Varumayin Niram Sivappu
Varumayin Niram Sivappu | |
---|---|
Directed by | K. Balachander |
Written by | K. Balachandar |
Produced by | R. Venkataraman |
Starring | |
Cinematography | B. S. Lokanath |
Edited by | N. R. Kittu |
Music by | M. S. Viswanathan |
Production company | Premalaya Pictures |
Release date |
|
Running time | 141 minutes |
Country | India |
Language | Tamil |
Varumaiyin Niram Sivappu (transl. The colour of poverty is red) is a 1980 Indian Tamil-language drama film written and directed by K. Balachander. It was dubbed and partially reshot in Telugu as Aakali Rajyam (transl. Kingdom of hunger). The film stars Kamal Haasan and Sridevi, with Pratap Pothen, R. Dilip and S. Ve. Shekher in supporting roles. It revolves around a group of three men in Delhi struggling with poverty and unemployment.
Varumayin Niram Sivappu was released on 6 November 1980, and Telugu dubbed version Aakali Rajyam was released on 9 January 1981. Varumayin Niram Sivappu was a commercial success, winning two Filmfare Awards South and three Tamil Nadu State Film Awards. It was remade in Hindi as Zara Si Zindagi (1983) with Haasan reprising his role, and Balachander again directing.[1]
Plot
[edit]This article's plot summary may be too long or excessively detailed. (November 2017) |
S. Rangan and his friend are two unemployed Tamil men staying together in Delhi. Another Tamil, Thambu subsequently joins them for the purpose of searching a job. Rangan is a straightforward person who does not tolerate anything which involves impersonation and deceit. He follows and practices the words of Subramania Bharati in his daily life. Hence he cannot secure any job which tests his attitude and patience. He even fails at getting a job of drawing "No Vacancy" boards. The three share everything they get to eat and suffer from poverty and hunger on most days. Rangan once meets Devi, and offers to carry her luggage until the railway station. On reaching there, she offers to pay him, to which Rangan replies that he has no change. Devi rebukes him, assuming he is trying to cheat her. Rangan is angered and leaves without accepting money.
Rangan once chases a man to his house to get back the money which he looted by lying to him. The man enters a house and Rangan chases him there and stumbles upon Devi. The man is Devi's father who lost all his money betting on horse racing, and now earns a living by cheating the people around him to get money for betting more. He cheated Rangan by saying that his daughter has died and needed money to perform last rites. Devi returns the money to Rangan and she also pays him for carrying her luggage before. Devi and Rangan get to know each other better, learning that Rangan is an unemployed straightforward person and Devi is a small-time stage actress. Devi goes to Rangan's house to introduce him to her stage play director, so he can replace an ill actor and earn some money. She suggests he finish his lunch before going there, leaving Rangan embarrassed as there is no food to eat. However he and his friends pretend to eat a sumptuous meal inside the kitchen. But Devi finds out that Rangan and his friends hardly eat for real. Hence she spends her own money to provide food for them. When they are about to eat, Devi's grandmother dies and they cannot eat the food.
Rangan's friend somehow earns some money, which he claims he did so by the advice of a friend Dileep. Thambu is very eager to know Dileep and wants to earn money by his way. He runs away from home in search of Dileep. Devi introduces Rangan to a director, Pratap, who is arrogant and short tempered. Rangan cannot act at his direction as he feels the scenes are logically incorrect. He apologises to Devi for letting her down. Rangan explains that his attitude is inherited from his father, Carnatic vocalist Sundaram Pillai, who always scolds him for his inability to find a job on his own. Rangan once sold his father's tanpura to buy a train ticket for Delhi, which angered his father. Rangan decides to leave the home for a while so that the problem between him and his father might subside. Rangan once beats a mute roadside artist Barani for watching him and Devi secretly. Actually, he did so to draw a portrait of them. Rangan apologises to him and both Devi and Rangan become his friends.
Pratap is obsessed with Devi and he cannot tolerate her closeness with Rangan. Devi once expressed to Barani that she loves Rangan, but is scared to tell him as he might get angry at her. Rangan hears this and he expresses his intentions in the form of a song that he too loves her. Pratap tries to strangle Devi on the stage for a play instead of acting. Off-stage he tells her that he loves her madly and immediately wants to marry her. Devi quits stage acting and starts to live at Rangan's house taking up a new job of baby sitting. Devi loses the baby while shopping for a toy for the child and is eventually fired. But the baby was actually kidnapped by Rangan's friend to demand money from its parents. Rangan slams him and asks for Dileep to which he confesses that there is no Dileep. Rangan tells him to leave the house and never return.
Rangan loses all of the jobs due to his straightforwardness and subsequently suffers from poverty but he is not ready to back off from his attitude for the sake of hunger. Hence he tells Devi to choose a better life as he lost all his confidence of making a decent living with her. Pratap threatens to commit suicide if Devi does not marry him. Hence Devi decides to accept his proposal on the condition that Pratap must recommend a job for Rangan to his father, to which Pratap accepts unwillingly. But Rangan gets angry on seeing Devi with Prathap and goes away. Barani dies in a road accident while seeking Rangan. Devi finds Rangan and tells to him that he is the one who she loves and she will not leave him ever, which angers Pratap and he goes away. Rangan's father comes to Delhi to find his son and meets him as a barber. Rangan explains that he feels satisfied with the job as he does not have to cheat, impersonate or fake his life for anything. The story ends with Rangan and Devi starting a fresh life and Sundaram Pillai accepting his son's decision. Rangan's friend is now a husband of a rich widowed woman who is elder than him and Thambu has turned into an insane beggar due to his search for the non-existent Dileep.
Cast
[edit]- Kamal Haasan as S. Rangan
- Sridevi as Devi[2]
- Pratap Pothen as Pratap[3]
- R. Dilip as Rangan's roommate[a]
- S. Ve. Shekher as Thambi[4]
- Bharani as Bharani[5]
- Poornam Viswanathan as Needamangalam Sundaram Pillai (Tamil)
- J. V. Ramana Murthi as Jonnalagadda Venkata Ramanayya Panthulu (Telugu)
- Oru Viral Krishna Rao as Devi's father
- Prathapachandran as Pratap's father
- Jayasri as Rangan's mother
- Thengai Srinivasan as Rangan's saloon customer (uncredited) (Tamil)[6]
Production
[edit]Pratap Pothen was cast in the role of an eccentric director "with an unhealthy obsession for an actress."[7] He also revealed that director K. Balachander insisted that he dub in his own voice.[8] S. Ve. Shekher who debuted in Ninaithale Inikkum (1979) and newcomer R. Dilip were cast in the role of Kamal Haasan's friends.[9][10] Bharani, a poster designer for Balachander's films, joined the film as a mute artist at Balachander's request.[11] The film was simultaneously shot in Telugu as Aakali Rajyam.[12][13] Filming took place primarily in Delhi.[14]
Themes
[edit]Varumayin Niram Sivappu, a satire on the unemployment crisis India was facing in the 1980s,[15] revolves around the themes of unemployment and poverty in India, particularly for graduates. It also criticises "factional politics" as the root cause behind both problems. The character Rangan's anger towards the system's failure to provide employment and decent living for its people is conveyed when he recites poems by Subramania Bharati. Writing for Jump Cut, Kumuthan Maderya viewed Varumayin Niram Sivappu as belonging to the "angry young man" genre: one that rebels against establishment.[16] The film also criticises bureaucracy, nepotism and red tape as major causes for unemployment and poverty in the country.[17] Sujatha Narayanan, writing for The New Indian Express, noted its similarities to Nenjirukkum Varai (1967).[18]
Soundtrack
[edit]The soundtrack was composed by M. S. Viswanathan and lyrics were written by Kannadasan for Tamil and by Acharya Aatreya for Telugu. The Tamil version includes two songs written by Subramania Bharati. The song "Nalladhor Veenai" is based on Tilang raga.[19] The song "Tu Hai Raja" is predominantly in Hindi, save for the last few lines which are in Tamil.[20]
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | "Sippi Irukkuthu" | Kannadasan | S. P. Balasubrahmanyam, S. Janaki | 5:04 |
2. | "Theerthakkarayinile" | Subramania Bharati | S. P. Balasubrahmanyam | 2:34 |
3. | "Ranga Rangaiah" | Kannadasan | P. Susheela | 3:04 |
4. | "Nalladhor Veenai Seidhe" | Subramania Bharati | S. P. Balasubrahmanyam | 3:39 |
5. | "Paattu Onnu Paadu Thambi" | Kannadasan | S. P. Balasubrahmanyam | 4:38 |
6. | "Tu Hai Raja" | P. B. Sreenivas | S. Janaki | 3:56 |
Total length: | 22:55 |
No. | Title | Lyrics | Singer(s) | Length |
---|---|---|---|---|
1. | "Kanne Pillavani" | Aatreya | S. P. Balasubrahmanyam, S. Janaki | 5:04 |
2. | "O Mahatma O Maharshi" | Sri Sri | S. P. Balasubrahmanyam | 2:34 |
3. | "Gussa Rangayya" | Aatreya | P. Susheela | 3:04 |
4. | "Kooti Kosam Kooli Kosam" | Sri Sri | S. P. Balasubrahmanyam | 3:39 |
5. | "Saapaattu Yetuledu Paataina Paadu" | Aatreya | S. P. Balasubrahmanyam | 4:38 |
6. | "Tu Hai Raja" | P. B. Sreenivas | S. Janaki | 3:56 |
Total length: | 22:55 |
Release and reception
[edit]Varumayin Niram Sivappu was released on 6 November 1980 alongside Nizhalgal with both films having similar themes of unemployment.[23] Aakali Rajyam was released on 9 January 1981.[24] Writing for Kalki, Santhanam criticised the title for lacking relevance to the story, felt the story lacked depth, but praised the performances of Haasan, Sridevi, Pratap and Sekar, though he felt the climax seemed rushed.[25] Ananda Vikatan positively reviewed the film, giving it a score of A, equal to more than 50 out of 100. The film was a commercial success, running for over 100 days in theatres.[5]
Accolades
[edit]At the 28th Filmfare Awards South, Varumayin Niram Sivappu won the Filmfare Award for Best Film – Tamil, Balachander won Best Director – Tamil, and Haasan won Best Actor – Telugu for acting in Aakali Rajyam.[26] Varumayin Niram Sivappu also won the Tamil Nadu State Film Awards for Best Film, Best Director (Balachander) and Best Actor (Haasan).[5][27]
Legacy
[edit]Varumayin Niram Sivappu became a trendsetter in Tamil cinema.[28] Pratap recalled in January 2015 that it was the simultaneous release of Moodu Pani (another film featuring him) and Varumayin Niram Sivappu that made him a star.[8] However, both Moodu Pani – which depicted Pothen as a psychopath who murders prostitutes – and Varumayin Niram Sivappu led to him being typecast in similar roles. "Both roles caught the public imagination, and I admit I cashed in when I was offered similar stuff. Now, unless I'm offered an unreasonable amount of money, I doubt I'll accept these roles," he said in a 2014 interview.[7]
Notes
[edit]- ^ The character's name is never revealed, but is implied to start with the letter 'A'.
References
[edit]- ^ "Varumaiyin Niram Sivappu was remade in Hindi". The Times of India. 25 January 2018. Archived from the original on 24 March 2022. Retrieved 24 March 2022.
- ^ Nayak 2019, p. 46.
- ^ Dhananjayan 2011, p. 46.
- ^ "To Kamal Haasan, on his birthday, with love, from Team Cinema Express". Cinema Express. 7 November 2018. Archived from the original on 25 June 2020. Retrieved 24 June 2020.
- ^ a b c Dhananjayan 2011, p. 47.
- ^ ராஜி, தசரதன் (9 July 2017). "ஒரு படத்தின் குறையை இன்னொரு படத்தில் நேர்த்தி செய்த அந்த நேர்மைதான் கே.பாலசந்தர்!". Ananda Vikatan (in Tamil). Archived from the original on 8 October 2024. Retrieved 2 September 2024.
- ^ a b Srinivasan, Sudhir (18 October 2014). "Hundred, not out". The Hindu. Archived from the original on 3 December 2014. Retrieved 19 September 2015.
- ^ a b Raman, Mohan V. (3 January 2015). "KB: Kollywood's Discovery Channel". The Hindu. Archived from the original on 1 May 2015. Retrieved 19 September 2015.
- ^ Saravanan, T. (16 May 2013). "Jest for fun". The Hindu. Archived from the original on 25 June 2020. Retrieved 24 June 2020.
- ^ "Actor Dileep passes away". The Hindu. 26 May 2012. Archived from the original on 12 September 2019. Retrieved 12 September 2015.
- ^ "தீபாவளி ரிலீஸ் | வறுமையின் நிறம் சிகப்பு". Deepavali Malar (in Tamil). Kalki. 1 November 1980. p. 326. Archived from the original on 29 June 2022. Retrieved 29 June 2022.
- ^ "Kamal Haasan starred in the Tamil and Hindi versions of Aakali Rajyam". The Times of India. 26 April 2020. Archived from the original on 24 December 2020. Retrieved 24 March 2022.
- ^ Dundoo, Sangeetha Devi (3 November 2015). "'My focus is to give quality films at great speed'". The Hindu. Archived from the original on 12 September 2019. Retrieved 19 November 2016.
- ^ Nayak 2019, p. 48.
- ^ "On his 59th b'day, Kamal Haasan's most underrated films". Business Standard. IANS. 7 November 2013. Archived from the original on 15 August 2022. Retrieved 15 August 2022.
- ^ Maderya, Kumuthan (2010). "Rage against the state: historicizing the "angry young man" in Tamil cinema by Kumuthan Maderya". Jump Cut. Archived from the original on 26 September 2016. Retrieved 8 April 2022.
- ^ Bhattacharjee, Rudradeep (28 April 2019). "Where are the jobs? We're not quite sure, but here are the film songs about them". Scroll.in. Archived from the original on 10 January 2022. Retrieved 8 April 2022.
- ^ Narayanan, Sujatha (19 March 2018). "The man who loved the city: Remembering director CV Sridhar". The New Indian Express. Archived from the original on 23 July 2021. Retrieved 30 June 2022.
- ^ Mani, Charulatha (12 October 2012). "Heart-warming Tilang". The Hindu. Archived from the original on 12 September 2019. Retrieved 12 September 2015.
- ^ Nayak 2019, pp. 46–47.
- ^ "Varumayin Niram Sivappu". JioSaavn. 11 June 1980. Archived from the original on 13 February 2022. Retrieved 24 March 2022.
- ^ "Aakali Rajyam". JioSaavn. 31 December 1980. Archived from the original on 11 October 2021. Retrieved 24 March 2022.
- ^ Dhananjayan, G. (14 July 2017). "Similar storylines need to show new tricks to hook fans". DT Next. Archived from the original on 12 September 2019. Retrieved 17 December 2018.
- ^ "Aakali Rajyam". Indiancine.ma. Archived from the original on 9 May 2023. Retrieved 24 March 2022.
- ^ சந்தானம் (23 November 1980). "வறுமையின் நிறம் சிவப்பு". Kalki (in Tamil). p. 33. Archived from the original on 15 August 2022. Retrieved 24 March 2022.
- ^ The Times of India Directory and Year Book Including Who's who. Bennett Coleman & Co. Ltd. 1984. pp. 234–235.
- ^ "சிறந்த படம் "வறுமையின் நிறம் சிவப்பு" | தமிழக அரசு பரிசு!" [Varumayin Niram Sivappu wins Best Film | Tamil Nadu State Film Awards!]. Dina Thanthi (in Tamil). Bangalore. 26 May 1982. p. 1. Archived from the original on 11 May 2023. Retrieved 11 May 2023.
- ^ "'16 Vayathinile' to 'Moondram Pirai', Sridevi's best performances till date". The Times of India. Archived from the original on 24 March 2022. Retrieved 24 March 2022.
Bibliography
[edit]- Dhananjayan, G. (2011). The Best of Tamil Cinema, 1931 to 2010: 1977–2010. Galatta Media. OCLC 733724281.
- Nayak, Satyarth (2019). Sridevi: The Eternal Screen Goddess. India: Penguin Random House. ISBN 9789353056780.
External links
[edit]- 1980 films
- 1980 drama films
- 1980s Indian films
- 1980s multilingual films
- 1980s satirical films
- 1980s Tamil-language films
- Fiction about unemployment
- Films about poverty in India
- Films directed by K. Balachander
- Films scored by M. S. Viswanathan
- Films set in Delhi
- Films shot in Delhi
- Films with screenplays by K. Balachander
- Indian drama films
- Indian multilingual films
- Indian satirical films
- Tamil films remade in other languages
- Tamil-language Indian films
- Telugu films remade in other languages