass and orchestra (fragment)		 Metastasio
La Libertà a Nice		 possibly 1787
  540b "Per queste tue manine"
Duet for soprano and bass
Replacement duet for the characters Zerlina (soprano), Leporello (bass) and orchestra in Don Giovanni		 Lorenzo Da Ponte 1788
549   "Più non si trovano" (Score)
Notturno (terzet) for two sopranos, bass and three basset horns		 Metastasio
L'Olimpiade, I, 7		 16 July 1788
Anh. 5 571a "Caro mio Druck und Schluck" (Score)
Quartet for soprano, two tenors, bass and piano (fragment)		 Wolfgang Amadeus Mozart beginning of 1789
615   "Viviamo felici in dolce contento"
Choir of amateurs and strings (fragment)		 Tommaso Grandi 1791
625 592a "Nun, liebes Weibchen"
Duet for soprano, bass and orchestra		 Emanuel Schikaneder August 1790

Songs

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K1 K6 Composition, score and critical report (NMA) Librettist Date
53 47e "An die Freude" (Score/Crit. report)
Freude, Königin der Weisen
Possibly (Einstein) the aria for the daughter of Joseph Wolf from K. deest		 Johann Peter Uz (1720–1796) November 1768
147 125g "Wie unglücklich bin ich nit" (Score/Crit. report) unknown 1772
148 125h "Lobgesang auf die feierliche Johannisloge" (Score/Crit. report)
O heiliges Band der Freundschaft treuer Brüder		 Ludwig Friedrich Lenz (1717–1780) 1772
307 284d "Oiseaux, si tous les ans" (Score/Crit. report) Antoine Houdart Ferrand (1678–1719) 30 October 1777
308 295b "Dans un bois solitaire" (Score/Crit. report) Antoine Houdar de la Motte (1672–1731) between 30 October 1777 and 13/14 March 1778
343 336c "Zwei deutsche Kirchenlieder" (Score/Crit. report)
O Gotteslamm, Als aus Ägypten Israel		 unknown Spring 1787
349 367a "Die Zufriedenheit" (Score/Crit. report)
Was frag' ich viel nach Geld und Gut		 Johann Martin Miller (1750–1814) between 8 November 1780 and mid-March 1781
351 367b "Komm, liebe Zither, komm" (Score/Crit. report) unknown between 8 November 1780 and mid-March 1781
390 340c "Ich würd' auf meinem Pfad" (Score/Crit. report) Johann Timotheus Hermes (1738–1821) between August 1781 and May 1782
391 340b "Sei du mein Trost" (Score/Crit. report) Johann Timotheus Hermes (1738–1821) between August 1781 and May 1782
392 340a "Verdankt sei es dem Glanz der Großen" (Score/Crit. report) Johann Timotheus Hermes (1738–1821) between August 1781 and May 1782
Anh. 25 386d "Bardengesang auf Gibraltar" (Score/Crit. report)
O Calpe! Dir donnert's am Fusse (sketch)		 Michael Denis (1729–1800) end of December 1782
468   "Lied zur Gesellenreise" (Score/Crit. report)
Die ihr einem neuen Grad		 Joseph Franz von Ratschky (1757–1810) 26 March 1785
472   "Der Zauberer" (Score/Crit. report)
Ihr Mädchen, flieht Damöten [Damoetas] ja!		 Christian Felix Weiße (1726–1804) 7 May 1785
473   "Die Zufriedenheit" (Score/Crit. report)
Wie sanft, wie ruhig		 Christian Felix Weiße (1726–1804) 7 May 1785
474   "Die betrogene Welt" (Score/Crit. report)
Der reiche Tor		 Christian Felix Weiße (1726–1804) 7 May 1785
476   "Das Veilchen" (Score/Crit. report)
Ein Veilchen auf der Wiese stand		 Johann Wolfgang von Goethe 8 June 1785
506   "Lied der Freiheit" (Score/Crit. report)
Wer unter eines Mädchens Hand		 Aloys Blumauer (1755–1798) end of 1785
Anh. 26 475a "Einsam bin ich, meine Liebe" (Score/Crit. report)
fragment		 Johann Martin Miller (1750–1814)[4] possibly 1785
517   "Die Alte" (Score/Crit. report)
Zu meiner Zeit, zu meiner Zeit		 Friedrich von Hagedorn (1708–1754) 18 May 1787
518   "Die Verschweigung" (Score/Crit. report)
Sobald Damötas Chloen sieht		 Christian Felix Weiße (1726–1804) 20 May 1787
519   "Das Lied der Trennung" (Score/Crit. report)
Die Engel Gottes weinen		 Klamer Eberhard Karl Schmidt (1746–1824) 23 May 1787
520   "Als Luise die Briefe ihres ungetreuen Liebhabers verbrannte" (Score/Crit. report)
Erzeugt von heißer Phantasie		 Gabriele von Baumberg (1766–1839) 26 May 1787
523   "Abendempfindung"[5] (Score/Crit. report)
Abend ist's, die Sonne ist verschwunden		 unknown 24 June 1787
524   "An Chloe" (Score/Crit. report)
Wenn die Lieb' aus deinen blauen, hellen, offnen Augen sieht		 Johann Georg Jacobi (1740–1814) 24 June 1787
529   "Des kleinen Friedrichs Geburtstag" (Score/Crit. report)
Es war einmal, ihr Leute		 Johann Eberhard Friedrich Schall (1742–1790),
last verse by Joachim Heinrich Campe (1746–1818)		 6 November 1787
530   "Das Traumbild" (Score/Crit. report)
Wo bist du, Bild		 Ludwig Christoph Heinrich Hölty (1748–1776) 6 November 1787
531   "Die kleine Spinnerin" (Score/Crit. report)
Was spinnst du?		 unknown 11 December 1787
552   "Lied beim Auszug in das Feld" (Score/Crit. report)
Dem hohen Kaiserworte treu		 unknown 11 August 1788
596   "Sehnsucht nach dem Frühlinge" (Score/Crit. report)
Komm, lieber Mai, und mache		 Christian Adolph Overbeck (1755–1821) 14 January 1791
597   "Der Frühling" (Score/Crit. report)
Erwacht zum neuen Leben		 Christoph Christian Sturm (1740–1786) 14 January 1791
598   "Das Kinderspiel" (Score/Crit. report)
Wir Kinder, wir schmecken der Freuden recht viel!		 Christian Adolph Overbeck (1755–1821) 14 January 1791

Canons

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K1 K6 Composition, score and critical report (NMA) Librettist Date
89 73k "Kyrie in G" (Score)
Kyrie a cinque con diversi canoni		 liturgical text May 1770
89a II 73r "Four Riddle Canons" (Score)
Sit trium series una: Incipe Menalios for 3 voices;
Ter ternis canite vocibus: Cantate Domino for 9 voices;
Canon ad duodecimam: Confitebor tibi Domine for 3 voices;
Canon. Ter voce ciemus: Thebana bella for 6 voices		 unknown Summer 1770
89a 73i "Canon for 4 instruments" (Score) — April 1770
228 515b "Ach! zu kurz" (Score)
Double canon for 4 voices		 unknown before 24 June 1787
229 382a "Sie ist dahin" (Score)
Canon for 3 voices		 Ludwig Heinrich Christoph Hölty (1748–1776) 1782
230 382b "Selig, selig" (Score)
Canon for 2 voices		 Ludwig Heinrich Christoph Hölty (1748–1776) 1782
231 382c "Leck mich im Arsch" / "Lasst uns froh sein") (Score)
Canon for 6 voices		 probably WA Mozart himself 1782
232 509a "Lieber Freistädtler, lieber Gaulimauli" (Score)
Canon for 4 voices		 probably WA Mozart himself after 4 June 1787
233 382d "Leck mir den Arsch fein recht schön sauber" (Score)
/ "Nichts labt mich mehr als Wein" – Canon for 3 voices		 probably WA Mozart himself 1782
234 382e "Bei der Hitz im Sommer eß ich" (Score)
/ "Essen, Trinken" – Canon for 3 voices		 probably WA Mozart himself 1782
347 382f "Wo der perlende Wein im Glase blinkt" (Score)
Canon for 6 voices		 unknown 1782
348 382g "V'amo di core" (Score)
Quadruple canon for 12 voices (3 choirs)		 unknown 1782
deest   1. "Canon for 6" (sketch) (Score) — 1781/82 or later
deest   2. "Canon for 4" (sketch) (Score) — 1781/82 or later
deest   3. "Canon for 4" (sketch) (Score) — 1781/82 or later
deest   4. "Canon for 4" (sketch) (Score) — end of 1785/1786
507   "Heiterkeit und leichtes Blut" (Score)
Canon for 3 voices		 after 3 June 1786
508   "Auf das Wohl aller Freunde" (Score)
Canon for 3 voices (sopranos)		 unknown after 3 June 1786
  508a 2 canons for 3 sopranos / 14 Interval canons (8 movements/sections) (Score)
Canons for various voices (sketches)		 — after 3 June 1786
deest   6. "Canon for 3" (sketch) (Score) — after 3 June 1786
deest   7. "Canon for 2" (sketch) (Score) — after 3 June 1786
deest   "Canon for 4" (Score) — Summer 1786
553   "Alleluia" (Score)
Canon for 4 voices		 liturgical text 2 September 1788
554   "Ave Maria" (Score)
Canon for 3 voices		 liturgical text 2 September 1788
555   "Lacrimoso son'io" (Score)
Canon for 4 voices		 liturgical text 2 September 1788
556   "Grechtelt's enk" (Score)
Canon for 4 voices		 unknown 2 September 1788
557   "Nascoso è il mio sol" (Score)
Canon for 4 voices		 unknown 2 September 1788
558   "Gehn wir im Prater, gehn wir in d'Hetz" (Score)
Canon for 4 voices		 unknown 2 September 1788
559   "Difficile lectu mihi mars" (Score)
Canon for 3 voices		 probably WA Mozart himself 2 September 1788
560a 559a "O du eselhafter Peierl" (Score)
Canon for 3 voices		 probably WA Mozart himself between 1785 and 1787
560b 560 "O du eselhafter Martin (Jakob)" (Score)
Canon for 4 voices		 probably WA Mozart himself 2 September 1788
deest   9. "Canon for 4" (sketch) (Score) — 1787 or 1788
deest   10. "Canon for 4" (sketch) (Score) — 1787 or 1788
deest   11. "Canon for 4" (sketch) (Score) — 1787 or 1788
561   "Bona nox! bist a rechta Ox" (Score)
Canon for 4 voices		 WA Mozart 2 September 1788
562   "Caro bell' idol mio" (Score)
Canon for 4 voices		 unknown 2 September 1788
  562a "Canon for 4" (Score) — unknown
  562c "Canon for 4 Instruments" (Score)
Canon for 2 violins, viola, bass		 — unknown
  616b "Canonical Study for 4" (Score) — Summer 1787

See also

[edit]

References

[edit]
  1. ^ a b Paolo Montanari, "L'invenzione del passato. Note per il concerto 'Autenticamente falso' del Festival Pergolesi Spontini 2017", (in Italian) academia.edu
  2. ^ Dexter Edge, "Mozart's Reception in Vienna, 1787–91" pp. 66–117 in Wolfgang Amadè Mozart: Essays on His Life and Music, ed. Stanley Sadie, Oxford University Press, 1996. p. 86, note 65; ISBN 978-0-19-816443-2
  3. ^ John A. Rice, "Problems of Genre and Gender in Mozart's Scena 'Misero! o sogno, o son desto', K. 431", academia.edu
  4. ^ Miller, Johann Martin (1783). Gedichte. Ulm: Johann Konrad Wohler. p. 190.
  5. ^ "Who was Mozart's Laura? – 'Abendempfindung' and the Editors" by David Paisey, Electronic British Library Journal, 2006
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